{"id":223470,"date":"2026-03-27T18:52:13","date_gmt":"2026-03-27T18:52:13","guid":{"rendered":"https:\/\/www.newsbeep.com\/us-tx\/223470\/"},"modified":"2026-03-27T18:52:13","modified_gmt":"2026-03-27T18:52:13","slug":"dallas-symphony-explores-music-with-hungarian-connections","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/us-tx\/223470\/","title":{"rendered":"Dallas Symphony explores music with Hungarian connections"},"content":{"rendered":"<p class=\"body-text-paragraph\">Sonic paprika spiced Thursday night\u2019s <a href=\"https:\/\/www.dallasnews.com\/topic\/dallas-symphony-orchestra\/\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/www.dallasnews.com\/topic\/dallas-symphony-orchestra\/\">Dallas Symphony Orchestra<\/a> program of music by Hungarian composers, and by a German who turned Hungarian tunes into musical bestsellers. <\/p>\n<p class=\"body-text-paragraph\">With music director <a href=\"https:\/\/www.dallasnews.com\/arts-entertainment\/performing-arts\/2025\/02\/28\/the-wizard-of-smell-dallas-symphony-orchestra-conductor-fabio-luisi\/\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/www.dallasnews.com\/arts-entertainment\/performing-arts\/2025\/02\/28\/the-wizard-of-smell-dallas-symphony-orchestra-conductor-fabio-luisi\/\">Fabio Luisi<\/a> back on the <a href=\"https:\/\/www.dallasnews.com\/arts-entertainment\/performing-arts\/2025\/08\/06\/morton-meyersons-pivotal-role-in-bringing-world-class-symphony-center-to-dallas\/\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/www.dallasnews.com\/arts-entertainment\/performing-arts\/2025\/08\/06\/morton-meyersons-pivotal-role-in-bringing-world-class-symphony-center-to-dallas\/\">Meyerson Symphony Center<\/a> podium, the concert included a dazzling performance of a work the DSO hadn\u2019t played since giving its 1956 premiere: Mikl\u00f3s R\u00f3zsa\u2019s Violin Concerto.<\/p>\n<p class=\"body-text-paragraph\">From the middle of the 19th century, a number of European composers explored and arranged songs and dances from Roma and other Central European folk traditions. Their modal melodies were \u201cexotic\u201d to ears accustomed to Austro-Germanic concert music, as were dance rhythms alternately dreamy, swirling and stamping.<\/p>\n<p class=\"body-text-paragraph\">Liszt\u2019s Romanian Rhapsodies inspired Brahms\u2019 Hungarian Dances. Zolt\u00e1n Kod\u00e1ly and B\u00e9la Bart\u00f3k traveled around countrysides collecting tunes to be turned into piano, violin and orchestral compositions.<\/p>\n<p>News Roundups<\/p>\n<p class=\"dmnc_features-cta-social-article-cta-social-module__3beff secondaryRoman secondaryRoman-20 text-center text-gray-dark\">Catch up on the day&#8217;s news you need to know.<\/p>\n<p class=\"dmnc_features-cta-social-article-cta-social-module__8MgJa flex flex-wrap text-gray-dark secondaryRoman secondaryRoman-10 text-center justify-center\">By signing up, you agree to our\u00a0<a class=\"dmnc_features-cta-social-article-cta-social-module__lU9-l border-b border-gray-dark hover_border-0 focus_border-0 active_border-0\" href=\"https:\/\/www.dallasnews.com\/help\/terms-of-service\/\" rel=\"nofollow noopener\" target=\"_blank\">Terms of Service<\/a>\u00a0and\u00a0<a class=\"dmnc_features-cta-social-article-cta-social-module__lU9-l border-b border-gray-dark hover_border-0 focus_border-0 active_border-0\" href=\"https:\/\/www.dallasnews.com\/help\/privacy-policy\" rel=\"nofollow noopener\" target=\"_blank\">Privacy Policy.<\/a><\/p>\n<p class=\"body-text-paragraph\">Kod\u00e1ly\u2019s Romanian Folk Dances, composed in 1915 for piano and arranged for orchestra two years later, occupy a mere six minutes. Bart\u00f3k\u2019s 1933 Dances of Galanta, about 16 minutes\u2019 worth, draw on tunes from the eponymous town \u2014 then Hungarian, now in Slovakia. Both works, with aptly tangy orchestrations, got splendid performances, with particularly fine solos from principals Alexander Kerr (violin), Gregory Raden (clarinet) and James Romeo (piccolo). <\/p>\n<p class=\"body-text-paragraph\">Representing Brahms at his most populist, his 21 Hungarian Dances were composed for piano four-hands and subsequently arranged by Brahms and others for solo piano and orchestra. Luisi led spirited performances of two orchestrated by Brahms (Nos. 1 and 3), one by Paul Juron (No. 4) and two by Martin Schmeling (Nos. 5 and 6). What fun!<\/p>\n<p class=\"body-text-paragraph\">The performance of the R\u00f3zsa just missed the 70th anniversary of its world premiere, the DSO then led by Walter Hendl, with the most famous violinist of the day, Jascha Heifetz. CDs of their subsequent recording are still available.<\/p>\n<p class=\"body-text-paragraph\">Best known as the composer of nearly 100 film scores, including Spellbound, Ben Hur and King of Kings, R\u00f3zsa helped established a late romantic-dramatic musical language as the lingua franca of film music. (Other practitioners included fellow European emigr\u00e9s Max Steiner and Erich Wolfgang Korngold and the American Bernard Herrmann.)<\/p>\n<p class=\"body-text-paragraph\">Born in Budapest, classically trained in Leipzig, R\u00f3zsa worked in Paris and London before settling in Hollywood in 1940. He maintained a lifelong parallel career as a composer of concert music.<\/p>\n<p class=\"body-text-paragraph\">Given the Violin Concerto\u2019s extravagant flash and flair, as well as soaring, yearning lyricism, you might wonder why it\u2019s rarely performed. Well, it calls for a first-class violinist, and the orchestra is challenged to coordinate all sorts of tricky rhythms and textures.<\/p>\n<p class=\"body-text-paragraph\">On Thursday it had a soloist of jaw-dropping virtuosity, but also suave musicianship, in Amaryn Olmeda. An Australian native not yet 20, currently studying at the New England Conservatory, she dispatched the most fearsome leaps, scurries and double stops as if no trouble at all. Luisi and the orchestra collaborated with \u00e9lan.<\/p>\n<p class=\"body-text-paragraph\">In comments before the concert\u2019s second half, Luisi identified the non-Hungarian \u201csurprise\u201d piece opening the concert. (I\u2019m pledged to keep the secret until after all performances.) <a href=\"\" rel=\"\" title=\"\">The previous concert<\/a>\u2019s unidentified piece was the \u201cBlumine\u201d movement Mahler inserted in his First Symphony, but subsequently dropped.<\/p>\n<p>Details<\/p>\n<p class=\"body-text-paragraph\">Repeats at 7:30 p.m. Friday and Saturday at Meyerson Symphony Center, 2301 Flora St. $31 to $196. 214-849-4376, <a href=\"https:\/\/dallassymphony.org\/\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/dallassymphony.org\/\">dallassymphony.org<\/a>.<\/p>\n<p><a class=\"dmnc_features-article-body-embeds-subject-tag-list-with-images-list-with-images-module__P4zn3 inline-block pr-8 shrink-0 w-auto flex flex-col\" href=\"https:\/\/www.dallasnews.com\/arts-entertainment\/performing-arts\/2026\/03\/24\/dallas-symphonys-wagner-ring-cycle-coming-out-online-and-on-cds\/\" rel=\"nofollow noopener\" target=\"_blank\"><img decoding=\"async\" loading=\"lazy\" style=\"aspect-ratio:190 \/ 127\" class=\"dmnc_features-article-body-embeds-subject-tag-list-with-images-list-with-images-module__6H-hI dmnc_images-modern-image-module__QFaG- max-w-full h-auto text-white dmnc_images-modern-image-module__9Zlll bg-gray-light object-contain\" width=\"190\" height=\"127\" src=\"https:\/\/www.newsbeep.com\/us-tx\/wp-content\/uploads\/2026\/03\/1774637533_444_V7DIV7S5WRD47A7DVRKZLDLIZE.jpg\" alt=\"Singers, Dallas Symphony Orchestra and music director Fabio Luisi take bows after...\"\/><\/a><a href=\"https:\/\/www.dallasnews.com\/arts-entertainment\/performing-arts\/2026\/03\/24\/dallas-symphonys-wagner-ring-cycle-coming-out-online-and-on-cds\/\" rel=\"nofollow noopener\" target=\"_blank\">Dallas Symphony\u2019s Wagner \u2018Ring\u2019 cycle coming out online and on CDs<\/a><\/p>\n<p>The recordings are from the orchestra\u2019s Meyerson Symphony Center performances.<\/p>\n<p><a class=\"dmnc_features-article-body-embeds-subject-tag-list-with-images-list-with-images-module__P4zn3 inline-block pr-8 shrink-0 w-auto flex flex-col\" href=\"https:\/\/www.dallasnews.com\/arts-entertainment\/performing-arts\/2026\/03\/21\/review-dallas-symphony-concert-again-included-a-surprise\/\" rel=\"nofollow noopener\" target=\"_blank\"><img decoding=\"async\" loading=\"lazy\" style=\"aspect-ratio:190 \/ 127\" class=\"dmnc_features-article-body-embeds-subject-tag-list-with-images-list-with-images-module__6H-hI dmnc_images-modern-image-module__QFaG- max-w-full h-auto text-white dmnc_images-modern-image-module__9Zlll bg-gray-light object-contain\" width=\"190\" height=\"127\" src=\"https:\/\/www.newsbeep.com\/us-tx\/wp-content\/uploads\/2026\/03\/1774637533_207_LUSVLO7SSNDDZI5L6PBUDLNIJI.jpg\" alt=\"Foreground, guest conductor Daniele Rustioni and violin soloist Alexi Kenney acknowledge a...\"\/><\/a><a href=\"https:\/\/www.dallasnews.com\/arts-entertainment\/performing-arts\/2026\/03\/21\/review-dallas-symphony-concert-again-included-a-surprise\/\" rel=\"nofollow noopener\" target=\"_blank\">Review: Dallas Symphony concert again included a surprise<\/a><\/p>\n<p>The orchestra also performed Alfredo Casella\u2019s Second Symphony and Samuel Barber\u2019s 1939 Violin Concerto.<\/p>\n","protected":false},"excerpt":{"rendered":"Sonic paprika spiced Thursday night\u2019s Dallas Symphony Orchestra program of music by Hungarian composers, and by a 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