{"id":415559,"date":"2026-08-24T19:24:09","date_gmt":"2026-08-24T19:24:09","guid":{"rendered":"https:\/\/www.newsbeep.com\/us-tx\/415559\/"},"modified":"2026-08-24T19:24:09","modified_gmt":"2026-08-24T19:24:09","slug":"spectacles-of-power-and-faith-colonial-south-american-art-from-the-thoma-foundation-at-meadows-museum","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/us-tx\/415559\/","title":{"rendered":"Spectacles of Power and Faith: Colonial South American Art from the Thoma Foundation at Meadows Museum"},"content":{"rendered":"<p>            <a href=\"https:\/\/www.newsbeep.com\/us-tx\/wp-content\/uploads\/2026\/08\/01.-2013.43-Our-Lady-of-Bethlehem-with-Indigenous-Donor-Blanton-Amber-Shield-Johnson-300dpi-4718x707.jpeg\" data-caption=\"01.-2013.43-Our-Lady-of-Bethlehem-with-Indigenous-Donor-Blanton-Amber-Shield-Johnson-300dpi-4718x7071-from Thoma Foundation Collection\"><img decoding=\"async\" data-perfmatters-preload=\"\" width=\"527\" height=\"800\" class=\"entry-thumb td-modal-image\" src=\"https:\/\/www.newsbeep.com\/us-tx\/wp-content\/uploads\/2026\/08\/01.-2013.43-Our-Lady-of-Bethlehem-with-Indigenous-Donor-Blanton-Amber-Shield-Johnson-300dpi-4718x707.jpeg\"   alt=\"Spectacles of Power and Faith at Meadows Museum\" title=\"01.-2013.43-Our-Lady-of-Bethlehem-with-Indigenous-Donor-Blanton-Amber-Shield-Johnson-300dpi-4718x7071-cropped2020.11.02-800-1\" fetchpriority=\"high\"\/><\/a>01.-2013.43-Our-Lady-of-Bethlehem-with-Indigenous-Donor-Blanton-Amber-Shield-Johnson-300dpi-4718&#215;7071-from Thoma Foundation Collection<\/p>\n<p>\t<a rel=\"nofollow noopener\" data-testid=\"grow-share-button-link-content-facebook\" href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=https%3A%2F%2Fwww.focusdailynews.com%2Fspectacles-of-power-and-faith-colonial-south-american-art-from-the-thoma-foundation-at-meadows-museum%2F&amp;t=Spectacles%20of%20Power%20and%20Faith%3A%20Colonial%20South%20American%20Art%20from%20the%20Thoma%20Foundation%20at%20Meadows%20Museum\" class=\"dpsp-network-btn dpsp-facebook dpsp-first dpsp-has-label dpsp-has-label-mobile\" target=\"_blank\" aria-label=\"Share on Facebook\" title=\"Share on Facebook\" style=\"font-size:14px;padding:0rem;max-height:32px\"><br \/>\n\tFacebook<\/a><\/p>\n<p>\t<a rel=\"nofollow noopener\" data-testid=\"grow-share-button-link-content-x\" href=\"https:\/\/x.com\/intent\/tweet?text=Spectacles%20of%20Power%20and%20Faith%3A%20Colonial%20South%20American%20Art%20from%20the%20Thoma%20Foundation%20at%20Meadows%20Museum&amp;url=https%3A%2F%2Fwww.focusdailynews.com%2Fspectacles-of-power-and-faith-colonial-south-american-art-from-the-thoma-foundation-at-meadows-museum%2F&amp;via=focusdailynews\" class=\"dpsp-network-btn dpsp-x dpsp-has-label dpsp-has-label-mobile\" target=\"_blank\" aria-label=\"Share on X\" title=\"Share on X\" style=\"font-size:14px;padding:0rem;max-height:32px\"><br \/>\n\tTwitter<\/a><\/p>\n<p>\tPinterest<\/p>\n<p>Spectacles of Power and Faith: Colonial South American Art from the Thoma Foundation, opens at Meadows Museum Aug. 23, 2026-Jan. 24, 2027. Making its world premiere at the Meadows Museum, SMU, Spectacles of Power and Faith: Colonial South American Art from the Thoma Foundation brings together 63 extraordinary paintings that reveal the visual richness and cultural complexity of colonial South America. Many of the works \u2013 from large devotional canvases and portraits to finely rendered paintings on copper \u2013 are recent acquisitions that will be displayed, studied and published for the first time.<\/p>\n<p>Thoma Foundation\u2019s Art of the Spanish Americas Collection<\/p>\n<p>Drawn from the Thoma Foundation\u2019s Art of the Spanish Americas collection developed by Dallas arts patrons Carl and Marilynn Thoma, the exhibition is on view Aug. 23, 2026, through Jan. 24, 2027. The artworks, created between 1600 and 1850 in present-day Peru, Bolivia, Colombia, Venezuela, and Ecuador testify to the political power of the Spanish Empire and the central role of the Catholic Church in the region. They also reflect the experimental creativity of Indigenous American, European and African artists working in South America\u2019s cosmopolitan capitals, resulting in some of the most striking images produced in the early modern world.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"size-full wp-image-125108\" src=\"https:\/\/www.newsbeep.com\/us-tx\/wp-content\/uploads\/2026\/08\/spectacles-press-preview.jpg\" alt=\"spectacles press preview at Meadows\" width=\"2048\" height=\"1365\"  \/>Press preview photo by Guy Rogers III courtesy Meadows Museum<\/p>\n<p>\u201cThis exhibition brings the visually rich and intellectually compelling artistic tradition of early modern South America to an institution known for its unparalleled holdings of Peninsular Spanish art,\u201d said Amanda W. Dotseth, the Linda P. and William A. Custard Director of the Meadows Museum and Centennial Chair in the Meadows School of the Arts, SMU. \u201cThe Carl &amp; Marilynn Thoma Foundation is truly exceptional; we are grateful it now forms part of the vibrant Dallas arts community. The Meadows Museum is honored to premiere the Spanish Americas collection to SMU and North Texas.\u201d<\/p>\n<p>While many of the paintings were created for churches and devotional spaces \u2013 including iconic depictions of the Virgin Mary, popular saints such as Francis of Assisi, as well as biblical narratives \u2013 the exhibition also includes portraits that offer a glimpse of secular life in the colonial Americas. Among the most captivating is a small portrait of a young girl from Caracas, Venezuela, named Petronila M\u00e9ndez, painted in 1763 by Diego Antonio de Landaeta, a free Black artist who enjoyed a successful career as a society portraitist.<\/p>\n<p>Exhibition\u2019s Four Thematic Sections<\/p>\n<p>The exhibition is organized into thematic sections \u2013 Saints; American Virgins; Spain in the Americas; Jewels; Art in Sacred Spaces (The Chapel); Daily Life at Home (The Sal\u00f3n); and Teaching Faith \u2013 that explore the many roles art played in colonial society, from reinforcing royal power and honoring Marian imagery to illustrating complex theological ideas.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-125109\" src=\"https:\/\/www.newsbeep.com\/us-tx\/wp-content\/uploads\/2026\/08\/photo-by-Guy-Rogers-III.jpg\" alt=\"Chapel altar with painting at Meadows\" width=\"2048\" height=\"1365\"  \/>Photo chapel painting by Guy Rogers III courtesy Meadows Museum<\/p>\n<p>Enhanced with music and scent, an immersive chapel installation recreates the multisensory atmosphere of a place of worship, situating the artworks in an environment that evokes their original context.<\/p>\n<p>\u201cColonial South American painting is among the most inventive and captivating artistic traditions of the early modern period,\u201d said Adam Jasienski, co-curator of the exhibition and associate professor of art history, Meadows School of the Arts, SMU. \u201cThese works demonstrate how artists across the Americas adapted and transformed European imagery in ways that were deeply rooted in local histories, materials and devotional practices.\u201d<\/p>\n<p>Co-curators for Spectacles of Power and Faith<\/p>\n<p>Co-curated by Jasienski and Ver\u00f3nica Mu\u00f1oz-N\u00e1jar, associate curator of Art of the Spanish Americas at the Thoma Foundation, Spectacles of Power and Faith will travel after its Dallas presentation to Princeton University Art Museum (Feb. 27-Aug. 1, 2027) and the Raclin Murphy Museum of Art at the University of Notre Dame (Aug. 24-Dec. 19, 2027). To accompany the exhibition, a fully illustrated catalogue will be published in English and Spanish by the Meadows Museum and its publishing partner Ediciones El Viso.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-125110\" src=\"https:\/\/www.newsbeep.com\/us-tx\/wp-content\/uploads\/2026\/08\/spectacles-speaker.jpg\" alt=\"Co-curator Spectacles of Power and Faith\" width=\"2048\" height=\"1365\"  \/>Co-curator Ver\u00f3nica Mu\u00f1oz-N\u00e1jar Luque, photo by Guy Rogers III courtesy Meadows Museum<\/p>\n<p>Serving as an important resource for researchers and students worldwide, the 300-page publication will include six essays by emerging scholars of colonial Latin American art as well as reproductions of all 63 paintings. Public programming \u2013 from 20-minute spotlight talks and tours to gallery conversations and lectures \u2013 will feature art historians and curators exploring colonial South American art, the global reach of the Spanish Empire and evolving perspectives on the field over the last two decades.<\/p>\n<p>This exhibition has been organized by the Meadows Museum, SMU, Dallas, and the Carl &amp; Marilynn Thoma Foundation, and is funded by a generous gift from The Meadows Foundation. Promotional support is provided by the Dallas Tourism Public Improvement District.<\/p>\n<p>The Meadows Museum is located on the SMU campus at 5900 Bishop Blvd. in Dallas. Hours are 10 a.m.\u20135 p.m. Tuesday\u2013Saturday, with extended hours until 9 p.m. on Thursday, and 1\u20135 p.m. Sunday. Parking is free for museum visitors. General admission is $12 adults, $10 seniors 65+, $4 non-SMU students, and free for Meadows Museum members, SMU faculty\/staff\/students, and youth 18 and under. For more information, go to meadowsmuseumdallas.org.<\/p>\n","protected":false},"excerpt":{"rendered":"01.-2013.43-Our-Lady-of-Bethlehem-with-Indigenous-Donor-Blanton-Amber-Shield-Johnson-300dpi-4718&#215;7071-from Thoma Foundation Collection Facebook Twitter Pinterest Spectacles of Power and Faith: Colonial South American Art from the&hellip;\n","protected":false},"author":2,"featured_media":415560,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[102,104,103],"class_list":["post-415559","post","type-post","status-publish","format-standard","has-post-thumbnail","category-dallas","tag-dallas","tag-dallas-headlines","tag-dallas-news"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/us-tx\/wp-json\/wp\/v2\/posts\/415559","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/us-tx\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/us-tx\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-tx\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-tx\/wp-json\/wp\/v2\/comments?post=415559"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/us-tx\/wp-json\/wp\/v2\/posts\/415559\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-tx\/wp-json\/wp\/v2\/media\/415560"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/us-tx\/wp-json\/wp\/v2\/media?parent=415559"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-tx\/wp-json\/wp\/v2\/categories?post=415559"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-tx\/wp-json\/wp\/v2\/tags?post=415559"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}