Cave In’s 2003 single “Anchor” was supposed to be their major-label breakout. Instead, it marked the point where their brief relationship with RCA fell apart.
After evolving from metallic hardcore, on Until Your Heart Stops, into space-rock, on Jupiter, the band signed to RCA with promises of visibility and stability. Speaking to Metal Hammer, guitarist/vocalist Adam McGrath put it, the pitch was simple: “This could give you a chance to make a living playing music.”
That push led to the cleaner, radio-angled sound of Antenna.
RCA immediately locked onto “Anchor” as the crossover moment. McGrath later admitted the choice wasn’t unanimous inside the band, saying:
I felt like there were stronger songs on the record.” Still, the label insisted, even comparing the track to “Black Hole Sun.”
A big-budget video followed, featuring actor Richard Edson trapped in a surreal concrete-feet scenario, a drastic shift from Cave In’s earlier DIY visuals.
The single scraped its way onto U.S. rock charts and briefly hit in the UK, but it didn’t deliver what RCA wanted. Once it stalled, support at the label evaporated. Their A&R rep left, momentum died, and RCA quietly dropped Cave In after one album.
The fallout pushed the band back toward heavier ground. McGrath reflected on the entire period bluntly:
“We lost a bit of who we were.”
By 2005 they responded with Perfect Pitch Black, a raw, aggressive return that essentially closed the book on the Antenna era.
Two decades later, “Anchor” occupies a weird space in Cave In’s legacy. Some fans treat it as a gateway track; others still see Antenna as the band’s most disconnected era. Even McGrath recognizes its place now, calling the major-label swing a necessary lesson:
“We learned what we didn’t want to be.”
It stands as the moment Cave In tried to play the major-label game and walked away stronger once the experiment blew up.