A graphite drawing on graph paper of a person using a jackhammer to break open the surface to reveal the outline of the hands of God and Adam touching from the Sistine Chapel“Art in Veins” (2025). All images courtesy of Pejac, shared with permission

Graph paper is commonly used for plotting, well, graphs, plus other spatial and mathematical visualizations. But for Pejac, its potential goes way beyond a two-dimensional gridded surface. The artist, who is known for his trompe-l’œil paintings and playful street art interventions, often turns to the precise geometry of gridded sketchbooks in order to challenge perception and think instead about depth and movement.

From a group of kids tossing snowballs—wait, they’re cubes from the grid itself—to a construction worker carving out a silhouette of the famous Sistine Chapel motif of God and Adam’s hands touching, Pejac challenges our sense of space and the possibilities of the “blank slate.” Find more on Instagram.

A graphite drawing on graph paper of a young person making a snow angelDetail of “Mind Trip” (2022)

A graphite drawing on graph paper of young people throwing snowballs that look like the squares of the gridDetail of “The Architect” (2020)

A graphite drawing on graph paper of a person constructing something with the squares of the gridDetail of “The Architect” (2020)

A graphite drawing on graph paper of a shark swimming across the surface“Emerge” (2020)

A detail of a graphite drawing on graph paper of a shark swimming across the surfaceDetail of “Emerge”

A graphite drawing on graph paper of a tree in a frame“Fossil” (2018)

A graphite drawing on graph paper of a person digging into the surface as if moving around the squares of the grid like dirt“Hidden Gold” (2023)

A detail of a graphite drawing on graph paper of a person digging into the surface as if moving around the squares of the grid like dirtDetail of “Hidden Gold”

A detail of a graphite drawing on graph paper of a person using a jackhammer to break open the surface to reveal the outline of the hands of God and Adam touching from the Sistine ChapelDetail of “Art in Veins”

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