EXCLUSIVE: Oscar-shortlisted documentary Holding Liat is kicking off its U.S. theatrical run just ahead of the start of Academy Award nomination voting.
The film directed by Brandon Kramer, winner of the top prize for documentary at the Berlin Film Festival last February, opened at Film Forum in New York on Friday. It opens next week in Los Angeles, with additional cities to follow nationwide. The Film Collaborative is coordinating the independent theatrical release, but the filmmakers retain rights; sales agent MetFilm is pursuing opportunities for North American streaming and broadcast.
Watch an exclusive clip from Holding Liat below.
The documentary unfolds in real time just days after the Hamas terror attack on Israel in October 2023 when an Israeli American woman, Liat Beinin Atzili, was seized at a kibbutz and spirited off to Gaza. Liat’s parents, Yehuda Beinin and Chaya Beinin, sprang into action, soon traveling to Washington DC to liaise with Biden administration officials trying to win Liat’s release. Yehuda Beinin, as documented in the film, insisted that the kidnapping of his daughter – and the real possibility she might never make it out alive – not be used as the impetus to dehumanize Palestinians. He ardently spoke against the mass killing of civilians in Gaza under Israel bombardment and expressed harsh criticism of Prime Minister Benjamin Netanyahu for his conduct of the war.
Yehuda Beinin in ‘Holding Liat’
Meridian Hill Pictures
Oscar-shortlisted films like Holding Liat and Coexistence, My Ass! that relate to the Israeli Palestinian conflict have received a cold shoulder from U.S. distributors apparently uneasy about backing politically sensitive material. No Other Land, the film set in the occupied West Bank that won the Oscar for Best Documentary Feature last year, self-distributed after receiving no significant U.S. distribution offers.
In contrast to the U.S. market, Holding Liat has earned international distribution in the UK (BBC Storyville); Germany (ZDF + Arsenal); Netherlands (VPRO); France (L’Atelier D’Images); Spain (Filmin); Japan (United People), and Israel (YES Docu).
Holding Liat is the rare film that counters polarization by reaching the hearts of viewers regardless of their sympathies toward Israel or Palestine.
Director Brandon Kramer (R) and producer Lance Kramer accept the Berlinale Documentary Award at the 75th Berlinale on February 22, 2025.
JOHN MACDOUGALL/AFP via Getty Images
Director Brandon Kramer tells Deadline exclusively, “Over the past ten months, we have found that this film transcends many of the barriers in place for an indie doc or politically-themed film, and have pursued a distribution strategy that allows us to bring the film to as wide an audience as possible even without a U.S. distributor on board. While the distribution struggle is real – and often frustrating – we have discovered that when people actually watch the film they cannot help but be moved by Liat’s empathy first message, and witnessing how the film really opens up a dialogue around this charged topic has fueled our push to bring the film the US audiences even without a distributor.”
Kramer adds, “We hope opening at Film Forum continues the path we started at Berlin last February, engaging audiences, encouraging open conversation and delivering for our partners.”
While pursuing longer term streaming and broadcast distribution possibilities, the filmmakers have focused on impact initiatives with the aid of Impact Producer Albi. Albi, “a new fund, institute and lab that uses cultural vehicles to establish paradigm-shifting narratives by and about Palestinians and Jews,” has concentrated on developing grassroots audiences in the U.S. and globally for Holding Liat. To that end, Albi has established partnerships with Parents Circle Families Forum, “mobilizing directly impacted Palestinian and Israeli family members who have lost their loved ones to speak at selected screenings.”
As part of the Albi initiative, J Street, New Israel Fund and Truah are “mobilizing their local chapters and leaders to attend theatrical screenings and host parallel community dialogues.”
Parents Circle tells Deadline, “American Friends of the Parents Circle is honored to partner with Holding Liat. The film presents an extraordinary example of the mission of our bereaved Israeli and Palestinian members with a deep understanding of what it takes to make progress towards peace. Through Liat’s story, we learn that choosing empathy, humanization and nonviolence are the most courageous choices that will lead us towards peace. We are deeply moved that Liat chose to become a member of our organization. She has been an inspiration for the Israeli and Palestinian members of our organization.”
Brandon Kramer and his brother Lance Kramer, who produced the film, are distant relations of the Beinins, the protagonists of Holding Liat.
“When we found out that Liat and Aviv went missing, we called the [family] as relatives, not at all thinking we were going to make a film,” Brandon explained in an interview as part of Deadline’s For the Love of Docs screening series. “In that conversation they told us that they were getting no response from the Israeli government, and they were planning to come to our hometown, Washington DC, to try to advocate for her release because Liat is an American citizen as well. And in that conversation, we decided that we should pick up our camera.”
Brandon continued, “Our relatives had been thrust into the center of a geopolitical crisis, and as we began to film, we saw that what they were going through was so different than any of the narratives that we were seeing in the media and on social media and felt this responsibility to see their experience through.”
Liat Beinin Atzili’s husband, Aviv Atzili, grabbed by Hamas at the same time as Liat but kept in a separate location from her in Gaza, was killed not long after his abduction. Liat, with the critical effort of her parents, was freed after 54 days of captivity.
With the permission of the Beinin family, Kramer filmed the moment when Liat and her loved ones were reunited. Watch that scene here: