破地獄 / Scattered Purgatory: 波地獄 / Post Purgatory Album Review
In January 2021, unassuming clubbers looking for a Saturday night out at Taipei’s FINAL might’ve been surprised to…
Joyce Manor: I Used to Go to This Bar Album Review
Almost a decade and a half after they took basements and Tumblrs across America by storm with a…
Roc Marciano: 656 Album Review
In a world where plenty of rap elders are content to roll out unchallenging albums to steadfast fanbases,…
Dialect: Full Serpent EP | Pitchfork
Past and future blur together in the slipstream of British experimentalist Andrew PM Hunt’s music as Dialect. Since…
Searows: Death in the Business of Whaling Album Review
Portland, Oregon singer-songwriter Alec Duckart, who performs as Searows, broke through at the height of the post-Boygenius singer-songwriter…
Lucinda Williams: World’s Gone Wrong Album Review
World’s Gone Wrong is an album title suited to the times, one that suggests Lucinda Williams is seeking…
Megadeth: Megadeth Album Review | Pitchfork
It’s been 43 years, 17 albums, and 32 member changes since Dave Mustaine was kicked out of Metallica,…
Aaliyah: One in a Million Album Review
That teenage emotion isn’t something Aaliyah was able to express often. So much of the narrative about her…
French Montana / Max B: Coke Wave 3.5: Narcos Album Review
Here’s the recipe for a good Coke Wave mixtape: First, add one French Montana, but make sure he’s…
Mon Rovîa: Bloodline Album Review
On Bloodline, singer-songwriter Mon Rovîa approaches his complex upbringing with an impressive clarity of vision. Born in Liberia…
Babau: The Sludge of the Land Album Review
In 1957, nearly seven decades before Babau’s new “post-exoticism” album The Sludge of the Land, bandleader Martin Denny…
Worldpeace DMT / Rowan Please: The Velvet Underground & Rowan Album Review
It’s hard, these days, to move through the world feeling optimistic. Violence is everywhere. Prices are steep, jobs…