Osmium Gate – Cannibal Universe Review
Of all the discouraging and difficult elements contributing to people having appallingly bad taste not being into metal,…
Foghazer – He Left the Temple Review
Black metal’s wide-ranging milieu encompasses many sub-genres—1st wave, 2nd wave, raw, symphonic, atmospheric, post—the list goes on. One…
Crotaline – The Embrace of Cloacal Desire Review
When it comes to snakes and music, I’m a simple man. I think of Testament’s Brotherhood of the…
EP/Split/Single Roundup of 2025, Part 2
It’s me again! This will ideally be posted on a much tighter schedule following Part 1, which is…
EP/Split/Single Roundup of 2025, Part 1
Ah, this wouldn’t be everyone’s favorite webbed site AMG if we didn’t regularly blaspheme and desecrate…
Këkht Aräkh – Morning Star Review
Somehow, Këkht Aräkh is one of the most popular black metal artists in the game right now. Since…
Ain Sof Aur – Theos-Vel-Samael Review
Be honest: what do you expect experimental blackened death metal steeped in Left-Hand-Path Occultism to sound like? Dissonant?…
The Silver – Looking Glass of Hymnal Blue Review
Comprising members of Horrendous and Crypt Sermon, back in ye strange times of 2021, Philadelphia’s The Silver dropped…
Antrisch – Expedition III: Renitenzpfad Review
In 1560, Lope de Aguirre, a Spaniard who would deem himself the “Wrath of God,” joined Pedro de…
Via Doloris – Guerre et Paix Review
Sometimes a record practically introduces itself with a shrug. Take Via Doloris and their debut Guerre et Paix.…
Speglas – Endarkenment, Being & Death Review
It’s not uncommon for death metal musicians to mellow and prog out the longer they roam this Earth.…
Calvana – Sub Janus Review
Picture “black metal.” What do you see? Frigid wastelands illuminated by burning churches? Damp crypts beneath gothic cathedrals?…