Slaughterday – Dread Emperor Review
Longtime readers of AMG may remember the last time German OSDM stalwarts Slaughterday graced these digital pages. It…
Tarlung – Axis Mundi Review
Vienna, Austria’s Tarlung has been coughing up thick clouds of resinous doom and smoky sludge since 2013, when,…
Malignant Aura – Where All of Worth Comes to Wither Review
The marriage of death and doom is a well-trodden path, but Malignant Aura’s 2022 debut proved they had…
The Ruins of Beverast – Tempelschlaf Review
The Ruins of Beverast has never released a bad album. Its architect, Nagelfar alum Alexander von Meilenwald, has…
St. Unholyness – Through High Holy Haze Review
As a non-musician, writing music and playing an instrument is always impressive to me, but I am in…
Doubtsower – The Past Melts Away with a Sneer Review
It’s amazing how quickly November, and my month of doom, has flown by. It seems the constant exposure…
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Bianca – Bianca [Things You Might Have Missed 2025]
Italian semi-super group Bianca, comprised of members from Patristic and Hideous Divinity, stole my attention when their debut…
Blizaro – Light and Desolation Review
What do you get when you combine old school doom with older school horror movie soundtracks? John Gallo…
Old Year – No Dissent Review
Amidst the tenebrous shadows of Boise, Idaho’s underground metal scene, death-doom dronesters Old Year first formed as a…
AMG’s Unsigned Band Rodeö: Acrid Rot – Where Flesh Transcends… Man Stands Tall
“AMG’s Unsigned Band Rodeö” is a time-honored tradition to showcase the most underground of the underground—the unsigned and…
Ordeals – Third Rail Prayer Review
Sometimes called the live rail, the third rail runs alongside the New York City Subway tracks, carrying electrical…
Wode – Uncrossing the Keys Review
In neither of his two prior Wode reviews did El Cuervo pose the question, what is a wode,…