{"id":131932,"date":"2025-09-04T09:58:12","date_gmt":"2025-09-04T09:58:12","guid":{"rendered":"https:\/\/www.newsbeep.com\/us\/131932\/"},"modified":"2025-09-04T09:58:12","modified_gmt":"2025-09-04T09:58:12","slug":"kadist-mission-district-art-gallery-closing-after-14-years","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/us\/131932\/","title":{"rendered":"KADIST, Mission District art gallery, closing after 14 years"},"content":{"rendered":"<p><a href=\"https:\/\/kadist.org\/san-francisco\/\" rel=\"nofollow noopener\" target=\"_blank\">KADIST<\/a>, the art gallery at 20th and Folsom streets known for its video and modern art, is shutting its Mission District outpost after 14 years. Instead the organization will continue to shift focus to international collaborations curating and connecting artists with museums.<\/p>\n<p>Most Mission residents may know the gallery best for its rotating window displays overlooking Folsom Street \u2014 a neon green marijuana leaf for a few months gives way to another neon sign exhibition by artist <a href=\"https:\/\/kadist.org\/program\/mungo-thomson-exhibition\/\" rel=\"nofollow noopener\" target=\"_blank\">Mungo Thomson<\/a>. The gallery itself is often closed, or at least it gives such an impression. KADIST, however, hosts two large shows a year lasting a combined seven months with about eight public programs in that span of time.<\/p>\n<p>But KADIST is an international institution with its headquarters in Paris. The nonprofit owns a collection of 2,400 artworks from 120 counties, and its operations are funded privately by a French family. The organization stated that it does not plan on laying anyone off following the shuttering of its San Francisco outlet.\u00a0<\/p>\n<p>\u201cOver the last 10 years, we\u2019ve shifted more and more of our attention and work to international collaborations with museums in different parts of the Americas and the world, so while we are closing this venue, KADIST is continuing,\u201d said Joseph Del Pesco, the gallery\u2019s Americas director. The gallery has another outpost in Paris, and Del Pesco said the closure has nothing to do with lack of funding.<\/p>\n<p>The San Francisco branch is hosting a \u201c<a href=\"https:\/\/kadist.org\/program\/keeping-time\/\" rel=\"nofollow noopener\" target=\"_blank\">Farewell in Four Parts\u201d event<\/a> on Saturday at its space at 3295 20th St. at Folsom featuring a \u201cmusical interpretation of historical paintings,\u201d a book reading, and the artwork of more than a dozen artists from Paul Kos to Ren\u00e9 Magritte.<\/p>\n<p>KADIST\u2019s most recent tax form, from 2023, shows <a href=\"https:\/\/projects.propublica.org\/nonprofits\/organizations\/263296075\/202423199349105832\/full\" rel=\"nofollow noopener\" target=\"_blank\">$18,492,971<\/a> in summary of direct charitable activities. This is a far higher figure than in 2022, when it was only <a href=\"https:\/\/projects.propublica.org\/nonprofits\/organizations\/263296075\/202303179349104165\/full\" rel=\"nofollow noopener\" target=\"_blank\">$1,329,224<\/a>. A representative from the organization could not immediately explain the surge in direct charitable activities.<\/p>\n<p>The nonprofit is currently working with artists and museums in China, Chile, Canada, Brazil, Morocco and India, just to name a few, curating and organizing art exhibits. And building those relationships with museums and curators last between one to three years, said Del Pesco.\u00a0<\/p>\n<p>KADIST also hosts two shows a year for three and a half months each time. It has four people in San Francisco.\u00a0<\/p>\n<p>\u201cYeah, it\u2019s a lot to do,\u201d said program director Lindsay Albert.\u00a0<\/p>\n<p>KADIST will also continue to work in connecting artists from the Bay Area in events it organizes at different museums nationally and internationally. The organization is already in conversation with two local institutions to bring exhibits to San Francisco soon.<\/p>\n<p>\u201cFeels bittersweet. I think we\u2019ve definitely put an imprint on the city. We\u2019ve done a lot with the local arts community,\u201d said Albert. \u201cBut I think expanding KADIST globally and bringing those voices here too is a great next step for us.\u201d\u00a0\u00a0\u00a0<\/p>\n<p>KADIST was founded in Paris during a family dinner in the Parisian neighborhood of Montmartre, where Pablo Picasso <a href=\"https:\/\/montmartrefootsteps.com\/picasso-bateau-lavoir\/\" rel=\"nofollow noopener\" target=\"_blank\">lived<\/a> in the early 1900s and where he painted <a href=\"https:\/\/www.moma.org\/collection\/works\/79766\" rel=\"nofollow noopener\" target=\"_blank\">Les Demoiselles d\u2019Avignon<\/a> and unveiled it in 1907. Co-founder Sandra Terdjman, who had just graduated from curatorial studies in London, wanted to start an art project dedicated to artistic and curatorial experimentation and replicate the collaborative art scene she had experienced while living in London.\u00a0<\/p>\n<p>While having dinner at her family\u2019s favorite restaurant in 2001, Terdjman made a proposal to her uncle and co-founder Vincent Worms, who lived in San Francisco at the time and was in the field of venture capitalism. She scribbled a note, reading \u201cHow about starting an art project together?\u201d and passed it under the table.<\/p>\n<p>\u201cI don\u2019t know exactly what she means,[about the art project] but perhaps under the euphoric influence of the bottle of Bordeaux, I scribble back, \u2018Why not?\u2019 wrote Worms in a <a href=\"https:\/\/kadist.org\/wp-content\/uploads\/2018\/12\/KADIST-A_DISTINCT_ITINERARY_IN_SPACE_AND_TIME.pdf\" rel=\"nofollow noopener\" target=\"_blank\">book<\/a> about KADIST.<\/p>\n<p>Five years later, in 2006, KADIST was born with a gallery in Paris. Five years after that, its second outpost opened in San Francisco.\u00a0<\/p>\n<p>Many dozens of artists, local and international, have come through KADIST\u2019s doors in its 14 years in the Mission District: <a href=\"https:\/\/www.lissongallery.com\/artists\/ryan-gander\" rel=\"nofollow noopener\" target=\"_blank\">Ryan Gander<\/a>, <a href=\"https:\/\/www.mariangoodman.com\/artists\/68-danh-vo\/\" rel=\"nofollow noopener\" target=\"_blank\">Danh Vo<\/a>, <a href=\"https:\/\/hankwillisthomas.com\/\" rel=\"nofollow noopener\" target=\"_blank\">Hank Williams Thomas<\/a>, <a href=\"https:\/\/www.kurimanzutto.com\/artists\/roman-ondak#tab:slideshow\" rel=\"nofollow noopener\" target=\"_blank\">Roman Ond\u00e0k<\/a>, <a href=\"https:\/\/michelrein.com\/artistes\/presentation\/3\/dora-garcia\" rel=\"nofollow noopener\" target=\"_blank\">Dora Garc\u00eda<\/a> and <a href=\"https:\/\/www.indiraallegra.com\/\" rel=\"nofollow noopener\" target=\"_blank\">Indira Allegra,<\/a> among others.<\/p>\n<p>\u201cI\u2019ve had really positive experiences with KADIST. I feel like the folks who have moved through their curatorial team are really supportive of big ideas and aren\u2019t afraid of a big pitch,\u201d said Indira Allegra, a performance artist whose latest collaboration with KADIST was taken to the <a href=\"https:\/\/blafferartmuseum.org\/events\/indira-allegra-may-the-hope-of-my-heart-be-woven-into-the-waters\/\" rel=\"nofollow noopener\" target=\"_blank\">Blaffer Art Museum<\/a> in Houston back in January.\u00a0<\/p>\n<p>\u201cKADIST is a very experimental space and they really give you the freedom, and encourage you to really try new things. I really respect them for that,\u201d said <a href=\"https:\/\/richardtwalker.net\/\" rel=\"nofollow noopener\" target=\"_blank\">Richard T. Walker<\/a>, a San Francisco-based artist who collaborated with KADIST first in 2013 when he presented his piece <a href=\"https:\/\/kadist.org\/program\/richard-t-walker-the-security-of-impossibility\/\" rel=\"nofollow noopener\" target=\"_blank\">Security of Impossibility<\/a>, a sound installation. It is now part of KADIST\u2019s collection.<\/p>\n<p>\u201cIt\u2019s a great space where you can experiment and work with ideas that maybe weren\u2019t fully formulated until you\u2019re actually there doing it, and the ability to be able to do that in front of an audience and with such a professional kind of context is really special.\u201d<\/p>\n<p>KADIST\u2019s style of working with artists is something that <a href=\"https:\/\/www.lynnhershman.com\/\" rel=\"nofollow noopener\" target=\"_blank\">Lynn Hershman Leeson<\/a>, a San Francisco-based artist and filmmaker, also appreciates.<\/p>\n<p>\u201cI enjoyed the experience of collaborating with them,\u201d said Hershman Leeson. \u201cI think it\u2019s an essential place for the city, there\u2019s nobody else doing the kinds of things and taking the chances that they do.\u201d<\/p>\n<p>KADIST acquired Hershman Leeson\u2019s 2010 <a href=\"https:\/\/kadist.org\/work\/women-art-revolution\/\" rel=\"nofollow noopener\" target=\"_blank\">!Women Art Revolution<\/a>, a documentary about women breaking down barriers in the art world and society.\u00a0<\/p>\n<p>\u201cIt\u2019s a shame they\u2019re leaving,\u201d said Hershman Leeson. \u201cIt\u2019s a loss to the city.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"KADIST, the art gallery at 20th and Folsom streets known for its video and modern art, is shutting&hellip;\n","protected":false},"author":2,"featured_media":131933,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[56],"tags":[83359,228,226,227,229,88,83360],"class_list":["post-131932","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-and-design","tag-20th-street","tag-arts","tag-arts-and-design","tag-artsanddesign","tag-design","tag-entertainment","tag-folsom-street"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/131932","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/comments?post=131932"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/131932\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media\/131933"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media?parent=131932"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/categories?post=131932"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/tags?post=131932"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}