{"id":2204,"date":"2025-07-11T18:34:03","date_gmt":"2025-07-11T18:34:03","guid":{"rendered":"https:\/\/www.newsbeep.com\/us\/2204\/"},"modified":"2025-07-11T18:34:03","modified_gmt":"2025-07-11T18:34:03","slug":"lubaina-himid-has-a-chance-encounter-and-ai-weiwei-takes-to-the-streets-the-week-in-art-art-and-design","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/us\/2204\/","title":{"rendered":"Lubaina Himid has a chance encounter and Ai Weiwei takes to the streets \u2013 the week in art | Art and design"},"content":{"rendered":"<p>Exhibition of the week<\/p>\n<p class=\"dcr-16w5gq9\">Lubaina Himid With Magda Stawarska: Another Chance Encounter<br \/>An installation exploring the letters of early 20th-century modernist Sophie Brzeska, plus new paintings by Himid.<br \/><a href=\"https:\/\/www.kettlesyard.cam.ac.uk\/whats-on\/lubaina-himid\/\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Kettle\u2019s Yard, Cambridge<\/a>, from 12 July to 2 November<\/p>\n<p>Also showing<\/p>\n<p class=\"dcr-16w5gq9\">Sculpture in the City<br \/>Jane and Louise Wilson and Ai Weiwei reveal new public sculptures for this summer art trail. <br \/> <a href=\"https:\/\/www.sculptureinthecity.org.uk\/\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">City of London sites<\/a> from 16 July until spring 2026<\/p>\n<p class=\"dcr-16w5gq9\">Emma Talbot<br \/>Birth, death and everything in between are explored in this show that centres on an installation inspired by Greek tragedy. <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2025\/jul\/07\/scared-heavy-questions-silk-emma-talbot\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Read more here<\/a>. <br \/> <a href=\"https:\/\/www.comptonverney.org.uk\/whats-on\/emma-talbot\/\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Compton Verney, Warwickshire<\/a>, until 5 October<\/p>\n<p class=\"dcr-16w5gq9\">The Power of Drawing<br \/>David Hockney, Tracey Emin and many more artists and celebs (including King Charles) celebrate the Royal Drawing School\u2019s 25th anniversary.<br \/> <a href=\"https:\/\/royaldrawingschool.org\/events\/25\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Royal Drawing School, London<\/a>, until 26 July<\/p>\n<p class=\"dcr-16w5gq9\">Emma Amos<br \/>This artist who was born in Atlanta, Georgia, and trained in 1950s London, made expressive, political paintings.<br \/> <a href=\"https:\/\/alisonjacques.com\/exhibitions\/emma-amos\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Alison Jacques gallery, London<\/a>, until 9 August<\/p>\n<p>Image of the week Photograph: Phil Buehler<\/p>\n<p class=\"dcr-16w5gq9\">A giant mural, titled Wall of Shame, has launched in New York, to remind people of the alleged crimes committed by more than 1,500 Maga loyalists on the January 6 attack on the US Capitol, who were then pardoned by Donald Trump. <a href=\"https:\/\/www.theguardian.com\/us-news\/2025\/jul\/07\/wall-of-shame-january-6-pardons\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Read more here<\/a>.<\/p>\n<p>What we learned<\/p>\n<p class=\"dcr-16w5gq9\"><a href=\"https:\/\/www.theguardian.com\/culture\/2025\/jul\/08\/bayeux-tapestry-to-return-to-britain-for-first-time-in-900-years\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">The Bayeux tapestry will return to Britain for the first time in 900 years<\/a><\/p>\n<p class=\"dcr-16w5gq9\"><a href=\"https:\/\/www.theguardian.com\/music\/2025\/jul\/09\/ed-sheeran-jackson-pollock-energy-no-feeling-truth\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Ed Sheeran\u2019s Jackson Pollock homage has energy but no truth<\/a><\/p>\n<p class=\"dcr-16w5gq9\"><a href=\"https:\/\/www.theguardian.com\/artanddesign\/2025\/jul\/07\/kew-gardens-exhibition-henry-moore-sculptures\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Kew Gardens will host the largest outdoor exhibition of Henry Moore\u2019s sculptures<\/a><\/p>\n<p class=\"dcr-16w5gq9\"><a href=\"https:\/\/www.theguardian.com\/music\/2025\/jul\/10\/ozzy-osbourne-collaborates-with-chimpanzees-on-abstract-expressionist-paintings\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Ozzy Osbourne collaborated with chimpanzees on abstract expressionist paintings<\/a><\/p>\n<p class=\"dcr-16w5gq9\"><a href=\"https:\/\/www.theguardian.com\/artanddesign\/2025\/jul\/10\/the-strange-truth-about-fake-artworks\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Nell Stevens asked, what if every artwork you\u2019ve ever seen is a fake?<\/a><\/p>\n<p class=\"dcr-16w5gq9\"><a href=\"https:\/\/www.theguardian.com\/artanddesign\/2025\/jul\/09\/more-than-human-review-nature-architects-design-museum\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">London\u2019s Design Museum is hosting a utopia of self-weaving grass and psychedelic dolphins<\/a><\/p>\n<p class=\"dcr-16w5gq9\"><a href=\"https:\/\/www.theguardian.com\/artanddesign\/2025\/jul\/08\/emily-kam-kngwarray-review-tate-modern-london-indigenous-australian-artist\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Indigenous Australian artist Emily Kam Kngwarray brings a sense of wonder<\/a><\/p>\n<p><a data-ignore=\"global-link-styling\" href=\"#EmailSignup-skip-link-18\" class=\"dcr-jzxpee\">skip past newsletter promotion<\/a><\/p>\n<p class=\"dcr-1xjndtj\">Your weekly art world round-up, sketching out all the biggest stories, scandals and exhibitions<\/p>\n<p>Privacy Notice: Newsletters may contain info about charities, online ads, and content funded by outside parties. For more information see our <a data-ignore=\"global-link-styling\" href=\"https:\/\/www.theguardian.com\/help\/privacy-policy\" rel=\"noreferrer nofollow noopener\" class=\"dcr-1rjy2q9\" target=\"_blank\">Privacy Policy<\/a>. We use Google reCaptcha to protect our website and the Google <a data-ignore=\"global-link-styling\" href=\"https:\/\/policies.google.com\/privacy\" rel=\"noreferrer nofollow noopener\" class=\"dcr-1rjy2q9\" target=\"_blank\">Privacy Policy<\/a> and <a data-ignore=\"global-link-styling\" href=\"https:\/\/policies.google.com\/terms\" rel=\"noreferrer nofollow noopener\" class=\"dcr-1rjy2q9\" target=\"_blank\">Terms of Service<\/a> apply.<\/p>\n<p id=\"EmailSignup-skip-link-18\" tabindex=\"0\" aria-label=\"after newsletter promotion\" role=\"note\" class=\"dcr-jzxpee\">after newsletter promotion<\/p>\n<p class=\"dcr-16w5gq9\"><a href=\"https:\/\/www.theguardian.com\/artanddesign\/gallery\/2025\/jul\/08\/the-tourist-kourtney-roy-sinister-les-recontres-darles-in-pictures\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Kourtney Roy makes tourist snapshots look sinister<\/a><\/p>\n<p class=\"dcr-16w5gq9\"><a href=\"https:\/\/www.theguardian.com\/artanddesign\/2025\/jul\/07\/free-of-human-logic-the-modern-artists-inspired-by-surrealisms-100-year-old-parlour-game\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Artists are finding inspiration in a parlour game<\/a><\/p>\n<p>Masterpiece of the week<\/p>\n<p class=\"dcr-16w5gq9\">Saint Luke by Jacopo di Cione and Workshop, c.1365-70<\/p>\n<p class=\"dcr-16w5gq9\">The apostle Luke was the first Christian artist, it was believed in the middle ages. As well as writing a Gospel, he found time to portray the Virgin Mary from life \u2013 a story that understandably fascinated artists because it gave them an excuse to depict themselves and their craft. Is this a self-portrait of Jacopo di Cione? It doesn\u2019t seem to show Luke painting Mary \u2013 that would become a speciality of 15th-century Flemish artists who loved depicting Luke\u2019s studio in lifelike detail. Instead, here he has a book and pen. He may be writing his Gospel. But his keen gaze suggests he is drawing in ink, for sketching was a popular practice in medieval Florence where this was painted. Either way, in medieval thinking, he is not just depicting what he sees. His hand is instead guided by supernatural powers.<br \/> <a href=\"https:\/\/www.nationalgallery.org.uk\/paintings\/jacopo-di-cione-and-workshop-saint-luke\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">National Gallery, London<\/a><\/p>\n<p>Sign up to the Art Weekly newsletter<\/p>\n<p class=\"dcr-16w5gq9\">If you don\u2019t already receive our regular roundup of art and design news via email, <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2015\/oct\/19\/sign-up-to-the-art-weekly-email\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">please sign up here<\/a>.<\/p>\n<p>Get in touch<\/p>\n<p class=\"dcr-16w5gq9\">If you have any questions or comments about any of our newsletters please email <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2025\/jul\/11\/mailto:newsletters@theguardian.com\" data-link-name=\"in body link \" https:=\"\" rel=\"nofollow noopener\" target=\"_blank\">newsletters@theguardian.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"Exhibition of the week Lubaina Himid With Magda Stawarska: Another Chance EncounterAn installation exploring the letters of early&hellip;\n","protected":false},"author":2,"featured_media":2205,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[56],"tags":[228,226,227,229,88],"class_list":["post-2204","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-and-design","tag-arts","tag-arts-and-design","tag-artsanddesign","tag-design","tag-entertainment"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/2204","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/comments?post=2204"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/2204\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media\/2205"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media?parent=2204"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/categories?post=2204"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/tags?post=2204"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}