{"id":266504,"date":"2025-11-02T07:40:25","date_gmt":"2025-11-02T07:40:25","guid":{"rendered":"https:\/\/www.newsbeep.com\/us\/266504\/"},"modified":"2025-11-02T07:40:25","modified_gmt":"2025-11-02T07:40:25","slug":"seven-high-profile-projects-shortlisted-for-museum-of-jesus-baptism-competition-news","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/us\/266504\/","title":{"rendered":"Seven high-profile projects shortlisted for Museum of Jesus\u2019 Baptism competition | News"},"content":{"rendered":"


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Shortlisted entries for the Museum of Jesus\u2019 Baptism competition. <\/p>\n

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Seven shortlisted concepts have been revealed for the competition to design the Museum of Jesus\u2019 Baptism at Bethany, Jordan. As we reported in July<\/a>, seven teams are vying for the museum to be built on the east bank of the Jordan River<\/a>.<\/p>\n

Scheduled to open in 2030, the Museum of Jesus\u2019 Baptism will mark the 2,000th anniversary of the event and is intended to become a significant spiritual and cultural destination. The museum will present a story-led visitor experience focused on the history and significance of baptism in Christianity. Surrounded by preserved wilderness, the facility will aim to serve both as a literal and symbolic gateway to the pilgrimage path leading to the Jordan River.\u00a0<\/p>\n

Below, we have detailed the seven projects comprising the shortlist. The winning scheme is expected to be announced in early 2026.<\/p>\n

AAU Anastas (Palestine \/ France \/ Jordan)
With Landscape Design \u2013 Florent Clier; Exhibition Design \u2013 dUCKS; Engineering \u2013 Webb Yates; and Lighting Consultant \u2013 Studio Gelatic.<\/p>\n

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Shortlisted entry led by AAU Anastas. Image credit: AAU Anastas<\/p>\n

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Shortlisted entry led by AAU Anastas. Image credit: AAU Anastas<\/p>\n

Project description: Located at the intersection of the Great Rift Valley and a deep geological depression, the Baptism Site\u2019s extreme environment, marked by intense heat, low oxygen, and vanishing water, shapes its spiritual and historical meaning. Unlike traditional sacred sites, it is not a monument but a place of transformation, embodying passage, exposure, and fragility. The proposed museum responds to this condition not as an object, but as a landscape instrument: a sinuous stone path that guides visitors through light, matter, and climate. Built from local basalt, it blends with the terrain, adapting to native ecologies and environmental extremes. Rather than offer mechanical comfort, it provides thermal awareness \u2013 shade, air, and silence \u2013 emphasizing the sacred through experience. Sustainability is understood as embodied intelligence, not technological performance. As water disappears, the museum becomes a vessel for memory, registering environmental shifts and sustaining faith not through preservation, but through a dynamic relationship with the land, time, and atmosphere.<\/p>\n

heneghan peng architects<\/a> (Ireland)
With Landscape Design \u2013 Agence Ter and Lara Zureikat; Exhibition Design \u2013 Cookies; Engineering \u2013 Arup; and Lighting Consultant \u2013 Kardorff.<\/p>\n

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Shortlisted entry led by heneghan peng architects. Image credit: heneghan peng architects<\/p>\n

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Shortlisted entry led by heneghan peng architects. Image credit: heneghan peng architects<\/p>\n

Project description: To preserve the two-thousand-year-old spirituality of Al-Maghtas, the museum immerses itself within geology and bonds with the stratigraphy of its site. It resists the temptation to rely on metaphor or storytelling and listens carefully to the whispers embedded within its land. Though the river no longer flows as it once did, its presence endures \u2013 not only in \u00a0memory, but in the land itself. The soil becomes the witness and bearer of that sacred history, retaining the imprint of water long receded. As the land subtly depresses near the museum edge it forms a tributary gesture carved by time now reimagined. Along the tributary, water is not always seen, but always possible. When it comes, it moves freely through this line depression \u2013 an image of spiritual and ecological renewal. It allows the land to speak of what it once carried, and what it still might hold again.<\/p>\n

N\u00edall McLaughlin Architects<\/a> (UK)
With Landscape Design \u2013 Kim Wilkie Landscape; Exhibition Design \u2013 Nissen Richards Studio; Engineering \u2013 Arup; and Lighting Consultant \u2013 Studio ZNA.<\/p>\n

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Shortlisted entry led by N\u00edall McLaughlin Architects. Image credit: N\u00edall McLaughlin Architects<\/p>\n

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Shortlisted entry led by N\u00edall McLaughlin Architects. Image credit: N\u00edall McLaughlin Architects<\/p>\n

Project description: The museum is an east-west journey. It combines permanent allegorical elements with flexible galleries. Exhibition spaces are held between deep walls containing displays, circulation, and services. The materials \u2013 rammed earth and stone \u2013 come from the land nearby and can be built by local labor and resources. Descending into the earth from an arid wilderness garden you cross a water-filled rift and re-emerge into the light to a fruitful paradise garden. The eastern entrance and western exit face each other across a public square. The facing doorways are a triangle and a circle, emphasizing a life in Christ as the Alpha and Omega. Between them, an open stepped landscape rises onto the roof. We imagined it as an elevated archaeological site with mosaic floors between low stone walls. From this raised public space, you can view the valley of the Jordan River and the pilgrimage route to the Baptism Site.<\/p>\n

Studio Anne Holtrop (Bahrain \/ Netherlands)
With Landscape Design \u2013 Atelier Miething and Mazen Daqaq; Exhibition Design \u2013 Imagination; Engineering \u2013 Atkins R\u00e9alis; and Lighting Consultant \u2013 Rogier van der Heide.<\/p>\n

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Shortlisted entry led by Studio Anne Holtrop. Image credit: Studio Anne Holtrop<\/p>\n

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Shortlisted entry led by Studio Anne Holtrop. Image credit: Studio Anne Holtrop<\/p>\n

Project description: Our proposal for the Museum of Jesus\u2019 Baptism is situated within a landscape of pristine wilderness. Its setting preserves the natural environment, reflecting the site\u2019s spiritual and historical significance, and aligns with the protected status of the surrounding area. The museum is not conceived as a discrete structure placed upon the site; rather, it takes the form of a single, expansive roof that follows the natural topography. The spatial concept is defined by two main elements: the subtle shaping of the landscape to create distinct spatial experiences, and the careful curation of light and shadow in response to the programmatic needs. The landscape design honors the site\u2019s symbolic wilderness while enhancing it in understated ways. A tree nursery bridges cultivated and native environments, supporting plant research and transplantation. Green corridors link the museum with the pilgrimage path, offering shade and framing key views. The existing wilderness is preserved to highlight resilient vegetation, natural water management, and the raw climatic character<\/p>\n

Tatiana Bilbao ESTUDIO<\/a> (Mexico)
With Landscape Design \u2013 Bureau Bas Smets; Exhibition Design \u2013 Tatiana Bilbao ESTUDIO; Engineering \u2013 Sener; and Lighting Consultant \u2013\u00a0CUBE.BZ<\/p>\n

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Shortlisted entry led by Tatiana Bilbao ESTUDIO. Image credit: Tatiana Bilbao ESTUDIO and CGVeron<\/p>\n

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Shortlisted entry led by Tatiana Bilbao ESTUDIO. Image credit: Tatiana Bilbao ESTUDIO and CGVeron<\/p>\n

Project description: The site lies at the confluence of two complementing forces: the geometric order of the cultivated fields and the organic, meandering flows of the wadi systems. From this meeting point emerges our project, a space shaped by both geometry and water, structure and movement. The concept of baptism, rooted in the idea of immersion, becomes our guiding principle. Here, immersion is both physical and spiritual: you enter beneath a vast hovering roof that provides shade, nurtures trees, and hosts the program within. Water is ever-present, circulating through the project, guiding movement, and reappearing as humidity, reflection, and growth. It defines the atmosphere, transforming the space into an experience rather than a building. To enter this place is to be immersed in landscape, in light, in water, a contemporary evocation of the baptism of Jesus, where architecture becomes a vessel for education and connection.<\/p>\n

Toshiko Mori Architect<\/a> (US)
With Landscape Design \u2013 West 8; Exhibition Design \u2013 Atelier Tsuyoshi TaneArchitects; Engineering \u2013 Arup; and Lighting Consultant \u2013 Kilt Planning.<\/p>\n

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Shortlisted entry led by Toshiko Mori Architect. Image credit: Toshiko Mori Architect<\/p>\n

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Shortlisted entry led by Toshiko Mori Architect. Image credit: Toshiko Mori Architect<\/p>\n

Project description: Our project for the Museum of Jesus\u2019 Baptism envisions a modest, contemplative sequence of structures \u2013 an expression rooted in humility, authenticity, and reverence for place. Conceived as an ode to the simple dwelling of John the Baptist, the museum is built from local clay and stone using traditional vaulted construction, connecting cultures and faiths across time. The design creates a timeless presence that belongs to its setting both physically and spiritually, offering a place where history, faith, and geography converge. The museum unfolds as a series of pavilions and gardens that explore botany, geology, archaeology, and anthropology, revealing how nature, culture, and faith intertwine in this sacred landscape. Woven between the pavilions, the gardens invite wandering, reflection, and engagement with water and light as unifying elements. Through restraint and resonance, the project creates a peaceful, reverential experience that honors John the Baptist while celebrating the enduring, universal message of faith and renewal from Bethany Beyond the Jordan.<\/p>\n

Trahan Architects<\/a> (US)
With Landscape Design \u2013 Doxiadis+; Exhibition Design \u2013 Ralph Appelbaum Associates; Engineering \u2013 Buro Happold; and Lighting Consultant \u2013 Tillotson Design Associates.<\/p>\n

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Shortlisted entry led by Trahan Architects. Image credit: Trahan Architects and Mir<\/p>\n

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Shortlisted entry led by Trahan Architects. Image credit: Trahan Architects<\/p>\n

Project description: Every drop of water that falls on the future site of the Museum of Jesus\u2019 Baptism flows to Al-Maghtas on the banks of the Jordan River \u2013 the UNESCO World Heritage Site of Jesus\u2019 Baptism. Our proposal honors this sacred story by restoring the ecological network of thin wadis that carry water to the river, healing the fractured watershed. The below-grade museum enhances this fragile system, allowing water to flow naturally across the site. Above ground, native plantings restore and shape paths in the landscape, guiding visitors through a wilderness on their contemplative journey. Underground galleries interpret Wilderness, Water, and Witness, each with a courtyard framing the sky and immersive spaces beneath restored wadis. The museum is a peaceful node along a pilgrimage route, fostering stillness through humble architecture built from locally sourced rammed earth. Visitors descend into the Earth, then slowly ascend toward the sacred site, mirroring the Baptismal act.<\/p>\n

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\t\t\t\t\t\tSome current competitions on Bustler<\/a> that may interest you…
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\u202aThe Architect\u2019s Stair #3<\/p>\n

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Register by Thu, Jan 15, 2026<\/p>\n

Submit by Mon, Apr 6, 2026<\/p>\n

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Hospice \u2013 Home for the Terminally Ill \/ Edition #5<\/p>\n

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Register by Wed, Nov 26, 2025<\/p>\n

Submit by Mon, Jan 12, 2026<\/p>\n

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Museum of Emotions \/ Edition #7<\/p>\n

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Register by Thu, Nov 27, 2025<\/p>\n

Submit by Mon, Jan 12, 2026<\/p>\n

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The Last Nuclear Bomb Memorial \/ Edition #6<\/p>\n

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Register by Thu, Nov 13, 2025<\/p>\n

Submit by Mon, Dec 15, 2025<\/p>\n

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\n <\/p>\n","protected":false},"excerpt":{"rendered":" anchor Shortlisted entries for the Museum of Jesus\u2019 Baptism competition. …\n","protected":false},"author":2,"featured_media":266505,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[56],"tags":[228,226,227,229,88],"class_list":{"0":"post-266504","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-and-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-artsanddesign","11":"tag-design","12":"tag-entertainment"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/266504","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/comments?post=266504"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/266504\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media\/266505"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media?parent=266504"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/categories?post=266504"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/tags?post=266504"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}