{"id":270602,"date":"2025-11-04T09:30:11","date_gmt":"2025-11-04T09:30:11","guid":{"rendered":"https:\/\/www.newsbeep.com\/us\/270602\/"},"modified":"2025-11-04T09:30:11","modified_gmt":"2025-11-04T09:30:11","slug":"can-bugonia-be-yorgos-lanthimos-biggest-box-office-hit-yet","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/us\/270602\/","title":{"rendered":"Can &#8216;Bugonia&#8217; Be Yorgos Lanthimos&#8217; Biggest Box Office Hit Yet?"},"content":{"rendered":"<p>It isn\u2019t every movie that can get people lining up around the block to <a rel=\"nofollow noopener\" data-id=\"https:\/\/www.youtube.com\/watch?v=OYZtaXa4S-I\" data-type=\"link\" href=\"https:\/\/www.youtube.com\/watch?v=OYZtaXa4S-I\" target=\"_blank\">get their heads shaved<\/a> just for an early peek, but a gambit like that is just the ticket for a <a href=\"https:\/\/www.indiewire.com\/t\/film\/\" id=\"auto-tag_film\" data-tag=\"film\" rel=\"nofollow noopener\" target=\"_blank\">film<\/a> like <a href=\"https:\/\/www.indiewire.com\/t\/yorgos-lanthimos\/\" id=\"auto-tag_yorgos-lanthimos\" data-tag=\"yorgos-lanthimos\" rel=\"nofollow noopener\" target=\"_blank\">Yorgos Lanthimos<\/a>\u2018 \u201c<a href=\"https:\/\/www.indiewire.com\/t\/bugonia\/\" id=\"auto-tag_bugonia\" data-tag=\"bugonia\" rel=\"nofollow noopener\" target=\"_blank\">Bugonia<\/a>.\u201d At least, to make this kind of movie-going into an event.<\/p>\n<p>And if you\u2019re <a href=\"https:\/\/www.indiewire.com\/t\/focus-features\/\" id=\"auto-tag_focus-features\" data-tag=\"focus-features\" rel=\"nofollow noopener\" target=\"_blank\">Focus Features<\/a> and it\u2019s your first time working with Lanthimos after several films with Searchlight and A24, why wouldn\u2019t you go all out? Adult, arthouse films with other big name directors and stars \u2014 <a data-id=\"1235147826\" data-type=\"post\" href=\"https:\/\/www.indiewire.com\/criticism\/movies\/bugonia-review-emma-stone-yorgos-lanthimos-1235147826\/\" rel=\"nofollow noopener\" target=\"_blank\">not all of them as fun as \u201cBugonia\u201d is<\/a> \u2014 have been inconsistent at the <a href=\"https:\/\/www.indiewire.com\/t\/box-office\/\" id=\"auto-tag_box-office\" data-tag=\"box-office\" rel=\"nofollow noopener\" target=\"_blank\">box office<\/a> and, with no guarantee that people will show up, so Focus needed to pull out the stops to make \u201cBugonia\u201d feel like an indie event.<\/p>\n<p> <a href=\"https:\/\/www.indiewire.com\/news\/breaking-news\/in-development-zcon-creators-conference-1235158612\/\" title=\"\" target=\"_self\" rel=\"nofollow noopener\" data-card-index=\"0\" data-post-id=\"1235158612\"><img src=\"https:\/\/www.newsbeep.com\/us\/wp-content\/uploads\/2025\/11\/ZCON-collage.png\" alt=\"Clockwise from top L: Actor Auli&#x2019;i Cravalho, Ziad Ahmed (VP, Head of UTA Next Gen), and actor Michael Cimino; Love Island&#x2019;s Olandria and rapper Aliyah&#x2019;s Interlude; Bubble recess; Paralympian Ezra Frech; Shaina Zafar (Executive, UTA Next Gen), Cheyenne Hunt (exe director Gen Z for Change), artist and designer Ella Emhoff, journalist Andrew Chang, and content creator-activist Zaya Perysian; Maya Peterson from Rock the Vote; Olivia Frary, head of ZCON and UTA Next Gen exec.\" height=\"168\" width=\"300\"   loading=\"lazy\" decoding=\"async\" fetchpriority=\"auto\" data-attachment-id=\"1235158615\" data-wp-size=\"nova_size__sixteenbynine_small_cropped\"\/><\/a>  <a href=\"https:\/\/www.indiewire.com\/features\/interviews\/jennifer-lawrence-robert-pattinson-die-my-love-interview-1235158489\/\" title=\"\" target=\"_self\" rel=\"nofollow noopener\" data-card-index=\"1\" data-post-id=\"1235158489\"><img src=\"https:\/\/www.newsbeep.com\/us\/wp-content\/uploads\/2025\/11\/GettyImages-2244554999.jpg\" alt=\"NEW YORK, NEW YORK - NOVEMBER 01: Jennifer Lawrence and Robert Pattinson attend the &quot;Die My Love&quot; New York premiere at AMC Lincoln Square Theater on November 01, 2025 in New York City. (Photo by Valerie Terranova\/WireImage)\" height=\"168\" width=\"300\"   loading=\"lazy\" decoding=\"async\" fetchpriority=\"auto\" data-attachment-id=\"1235158599\" data-wp-size=\"nova_size__sixteenbynine_small_cropped\"\/><\/a> <\/p>\n<p>Through two weekends, with the film expanding into over 2,000 screens for its second weekend, \u201cBugonia\u201d has now made $4.8 million this weekend and $5.8 million to date. With another $5 million abroad, the film is at $11 million worldwide. Its domestic total has already surpassed the overall domestic run of Lanthimos\u2019 last film, 2024\u2019s \u201cKinds of Kindness.\u201d But it has also earned Lanthimos\u2019 best opening upon going wider, even beyond that of \u201cPoor Things\u201d or \u201cThe Favourite.\u201d <\/p>\n<p>That said, those movies didn\u2019t immediately jump to as many screens in Week 2 as \u201cBugonia\u201d now has, so there\u2019s not really a great apples to apples comp here. \u201cBugonia\u201d has an audience score on Rotten Tomatoes that\u2019s even slightly above \u201cPoor Things,\u201d though \u201cBugonia\u201d had a CinemaScore of a B compared to an A- for \u201cPoor Things.\u201d<\/p>\n<p>The hope though is that we could be talking about \u201cBugonia\u201d for a while, with the film hanging around in theaters for months <a href=\"https:\/\/www.indiewire.com\/news\/festivals\/bugonia-oscar-chances-emma-stone-yorgos-lanthimos-1235147836\/\" data-type=\"post\" data-id=\"1235147836\" rel=\"nofollow noopener\" target=\"_blank\">through the awards season<\/a>. It\u2019s exactly that second or third life that \u201cBugonia\u201d needs in order to match how \u201cPoor Things\u201d ultimately became a long-tail hit. Both that film and \u201cThe Favourite,\u201d according to data from Comscore, made just over $34 million domestic by the time all was said and done, with each opening late in the year and then hanging around well into March. And it was their international hauls, over 70 percent of its $117 million worldwide total for \u201cPoor Things\u201d in particular, that really made the difference. <\/p>\n<p>Focus took the approach of capitalizing on \u201cBugonia\u2019s\u201d fall festival buzz as soon as possible. In addition to that bald screening, Focus also did a live <a data-id=\"1235148441\" data-type=\"post\" href=\"https:\/\/www.indiewire.com\/features\/interviews\/jesse-plemons-bugonia-telluride-1235148441\/\" rel=\"nofollow noopener\" target=\"_blank\">Q&amp;A stream with Stone and Jesse Plemons<\/a> via Alamo Drafthouse theaters and some in-person Q&amp;As in New York and Los Angeles. Then the film, in its first weekend, opened on 17 screens, which is wider than you\u2019d usually see for a platform release of its kind. Those added screens allowed Focus to hold 35mm screenings with 13 different prints, including in Chicago, Boston, and Nashville. That buzz helped moving into this past weekend, in which the three 35mm screens in New York all managed to place among the film\u2019s top 10 performing locations, and the rest were all in the top 50.<\/p>\n<p>One other film that could be a good touchstone, though not nearly as bonkers or as bloody as \u201cBugonia,\u201d is Focus\u2019 own \u201cConclave\u201d from last year. It too opened in this same window in late October and opened wide to about $6.6 million domestic. Focus kept it going strong for about a month, then scaled back in some of the doldrums of the holiday season, and then ramped things back up again in January as it picked up awards buzz. \u201cConclave\u201d made nearly 90 percent of its domestic haul in that first month of wide release, but it hung around for another three months and finished with $32.5 million. <\/p>\n<p>Through two weeks though, the distributor is already seeing strong repeat business on \u201cBugonia,\u201d as it has the cathartic ending and cultural parallels that should keep people thinking and coming back. Just in time for you to shave your head all over again. <\/p>\n","protected":false},"excerpt":{"rendered":"It isn\u2019t every movie that can get people lining up around the block to get their heads shaved&hellip;\n","protected":false},"author":2,"featured_media":270603,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[52],"tags":[2642,71917,88,2695,3098,206,75805],"class_list":["post-270602","post","type-post","status-publish","format-standard","has-post-thumbnail","category-movies","tag-box-office","tag-bugonia","tag-entertainment","tag-film","tag-focus-features","tag-movies","tag-yorgos-lanthimos"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/270602","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/comments?post=270602"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/270602\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media\/270603"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media?parent=270602"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/categories?post=270602"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/tags?post=270602"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}