{"id":281951,"date":"2025-11-09T20:56:16","date_gmt":"2025-11-09T20:56:16","guid":{"rendered":"https:\/\/www.newsbeep.com\/us\/281951\/"},"modified":"2025-11-09T20:56:16","modified_gmt":"2025-11-09T20:56:16","slug":"65daysofstatics-new-no-mans-sky-album-searches-for-humanity-in-an-ai-filled-world","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/us\/281951\/","title":{"rendered":"65daysofstatic\u2019s new No Man\u2019s Sky album searches for humanity in an AI-filled world"},"content":{"rendered":"<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _17nnmdy6 _17nnmdy5 _1xwtict1\">It\u2019s not often that a band returns to soundtrack the same game nine years after its release \u2014 then again, most games aren\u2019t No Man\u2019s Sky. Once demoed on The Tonight Show with Jimmy Fallon and at splashy E3 press conferences, in 2016, No Man\u2019s Sky was heralded as gaming\u2019s future. And it was all made possible by the procedural generation that spawned its vast, sci-fi universe.<\/p>\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">Nearly a decade later, as post-rock band 65daysofstatic returns to re-score the ever-evolving game, generated content is no longer the exciting futurism it once seemed. With AI slop flooding social media and AI-generated bands sneaking their way onto Spotify, the tech that once powered gaming dreams is slowly becoming a dystopian nightmare.<\/p>\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">\u201cIt\u2019s just capitalism, isn\u2019t it?\u201d says 65daysofstatic\u2019s Paul Wolinski. \u201cIt\u2019s ruining everything. It\u2019s all these CEOs who don\u2019t understand the difference between art and content.\u201d<\/p>\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">That\u2019s where Journeys, a defiantly human soundtrack that stands firmly against the rise of the music-generating machines, comes in. Working alongside Hello Games\u2019 audio director, Paul Weir, Wolinski has spent the last year transforming a series of abstract, unreleased soundscapes into full-fledged songs. Once intended as pieces to be infinitely reassembled by No Man\u2019s Sky\u2019s algorithm, the two Pauls strove to reimagine these ethereal bleeps and bloops into something that sounded altogether more human. The result is a 32-track, four-LP album that combines 65daysofstatic\u2019s reworked soundscapes with original compositions from Weir.<\/p>\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">\u201cFor this record, we were much more interested in turning all of that infinite stuff into something more intentional \u2014 something bespoke and artisan,\u201d says Wolinski. Where the initial soundtrack Music for an Infinite Universe\u2019s pounding drums and swelling guitars match the highs and lows of jetting off into space, Journeys is an altogether eerier creation, channeling the quiet sense of foreboding of arriving on an unknown planet, the initial score\u2019s optimism replaced by a more unknowable reality.<\/p>\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">\u201cWhen we first started this, I assumed it would be just remixing our old selves,\u201d says Wolinski, \u201cbut most of the soundscapes didn\u2019t provide an origin point for an actual song at all\u2026 It was much harder, more mysterious.\u201d Luckily, 65daysofstatic had an ethereal expert on hand: Weir.<\/p>\n<p class=\"duet--article--dangerously-set-cms-markup qnnwq2 _1xwtict9\">\u201cWe were much more interested in turning all of that infinite stuff into something more intentional\u201d<\/p>\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">While the band went off experimenting with procedural generation in their audio \/ visual live shows, No Man\u2019s Sky continued to grow and evolve, and it needed the music to match. \u201cI didn\u2019t want to sound like a fake 65daysofstatic, you know?\u201d says Weir, as he sat at his synth, picking up where the band of static left off. \u201cI\u2019m a sound designer as much as a composer, and so that\u2019s brought in quite a lot of abstraction into some music. There\u2019s a lot of strange noises!\u201d<\/p>\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">As 65daysofstatic\u2019s prog-laden epics combine with Weir\u2019s synth-led ambience, the result is closer to a Philip Glass score than a noise-drenched post-rock record. It\u2019s a marked evolution from what came before, one that matches No Man\u2019s Sky\u2019s journey from rocky launch into the sprawling sci-fi epic that it is today. \u201cIt\u2019s a funny old relationship,\u201d reflects Weir, on working on the same game for 14 years. \u201dWe\u2019re both constantly going, \u2018All right, enough already, time to move on!\u2019 and then simultaneously delighted by its continued strength and success.\u201d<\/p>\n<p><a class=\"kqz8fh1\" href=\"https:\/\/platform.theverge.com\/wp-content\/uploads\/sites\/2\/2025\/11\/NMSJ_EXCL-Render-2_c6270218-dc24-4cc9-bc81-3d68edaa1c14-1-copy.jpg?quality=90&amp;strip=all&amp;crop=0,0,100,100\" data-pswp-height=\"1035\" data-pswp-width=\"2032\" target=\"_blank\" rel=\"noreferrer nofollow noopener\"><img alt=\"A photo of a 65daysof static vinyl record.\" data-chromatic=\"ignore\" loading=\"lazy\" decoding=\"async\" data-nimg=\"fill\" class=\"x271pn0\" style=\"position:absolute;height:100%;width:100%;left:0;top:0;right:0;bottom:0;color:transparent;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;background-image:url(&quot;data:image\/svg+xml;charset=utf-8,%3Csvg xmlns='http:\/\/www.w3.org\/2000\/svg' %3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\/%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\/%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\/%3E%3CfeComposite operator='out' in='s'\/%3E%3CfeComposite in2='SourceGraphic'\/%3E%3CfeGaussianBlur stdDeviation='20'\/%3E%3C\/filter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\/png;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAABCAQAAAC1HAwCAAAAC0lEQVR42mN8+R8AAtcB6oaHtZcAAAAASUVORK5CYII='\/%3E%3C\/svg%3E&quot;)\"   src=\"https:\/\/www.newsbeep.com\/us\/wp-content\/uploads\/2025\/11\/NMSJ_EXCL-Render-2_c6270218-dc24-4cc9-bc81-3d68edaa1c14-1-copy.jpg\"\/><\/a><\/p>\n<p>Image: Laced Records<\/p>\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">It\u2019s not just Hello Games who has enjoyed the fruits of No Man\u2019s Sky\u2019s success. Of 65daysofstatic\u2019s top-played songs on Spotify, nine of them were written for the game. No Man\u2019s Sky songs have become integral parts of 65daysofstatic live sets, these compositions living on outside of the game in a way soundtracks rarely do. \u201cTo us, it has always been a 65daysofstatic record as much as the No Man\u2019s Sky score,\u201d says Wolinski. \u201cWe\u2019ve been lucky enough to be associated with a few big things in our career, but to be tied to something that has had such a massive cultural impact, it\u2019s just a lovely feeling.\u201d<\/p>\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">Now with Journeys out in the wild, could 65daysofstatic and Weir perform the music live together? \u201cWe wouldn\u2019t rule out potentially doing something on the 10th anniversary in some shape or form,\u201d teases Weir.<\/p>\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">Much like the vast transformation No Man\u2019s Sky has undergone since launch, the world\u2019s relationship with technology has completely changed since 2016. When Wolinski first learned about the possibilities of using procedural generation to rearrange music, he tells me it became something of an obsession, inspiring live-coded, improvised audio \/ visual tours for the band, 2019\u2019s algorithmic album Decomposition Theory, and even a PhD. \u201cNo Man\u2019s Sky definitely sent us off in this other direction,\u201d smiles Wolinski. \u201cAnd I\u2019m really happy that it did.\u201d<\/p>\n<p class=\"duet--article--dangerously-set-cms-markup qnnwq2 _1xwtict9\">\u201cWho cares if computers can make music? That\u2019s not what music is.\u201c<\/p>\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">Yet in 2025, Wolinski believes generative tech\u2019s name has been sullied by prompt-based dirge. \u201cWe came back to this project being very against the associations between generative systems and AI slop,\u201d says Wolinski. \u201c\u200b\u200bI think there\u2019s a huge difference between that and No Man\u2019s Sky\u2019s generative systems \u2026 Now it\u2019s all about making more content to churn through, just to keep people\u2019s attention for a few seconds. The whole thing is miserable.\u201d<\/p>\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">\u201cWith No Man\u2019s Sky, it\u2019s all our music, everything is handcrafted. The computer does not create anything \u2014 what it does do is rearrange it,\u201d explains Weir. Despite the clear difference between an algorithm piecing together human-made music and one simply prompting it into existence, with hardworking human artists currently <a href=\"https:\/\/www.nme.com\/news\/music\/ai-band-inspired-by-holding-absence-overtakes-them-on-spotify-its-disheartening-its-insulting-its-a-wake-up-call-3896550\" rel=\"nofollow noopener\" target=\"_blank\">fending off impersonation from AI impostors,<\/a> the Pauls felt compelled to push back against computer-led composition.<\/p>\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _17nnmdya _1xwtict1\">Journeys, then, is more than just an album; it\u2019s humans taking a stand against the rise of the musical machines. \u201cWho cares if computers can make music? That\u2019s not what music is,\u201d says Wolinski. \u201cThe moving of the speakers to generate sound waves is such a tiny part of what gives music meaning. It\u2019s all about the social relations around [it], the human dialogue between one person and another, even if they never meet. This is what art is \u2014 and it\u2019s why generative AI completely misses the point.\u201d<\/p>\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">Journeys is out now on streaming platforms and <a href=\"https:\/\/www.lacedrecords.co\/products\/no-mans-sky-journeys-exclusive-edition-deluxe-double-vinyl\" rel=\"nofollow noopener\" target=\"_blank\">vinyl<\/a>.<\/p>\n<p>Follow topics and authors from this story to see more like this in your personalized homepage feed and to receive email updates.Tom ReganCloseTom Regan<\/p>\n<p class=\"fv263x1\">Posts from this author will be added to your daily email digest and your homepage feed.<\/p>\n<p>FollowFollow<\/p>\n<p class=\"fv263x4\"><a class=\"fv263x5\" href=\"https:\/\/www.theverge.com\/authors\/tom-regan\" rel=\"nofollow noopener\" target=\"_blank\">See All by Tom Regan<\/a><\/p>\n<p>EntertainmentCloseEntertainment<\/p>\n<p class=\"fv263x1\">Posts from this topic will be added to your daily email digest and your homepage feed.<\/p>\n<p>FollowFollow<\/p>\n<p class=\"fv263x4\"><a class=\"fv263x5\" href=\"https:\/\/www.theverge.com\/entertainment\" rel=\"nofollow noopener\" target=\"_blank\">See All Entertainment<\/a><\/p>\n<p>GamingCloseGaming<\/p>\n<p class=\"fv263x1\">Posts from this topic will be added to your daily email digest and your homepage feed.<\/p>\n<p>FollowFollow<\/p>\n<p class=\"fv263x4\"><a class=\"fv263x5\" href=\"https:\/\/www.theverge.com\/games\" rel=\"nofollow noopener\" target=\"_blank\">See All Gaming<\/a><\/p>\n<p>InterviewCloseInterview<\/p>\n<p class=\"fv263x1\">Posts from this topic will be added to your daily email digest and your homepage feed.<\/p>\n<p>FollowFollow<\/p>\n<p class=\"fv263x4\"><a class=\"fv263x5\" href=\"https:\/\/www.theverge.com\/interview\" rel=\"nofollow noopener\" target=\"_blank\">See All Interview<\/a><\/p>\n<p>MusicCloseMusic<\/p>\n<p class=\"fv263x1\">Posts from this topic will be added to your daily email digest and your homepage feed.<\/p>\n<p>FollowFollow<\/p>\n<p class=\"fv263x4\"><a class=\"fv263x5\" href=\"https:\/\/www.theverge.com\/music\" rel=\"nofollow noopener\" target=\"_blank\">See All Music<\/a><\/p>\n<p>ReportCloseReport<\/p>\n<p class=\"fv263x1\">Posts from this topic will be added to your daily email digest and your homepage feed.<\/p>\n<p>FollowFollow<\/p>\n<p class=\"fv263x4\"><a class=\"fv263x5\" href=\"https:\/\/www.theverge.com\/report\" rel=\"nofollow noopener\" target=\"_blank\">See All Report<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"It\u2019s not often that a band returns to soundtrack the same game nine years after its release \u2014&hellip;\n","protected":false},"author":2,"featured_media":281952,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[45],"tags":[182,181,507,88,559,3381,216,2853,74],"class_list":{"0":"post-281951","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artificial-intelligence","8":"tag-ai","9":"tag-artificial-intelligence","10":"tag-artificialintelligence","11":"tag-entertainment","12":"tag-gaming","13":"tag-interview","14":"tag-music","15":"tag-report","16":"tag-technology"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/281951","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/comments?post=281951"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/281951\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media\/281952"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media?parent=281951"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/categories?post=281951"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/tags?post=281951"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}