{"id":313753,"date":"2025-11-26T00:18:05","date_gmt":"2025-11-26T00:18:05","guid":{"rendered":"https:\/\/www.newsbeep.com\/us\/313753\/"},"modified":"2025-11-26T00:18:05","modified_gmt":"2025-11-26T00:18:05","slug":"who-is-alma-allen-trumps-pick-for-the-venice-biennale","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/us\/313753\/","title":{"rendered":"Who is Alma Allen, Trump&#8217;s Pick for the Venice Biennale?"},"content":{"rendered":"<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tFollowing a fraught selection cycle, the US Department of State on Monday <a href=\"https:\/\/www.artnews.com\/art-news\/news\/state-department-confirms-alma-allen-2026-us-pavilion-1234763177\/\" data-type=\"post\" data-id=\"1234763177\" rel=\"nofollow noopener\" target=\"_blank\">confirmed<\/a> that Utah-born, Mexico-based sculptor <a href=\"https:\/\/www.artnews.com\/t\/alma-allen\/\" id=\"auto-tag_alma-allen\" data-tag=\"alma-allen\" rel=\"nofollow noopener\" target=\"_blank\">Alma Allen<\/a> will represent the United States at the 2026 <a href=\"https:\/\/www.artnews.com\/t\/venice-biennale\/\" id=\"auto-tag_venice-biennale\" data-tag=\"venice-biennale\" rel=\"nofollow noopener\" target=\"_blank\">Venice Biennale<\/a>.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tThe prestigious exhibition opens next May, when scores of curators, collectors, and journalists descend on the lagoon city to judge not only the quality of art on display, but the politics communicated by each national pavilion at the world\u2019s top international art event. <\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tIn the context of the ideological re-weaving of arts and culture under President Trump, the choice of the US representative offers a prism through which to read his priorities, especially when this year\u2019s guidelines were updated to include that proposals should \u201cadvance international understanding of American values by exposing foreign audiences to innovative and compelling works of art that reflect and promote American values.\u201d<\/p>\n<p>\t\tRelated Articles<\/p>\n<p>\t\t\t\t\t\t<img decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/themes\/vip\/pmc-artnews-2019\/assets\/public\/lazyload-fallback.gif\" data-lazy-src=\"https:\/\/www.newsbeep.com\/us\/wp-content\/uploads\/2025\/11\/photo_-diego-flores-2-copy.jpg\" alt=\"Portrait of Alma Allen.\" data-lazy- data-lazy- height=\"\" width=\"\"\/><\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tWho is Alma Allen?<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tBorn and raised in Herber City, Utah, in 1970, Allen lived for several years in Joshua Tree, California; and Tepoztl\u00e1n, roughly 50 miles from Mexico City, where he has a studio complete with a bronze foundry.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tWhat kind of art does he make?<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tHe makes sculptures that take on abstract, biomorphic forms. His presentation at the 2014 Whitney Biennale resembled primordial oceanic organisms, though elsewhere he favors shapes that evoke the woodlands. Largely self-taught, he employs a wide-range of production techniques, from hand-carvings to robotic-assisted fabrication when the scale calls for it.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tHis former gallery Mendes Woods DM described his trajectory as rising from his \u201chumble origins, selling hand-carved miniatures on the street in Soho,\u201d to his career breakthrough, being included in. theWhitney Biennial. Like much of his oeuvre, the sculptures he exhibited there were formally simple but metaphorically opaque. \u201cSpontaneous\u201d and \u201ccompulsory\u201d are used often in press materials to describe his approach to sculpting.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tHe seemingly fits squarely with Trump\u2019s preferred aesthetics: His sculptures lack human form, gleam like precious metal, and the signature scale is monumental. And for a president preoccupied with industry, it surely helps that in this practice the materials is as meaningful as the final product; he\u2019s worked in sinewy bronze, Parota wood, obsidian and stalagmite, and a type of marble native to the Mexican city of Orizaba.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tWhat are his bona fides?<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tAllen has exhibited extensively since the early 1990s, with his New York debut in a group show at Charles Cowles Gallery, and CV that spans Los Angeles to Aspen, and Tokyo. The majority of his solo exhibitions have been at commercial galleries: Blum &amp; Poe and later Blum; Mendes Wood DM; and Kasmin (now Olney Gleason). Blum closed earlier this year, and Allen <a href=\"https:\/\/www.nytimes.com\/2025\/11\/24\/arts\/design\/alma-allen-venice-biennale.html\" rel=\"nofollow noopener\" target=\"_blank\">told the New York Times<\/a> that Mendes Wood DM and Olney Gleason encouraged the artist not to accept the US Pavilion commission; when he did, they cut ties with him.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tMendes Wood DM presented his first solo exhibition in Europe in 2021, at the gallery\u2019s Brussels space and the city\u2019s Van Buuren Museum &amp; Gardens. The show included coiled, oily forms inspired but clearly not from our world. His work is included in the permanent collections of the Los Angeles County Museum of Art and the Palm Springs Art Museum in California, and his first monograph was published by Rizzoli Electa in 2020. He has had two institutional solo shows across his career, at the Palm Springs Art Museum in 2018 and the Museo Anahuacalli in Mexico City in 2023. <\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tHow was he selected to represent the United States?<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tAllen told the New York Times that he had not submitted a formal proposal the biennale commission and instead was approached directly with the offer by Jeffrey Uslip, who was tapped to curate the US presentation in Venice. The artist and curator had reportedly never met before, though Allen said he\u00a0accepted the offer promptly. (Uslip is currently independent; he curated the Malta Pavilion at the 2022 Venice Biennale. He resigned from the Contemporary Art Museum St. Louis in 2016, where he was chief curator, amid a controversy over a Kelley Walker show.)<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tARTnews <a href=\"https:\/\/www.artnews.com\/art-news\/news\/alma-allen-american-pavilion-2026-venice-biennale-1234759545\/\" rel=\"nofollow noopener\" target=\"_blank\">first reported<\/a> that Allen had been selected as the winning artist earlier this month, but that the announcement was delayed by the government shutdown. That same day, the Washington Post reported that artist Robert Lazzarini, working with independent curator John Ravenal and University of South Florida\u2019s Contemporary Art Museum, had <a href=\"https:\/\/www.artnews.com\/art-news\/news\/us-pavilion-venice-biennale-robert-lazzarini-proposal-1234760341\/\" rel=\"nofollow noopener\" target=\"_blank\">initially been chosen<\/a>, but that when negotiations between the State Department and USF collapsed, their proposal was withdrawn. <\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tIt marked an unorthodox end to an unprecedented selection cycle. For a time, it was unclear whether the American Pavilion would even proceed at all in 2026, as the Trump administration has continued to overhaul federal agencies related to arts and culture, including to the National Endowment for the Arts. The sense of instability was compounded by the looming\u2014and ultimately realized\u2014threat of a government shutdown.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tTraditionally for each Venice Biennale, the US Pavilion artist is selected through a call for proposals reviewed by the Advisory Committee on International Exhibitions, which is assembled by the National Endowment for the Arts and US Department of State and State Department. Given the Herculean undertaking of mounting a national pavilion, the grant process typically begins about 18 months ahead of the opening. The <a href=\"https:\/\/www.artnews.com\/t\/national-endowment-for-the-arts\/\" rel=\"nofollow noopener\" target=\"_blank\">National Endowment for the Arts<\/a>\u00a0issues a federal notice to convene committee, which then evaluates the submitted proposals several months later.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tThat portal did not open until this past May, or almost exactly a year before the exhibition was to open in Venice, a notoriously difficult city in which to mount an exhibition. When the portal for the State Department was open, it included not just the directive to \u201creflect and promote American values\u201d but also eliminated previous language that gestured to the administration\u2019s new directives against art that engaged with DEI (Diversity, Equity, and Inclusion). Those wishing to participate were ordered to prove \u201ccompliance in all respects with all applicable Federal anti-discrimination laws\u201d and cannot \u201coperate any programs promoting Diversity, Equity, and Inclusion that violate any applicable anti-discrimination laws.\u201d<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tWhat do we know about his US Pavilion?<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tAllen\u2019s pavilion exhibition, titled\u00a0\u201cAlma Allen: Call Me the Breeze,\u201d is curated by Uslip, former deputy director of exhibitions at the Contemporary Art Museum St. Louis. The pavilion\u2019s commissioner is Jenni Pardo, the founder of the Trump-aligned American Arts Conservancy.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tThe Venice exhibition will feature roughly 30 sculptures, including \u201csite-responsive\u201d sculptures that, according to the State Department, will \u201cexplore the concept of \u2018elevation\u2019 \u2026 as a physical manifestation of form and as a symbol of collective optimism and self-realization, furthering the Trump Administration\u2019s focus on showcasing American excellence.\u201d At least one of these will be installed outdoors, in the American Pavilion forecourt. <\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\t\u201cThe sculptures are often in the act of doing something: they are going away, or leaving or interacting with something invisible,\u201d Allen said in a statement. \u201cEven though they seem static as objects, they are not static in my mind. In my mind, they are part of a much larger universe.\u201d<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tParido added: \u201cAlma Allen embodies the qualities of America\u2019s best and brightest; he is a self-taught American success story.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"Following a fraught selection cycle, the US Department of State on Monday confirmed that Utah-born, Mexico-based sculptor Alma&hellip;\n","protected":false},"author":2,"featured_media":313754,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[56],"tags":[161605,228,226,227,229,88,19217],"class_list":{"0":"post-313753","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-and-design","8":"tag-alma-allen","9":"tag-arts","10":"tag-arts-and-design","11":"tag-artsanddesign","12":"tag-design","13":"tag-entertainment","14":"tag-venice-biennale"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/313753","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/comments?post=313753"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/313753\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media\/313754"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media?parent=313753"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/categories?post=313753"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/tags?post=313753"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}