{"id":314606,"date":"2025-11-26T10:36:08","date_gmt":"2025-11-26T10:36:08","guid":{"rendered":"https:\/\/www.newsbeep.com\/us\/314606\/"},"modified":"2025-11-26T10:36:08","modified_gmt":"2025-11-26T10:36:08","slug":"jingle-bell-heist-review-netflix-comedy-is-slight-cut-above-standard-festive-filler-comedy-films","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/us\/314606\/","title":{"rendered":"Jingle Bell Heist review \u2013 Netflix comedy is slight cut above standard festive filler | Comedy films"},"content":{"rendered":"<p class=\"dcr-130mj7b\">We\u2019re a few weeks into the annual Netflix Christmas dump and standards have already fallen below freezing. In both Alicia Silverstone\u2019s <a href=\"https:\/\/www.theguardian.com\/film\/2025\/nov\/12\/a-merry-little-ex-mas-netflix-movie-review\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">A Merry Little Ex-Mas<\/a> and Minka Kelly\u2019s <a href=\"https:\/\/www.theguardian.com\/film\/2025\/nov\/19\/champagne-problems-review-netflix-christmas-romcom\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Champagne Problems<\/a>, motions were lethargically, and cheaply, gone through without any seasonal sparkle added, a low bar once again set for the next month and change.<\/p>\n<p class=\"dcr-130mj7b\">So while there\u2019s nothing all that remarkable about the streamer\u2019s latest festive effort, crime caper turned romcom Jingle Bell Heist, there\u2019s just about enough to give it an edge over its more anemic peers. Rather than being set in Snowflakeville or some other absurdly named small town in Middle America (while being clearly filmed in Canada), it\u2019s shot on location in London during Christmas 2023 (directed by Mike Flanagan\u2019s long-time cinematographer Michael Fimognari). The city does a great deal of heavy-lifting with every pub, caff and high street helping to conjure up a real sense of place usually absent in such territory (it also means no need for increasingly distracting fake CG snow). There are roles for British comedy stars like <a href=\"https:\/\/www.theguardian.com\/culture\/peter-serafinowicz\" data-link-name=\"in body link\" data-component=\"auto-linked-tag\" rel=\"nofollow noopener\" target=\"_blank\">Peter Serafinowicz<\/a> and Amandaland\u2019s wonderful Lucy Punch and the soundtrack opts for alternative holiday songs from Low and Run-DMC over yet another easily affordable cover of All I Want for Christmas is You. There\u2019s also a plot that isn\u2019t quite as rote as we\u2019re used to with no career-minded woman waiting to be tamed by a family-craving hunk. These might not sound like major, applause-worthy diversions but in the hopelessly generic, and at times unforgivably lazy, world of Netflix Christmas fodder, it\u2019s not nothing.<\/p>\n<\/p>\n<p class=\"dcr-130mj7b\">Rather than the city meets small town setup, our lovebirds are, wait for this, both living in London and both struggling in similar ways. American Sophie (Disney Channel alum Olivia Holt) is caring for her sick mother while toiling away at two jobs, one of which is at a department store gearing up for the holidays (or rather a random building rather unconvincingly made into one). Nick (Sex Education\u2019s Connor Swindells) is an ex-convict father trying to provide for his ex-partner and daughter, wasting his tech knowhow at a mobile phone shop. They both share a certain knack for stealing, one that causes their paths to collide and a plan to be formulated, combining their skills to rob Maxwell Sterling (Serafinowicz) an obnoxious millionaire behind the department store. On <a href=\"https:\/\/www.theguardian.com\/lifeandstyle\/christmas\" data-link-name=\"in body link\" data-component=\"auto-linked-tag\" rel=\"nofollow noopener\" target=\"_blank\">Christmas<\/a> Eve of course.<\/p>\n<p class=\"dcr-130mj7b\">While we\u2019re clearly not in full eat-the-rich territory (this is not Home Alone meets Parasite), fueling a throwaway Christmas movie with class anguish at this particular moment is an effective idea. Sophie\u2019s decision to move her British-born mother back to her homeland is based around an inability to afford healthcare back in the US but even the NHS has its limits with further experimental options only available privately. Nick\u2019s bitter history with Maxwell is traced back to an insurance scam that he was made the fall guy for and the two bond over a shared feeling of hopelessness over an unfair system and a desire to get what they feel is rightfully theirs.<\/p>\n<p class=\"dcr-130mj7b\">The specifics of the heist, as thought up by novelist and Bridgerton writer Abby McDonald, are not quite as whipsmart as they should be (and as the sub-Ocean\u2019s Eleven score seems to suggest) but she does find some decently surprising twists in the last act that help raise the stakes and lift our investment from mild to medium. Holt and Swindells are a solid pairing with a smidgen of chemistry but their dialogue ends up being a little too beige, a bit too first draft, McDonald struggling to bring the laughs we keep waiting for (the script was on 2022\u2019s Black List but could have benefitted from a punch-up after). There\u2019s one scene involving dual undercover earpiece banter that\u2019s a sharp idea and one wonders what could have been added with someone else in the mix because as it stands it\u2019s not all that funny (Punch is the most reliable source of comedy, trying her best to elevate what she\u2019s given, if only she was given more). It\u2019s the problem faced when one of these films is raised just above the gutter-level norm, you end up wanting it to be that much better. As it stands, Jingle Bell Heist is as good as it\u2019s getting for now.<\/p>\n","protected":false},"excerpt":{"rendered":"We\u2019re a few weeks into the annual Netflix Christmas dump and standards have already fallen below freezing. In&hellip;\n","protected":false},"author":2,"featured_media":314607,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[52],"tags":[88,206],"class_list":{"0":"post-314606","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-movies","8":"tag-entertainment","9":"tag-movies"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/314606","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/comments?post=314606"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/314606\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media\/314607"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media?parent=314606"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/categories?post=314606"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/tags?post=314606"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}