{"id":451479,"date":"2026-02-06T00:20:08","date_gmt":"2026-02-06T00:20:08","guid":{"rendered":"https:\/\/www.newsbeep.com\/us\/451479\/"},"modified":"2026-02-06T00:20:08","modified_gmt":"2026-02-06T00:20:08","slug":"dyed-in-grey-harbinger-review","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/us\/451479\/","title":{"rendered":"Dyed in Grey – Harbinger Review"},"content":{"rendered":"

\"\"For progressive death metal acts, the shadow of the masters, Opeth, looms large. Yet some recent progressive death acts, like Iotunn, T\u00f3mar\u00fam, and Dvne, have carved their own paths in the genre. When Dyed in Grey released their debut, The Abandoned Part, in 2013, Opeth was charting a course into pure prog sans death metal. I only mention Opeth because Dyed in Grey\u2019s brand of prog death sees clear influences in the titans of the genre, though with a more technical, improvisational imprint. Harbinger marks only their third full-length album in thirteen years. These years have seen inconsistency in the lineup, with 2018\u2019s Anguish and Ardor losing the vocalist and going full instrumental. Now with a new vocalist, Harbinger sees a return to Dyed in Grey\u2019s roots with a more honed vision from founder Adam Edgemont.<\/p>\n

Unlike Soen<\/a>\u2019s cleaner approach to prog, Dyed in Grey is much rawer and rougher around the edges, utilizing plenty of off-key notes. There\u2019s a greater sense of urgency and authenticity in this approach, and songs are carefully crafted to sound improvisational rather than intentional and overly polished. At times, Dyed in Grey plays it light and breezy, such as on the intro track \u201cSunbird\u201d and the first few minutes of \u201cAscent,\u201d where you could almost mistake them for a happy-go-lucky Weezer. At other times, they play a rough and tumble of \u201990s grunge, with \u201cSilent Symmetry\u201d taking on an Alice in Chains-esque gruffness. Yet behind each arpeggio and light strum lurks an Opethian turn, which can rear its head suddenly with an eruption of heavy guitars and monstrous death growls. These turns prove an effectively cathartic release of emotion; \u201cMirrored Ruins\u201d in particular takes a brilliant turn with some of the coolest riffs on Harbinger. While Opeth is a clear influence, Dyed in Grey take a novel enough approach to avoid being a mere clone.<\/p>\n

\ufeffDescent by Dyed In Grey<\/a><\/p>\n

Dyed in Grey cite jazz as one of their musical styles, and this is most apparent in the improvisational turns that songs take. Unlike Opeth\u2019s more developed passages of death metal or prog, Dyed in Grey can flip on a dime. \u201cStatic Tides\u201d best demonstrates this as it transitions from growls to cleans, arpeggios to blasting riffs, all within short spans of time. Similarly, \u201cDescent\u201d plays off-tune riffs one moment and a sudden melodic lead the next before erupting into death metal with some impressive technical fretwork. I don\u2019t mean to make this sound like a random jumble of song parts. Harbinger still has enough structure for it to contain well-defined tracks. Riffs from the beginning of a tune return at the end (\u201cAscent,\u201d \u201cSilent Symmetry\u201d) and catchier passages, such as the chorus of \u201cTempest,\u201d repeat throughout the course of each song. The unpredictable nature of the music keeps you on your toes and provides new surprises with each spin.<\/p>\n

\"\"As much as there is to enjoy, there\u2019s plenty on Harbinger that makes it a confounding listen. The angular, sometimes atonal, music is certainly off-putting and proves an obstacle to appreciating Dyed in Grey\u2019s strengths. The vocal performances, particularly the cleans, also leave something to be desired. The cleans have a gruffer, grungier resonance that fits what Dyed in Grey is going for, but the vocalist struggles with his pitch at times. Despite the strong production values, another issue is that the death metal riffs sound flat and lack the muscular punch needed to truly make these portions pop. The growls, however, deliver enough power to offset this shortcoming. The rougher elements of the band\u2019s sound fit in with their rugged character, yet there\u2019s a fine line in the atonal approach between enjoyable and cringe-worthy music, and fortunately, Dyed in Grey fall on the enjoyable side more often than not.<\/p>\n

What started off for me on initial spins as disappointing has since turned into something more interesting, rewarding, and even catchy with repeat and closer listens. Dyed in Grey don\u2019t quite stand with the bands listed in my opening paragraph, but for fans of prog death, Harbinger is a worthy exploration. It also represents a growth in Edgemont\u2019s songwriting. This proves to be a pretty cool amalgamation of styles that doesn\u2019t play it safe yet feels assured in its performances and compositions.<\/p>\n

Rating: 3.0\/5.0
DR: 9 | Format Reviewed: WAV
Label: Self-Released
Website: Bandcamp<\/a> | Facebook<\/a>
Releases Worldwide: January 23rd, 2026<\/p>\n

\n\tGive in to Your Anger:<\/p>\n","protected":false},"excerpt":{"rendered":"For progressive death metal acts, the shadow of the masters, Opeth, looms large. Yet some recent progressive death…\n","protected":false},"author":2,"featured_media":451480,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[53],"tags":[54639,20792,121796,9673,12026,211733,211734,88,211735,211736,194841,216,91421,152709,39175,899,900,91426,197258,189879,164230],"class_list":["post-451479","post","type-post","status-publish","format-standard","has-post-thumbnail","category-music","tag-54639","tag-3-0","tag-alice-in-chains","tag-american-metal","tag-death-metal","tag-dvne","tag-dyed-in-grey","tag-entertainment","tag-harbinger","tag-iotunn","tag-jan26","tag-music","tag-opeth","tag-progressive-death-metal","tag-progressive-metal","tag-review","tag-reviews","tag-self-released","tag-soen","tag-tomarum","tag-weezer"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/451479","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/comments?post=451479"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/451479\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media\/451480"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media?parent=451479"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/categories?post=451479"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/tags?post=451479"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}