{"id":457236,"date":"2026-02-08T23:50:11","date_gmt":"2026-02-08T23:50:11","guid":{"rendered":"https:\/\/www.newsbeep.com\/us\/457236\/"},"modified":"2026-02-08T23:50:11","modified_gmt":"2026-02-08T23:50:11","slug":"salt-n-pepa-on-fights-reunions-and-the-future","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/us\/457236\/","title":{"rendered":"Salt N Pepa on Fights, Reunions, and the Future"},"content":{"rendered":"<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n<p>\t\t\tS<br \/>\n\t\tandra \u201cPepa\u201d Denton had just removed her shoes and settled into the massage chair at the She Thing salon in Queens for what she hoped would be a relaxing pedicure when her cellphone started to buzz. Glancing down at the screen, she saw that it was a call from her musical partner, the person with whom she reclaimed hip-hop for women, scored international hits with songs like \u201cPush It,\u201d \u201cShoop,\u201d and \u201cWhatta Man,\u201d and toured the world: Cheryl \u201cSalt\u201d James.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tShe answered with a friendly greeting, having no idea she was about to get some devastating news.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cShe said, \u2018I don\u2019t want to be attached to your hips anymore,\u2019\u201d Denton recalls to Rolling Stone, still dumbfounded all these years later. \u201cI was like, \u2018What does that mean?\u2019 And she said, \u2018I don\u2019t want to do this anymore.\u2019\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAnd with that brief phone call, sometime in 2000, <a href=\"https:\/\/www.rollingstone.com\/t\/salt-n-pepa\/\" id=\"auto-tag_salt-n-pepa\" data-tag=\"salt-n-pepa\" rel=\"nofollow noopener\" target=\"_blank\">Salt-N-Pepa<\/a>, one of the most influential groups in hip-hop history, were no more.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn hindsight, the split wasn\u2019t hard to see coming. A few years earlier, in a 1997 Rolling Stone <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/salt-n-pepa-do-it-their-way-101797\/\" rel=\"nofollow noopener\" target=\"_blank\">cover story<\/a>, James made it clear that she was no longer interested in recording typical Salt-N-Pepa material. \u201cI don\u2019t want to do any more \u2018Shoops.\u2019 I told Pep that if you can respect me just wanting to do inspirational and original music, then I would do another album,\u201d she said.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWith those terms agreed upon, Salt-N-Pepa released their 1997 album, Brand New. It didn\u2019t go well. Lead single \u201cR U Ready\u201d bombed, and after peaking at Number 37, the album dropped off the charts. \u201cThere was no promotion, no money put behind it, nothing,\u201d James tells Rolling Stone. \u201cIt was like the worst drop-the-ball on a Salt-N-Pepa album possible.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhen it came time to tour, the group, accustomed to arenas and big rooms, was back in clubs for the first time since their early days. \u201cCheryl couldn\u2019t handle it,\u201d Denton says. \u201cIt shook her because that album was her baby, it was hers. Mentally, I saw something just leave in that moment. And it really put a damper on us, our relationship.\u201d<\/p>\n<p>\t\tEditor\u2019s picks<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tNeither woman, not to mention Salt-N-Pepa\u2019s often overlooked DJ, Deidra \u201cSpinderella\u201d Roper, thought the group would ever recover. There were just too many fires still smoldering, too many conflicts left unresolved, from bad business deals to the seemingly simple question of if Salt-N-Pepa are a duo or a trio (turns out, it depends on who you ask).<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut more than 20 years later, on the evening of Nov. 8, 2025, all three women once again found themselves on the same stage, for the Rock &amp; Roll Hall of Fame induction ceremony in Los Angeles. After decades of being ignored by the Hall of Fame \u2014 despite their massive influence, a string of era-defining hits, and even a pop-culture meme thanks to Patrick Stewart\u2019s dramatic Saturday Night Live <a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/www.instagram.com\/reel\/DGIvlK8OyQa\/?utm_source=ig_web_copy_link\">introduction<\/a> of the group \u2014 Salt-N-Pepa were finally entering the hallowed institution.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWhen they came up in the game, female rappers had to step up to the mic and show that they could go toe to toe with the guys,\u201d Missy Elliott told the crowd during her speech inducting the group. \u201cSalt-N-Pepa and Spinderella did it effortlessly, seamlessly.\u2026 These three women are the bricklayers to the foundation that holds hip-hop together.\u201d<\/p>\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" data-lazy-src=\"https:\/\/www.newsbeep.com\/us\/wp-content\/uploads\/2026\/02\/GettyImages-2245768338.jpg\" alt=\"\" data-lazy- data-lazy- height=\"682\" width=\"1024\" decoding=\"async\"\/><\/p>\n<p>\t\t\t\t\tDuring their induction into the Rock &amp; Roll Hall of Fame in 2025, Salt-N-Pepa and Spinderella were joined by former manager Hurby \u201cLuv Bug\u201d Azor, with whom they were once involved in a legal dispute.<\/p>\n<p>\t\t\t\t\t\t\t\t\tAmy Sussman\/WireImage<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tDespite the seemingly united front at the Hall of Fame, however, drama simmered in the group. A sizable portion of it was due to the band\u2019s protracted legal battle with Universal Records over ownership of their masters, which resulted in the removal of much of their catalog from streaming services. To this day, some of Salt-N-Pepa\u2019s most indelible hits, like \u201cLet\u2019s Talk About Sex\u201d and the original recording of \u201cPush It,\u201d are unavailable to stream.<\/p>\n<p>\t\tRelated Content<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhen it came time to give their speeches, James spoke frankly about the issues facing the group: \u201cWe are in a fight right now for our masters. After 40 years, as we celebrate this, kids can\u2019t even stream our music. It\u2019s been taken off all streaming platforms because the industry still doesn\u2019t want to play fair.\u201d As the house filled with cries of support, James leaned into the mic and said, \u201cSalt-N-Pepa has never been afraid of a fight.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tA FEW WEEKS BEFORE THE ROCK &amp; ROLL HALL OF FAME ceremony, a much more relaxed James is chilling by a new swimming pool at her home in L.A. It\u2019s an incredibly busy time as she preps for the induction and communicates with her legal team, but she\u2019s taking some time to look back at the journey that brought her to the Hall of Fame. It started in the very early Eighties, when James and Denton were still attending grade school in New York City, years before they actually met.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI lived across the street from Bushwick High School in Brooklyn,\u201d she says. \u201cI\u2019d watch the B-Boys throw their cardboard down [to breakdance] near a DJ with an MC on the mic. I just remember being enamored, fascinated, hooked. You couldn\u2019t keep me out of a park jam. My mom used to come get me out of the park. The DJ used to say, \u2018Cheryl James, your mom is here.&#8217;\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMeanwhile, about 10 miles away in Jamaica, Queens, a teenage Denton was having very similar experiences. \u201cI remember people setting up these turntables in the park and hooking them up to the electricity from the streetlights,\u201d she says. \u201cIt was the most amazing thing I\u2019d ever seen, people rapping to these old-school beats.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIt was the birth of one of the most important musical movements of the 20th century, and it happened to take place practically in their backyards. But even though James and Denton found it intoxicating, their similarities largely stopped there. The Jamaican-born Denton was an extreme extrovert who lived to party with her friends, while James was a quiet introvert without any hint of a wild streak. Anyone who met them back then wouldn\u2019t have imagined them spending even a few minutes together, let alone forming a lifelong bond.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut fate placed them in the lunchroom of Queensborough Community College in 1985. \u201cCheryl stood out to me because she was quiet,\u201d says Denton. \u201cEveryone was like, \u2018Sandy! Sandy!\u2019 And here was this quiet girl in the corner, not calling me, not saying anything. I remember one day I asked her to play [the card game] spades. She said, \u2018No.\u2019 I was like, \u2018Ooohkay.&#8217;\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tJames was working as a telephone solicitor at Sears Roebuck to pay her tuition. For every Sears application she got someone to submit, she received one dollar. \u201cInstead of being in class, I was walking around the lunchroom asking people if they wanted to fill out these applications,\u201d she says. \u201cPep saw me coming with the papers, and she was like, \u2018I need a job.\u2019 I said, \u2018Come to Sears. They\u2019ll hire anybody.\u2019 And they did.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tDenton still marvels at the memory. \u201cIt\u2019s very spiritual,\u201d she says. \u201cI know God\u2019s hand was on it. She didn\u2019t hand out those forms to everyone.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThey picked cubicles at the Sears call center right next to each other and formed an unlikely friendship. \u201cI would live vicariously through Pep,\u201d says James. \u201cShe had the wildest stories.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAlso working in the cubicle rows at Sears was a budding comedian named Martin Lawrence and an aspiring music producer named Hurby \u201cLuv Bug\u201d Azor, who dated James. Christopher Reid and Christopher Martin, two ambitious rappers who\u2019d become Kid \u2018N Play, had jobs there too, making the call center a wellspring for some of the most commercial hip-hop of the era. But at the moment, everyone was just trying to keep their sales jobs.<\/p>\n<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tJames, however, hadn\u2019t thought of a career in music or show business; she was intent on becoming a nurse. But Azor encouraged her to get behind the mic. Impressed by what he saw, he set out to create a rap duo that he could manage and produce, a sort of female Run-D.M.C.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tTwo acquaintances of James, one girl with a squeaky voice, another deemed too proper, didn\u2019t work out. Then Pepa got on the mic. \u201cOur voices just were magic together,\u201d James says. \u201cWe were meant to make music.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tDoug E. Fresh and Slick Rick\u2019s braggadocios \u201cThe Show\u201d had just come out, and Azor wrote a diss track in response called \u201cThe Showstopper,\u201d which Denton and James recorded in Azor\u2019s basement utilizing just a mic, turntables, and a tape recorder. He called his new rap duo \u201cSuper Nature.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIt all seemed little more than a lark until one day Denton took James for a ride in her Datsun 210 and \u201cThe Showstopper\u201d came on the radio. \u201cWe were like, \u2018Is this real?&#8217;\u201d Denton recalls. \u201cI couldn\u2019t do nothing but slam the brakes, throw the car in park, and jump out. Cheryl was screaming, \u2018Get in the car!\u2019 But I jumped out, screaming on the boulevard, \u2018That\u2019s me on the radio!\u2019\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tTo capitalize on the buzz, Azor changed the group\u2019s name to Salt-N-Pepa from a line in \u201cThe Showstopper\u201d (\u201cI\u2019m gonna show you how it\u2019s supposed to be\/Cuz we the Salt and Pepa MCs\u201d), started booking local shows \u2014 where Lawrence often kicked off the evening with a comedy set \u2014 and made arrangements for the group to record its debut LP, Hot, Cool &amp; Vicious.<\/p>\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" data-lazy-src=\"https:\/\/www.newsbeep.com\/us\/wp-content\/uploads\/2026\/02\/GettyImages-1223874896.jpg\" alt=\"\" data-lazy- data-lazy- height=\"663\" width=\"1024\" decoding=\"async\"\/><\/p>\n<p>\t\t\t\t\tCheryl James, Sandra Denton, and Hurby \u201cLuv Bug\u201d Azor on the set of the music video shoot for \u201cMoney Earnin\u2019 Mount Vernon\u201d by Heavy D and the Boyz in 1988.<\/p>\n<p>\t\t\t\t\t\t\t\t\tAl Pereira\/Michael Ochs Archives\/Getty Images<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThey cut the album at a makeshift studio in a Brooklyn brownstone owned by Fresh Gordon of the Choice MC\u2019s. Azor wrote and produced most of the songs, but it was Gordon who came up with an infectious synth part that became the basis for Salt-N-Pepa\u2019s breakthrough song, \u201cPush It.\u201d At first, they thought it was too poppy and played into the chief criticism of the group at the time.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cPeople thought we were pop because we were popular,\u201d Denton says, \u201cand crossover wasn\u2019t really a thing back then.\u201d But Azor brushed aside their concerns and pushed them into a bathroom to record their vocals.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe song was originally the B side to their single \u201cTramp,\u201d but DJs were drawn to \u201cPush It.\u201d It took time and a lot of touring, with Salt-N-Pepa sharing bills with artists like DJ Jazzy Jeff and the Fresh Prince, but \u201cPush It\u201d crawled up the Hot 100. In February 1988, it landed at Number 19, not far from Fleetwood Mac\u2019s \u201cEverywhere,\u201d INXS\u2019 \u201cNeed You Tonight,\u201d and Bruce Springsteen\u2019s \u201cTunnel of Love.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSalt-N-Pepa were now part of the pop mainstream, but early hip-hop acts like Sugarhill Gang, Grandmaster Flash and the Furious Five, and the Fat Boys all had brief moments near the top of the pop charts too before imploding. To many in the industry, hip-hop was still a passing fad, and labels devoted far more resources to white acts.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut Salt-N-Pepa kept their momentum going with 1988\u2019s A Salt With a Deadly Pepa \u2014 which spawned the hit \u201cShake Your Thang\u201d \u2014 and hit another gear in 1990 with Blacks\u2019 Magic and the smash \u201cLet\u2019s Talk About Sex.\u201d \u201cThat song caused a lot of controversy and got a lot of parents upset,\u201d says James. \u201cThis man said to us one time, \u2018I was really down with you girls, but basically now you\u2019re making this smutty music.\u2019 And I\u2019m like, \u2018Did you listen to the song?\u2019 We weren\u2019t promoting. We were saying we wanted to talk about it.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThey felt vindicated when ABC News anchor Peter Jennings heard the song and invited them to rerecord it as \u201cLet\u2019s Talk About AIDS\u201d as part of an AIDS awareness campaign. \u201cA lot of organizations embraced us because we were brave enough to talk about something, HIV, that nobody wanted to talk about,\u201d James says.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn 1993, when many rap act of the Eighties were being cast aside by the harder sounds of Dr. Dre\u2019s The Chronic and gangsta rap, Salt-N-Pepa sold 5 million copies of their fourth album, Very Necessary, on the strength of hits like \u201cShoop,\u201d \u201cNone of Your Business,\u201d and the collaboration with En Vogue, \u201cWhatta Man.\u201d<\/p>\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" data-lazy-src=\"https:\/\/www.newsbeep.com\/us\/wp-content\/uploads\/2026\/02\/GettyImages-516786783.jpg\" alt=\"\" data-lazy- data-lazy- height=\"1024\" width=\"698\" decoding=\"async\"\/><\/p>\n<p>\t\t\t\t\tSalt-N-Pepa at Club USA in New York in 1993, shooting the video for \u201cShoop.\u201d<\/p>\n<p>\t\t\t\t\t\t\t\t\tSteve Eichner\/Getty Images<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe success placed them onstage at the MTV Video Music Awards alongside the Rolling Stones and Springsteen, won them their first Grammy for Best Rap Performance by a Duo or Group, and took them on tour all across the planet. \u201cWe went to Japan, Russia, and performed for kings and the even the Sultan of Brunei,\u201d says Denton. \u201cWe went to places most rappers don\u2019t even know about.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThey also generated millions of dollars \u2014 but much of it didn\u2019t go to them. The group chalks it up to bad deals it had signed and Azor\u2019s role as manager, producer, and primary songwriter. \u201cWhen you\u2019re young and you\u2019re an artist, especially in this genre of music, you get taken advantage of left and right,\u201d says James. \u201cYou want to create, you want to make music, and you don\u2019t want to deal with business, which is a huge downfall for most artists \u2026 But we were in all these obscure European cities, and we\u2019re platinum here and we\u2019re gold there, and they\u2019re giving us plaques and they\u2019re having big dinners.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAt one such party, they were presented with individual Cartier watches. \u201cIt was a $12,000 watch,\u201d James says. \u201cI was like, \u2018Holy cow, we must really be making them some good money.\u2019 But I\u2019m still living at my mother\u2019s house.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tComplicating matters was Salt\u2019s relationship with Azor. \u201cBefore all of this started, Hurby was just a regular guy, I was a regular girl, and we were in puppy love,\u201d James says. \u201cBut now he\u2019s a big deal, I\u2019m an artist under his production company, and all these other ladies started showing up. It\u2019s the old story that a lot of women in music go through. I don\u2019t recommend anyone dating their producer or their manager, ever.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMaking the situation even worse, Denton and Azor had their own issues. \u201cShe almost beat him up in a van one time,\u201d says James. \u201cI had to stop her. I was like, \u2018Listen, once you beat my boyfriend up, where do we go from there?\u2019\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tDenton sighs when all this comes up. \u201cIt\u2019s not good for a group when someone is involved with the manager, the owner,\u201d she says. \u201cIt means that somebody\u2019s going to be left out. And sometimes it\u2019s not fair to the other member because they get caught in the crossfire. I tried to tell her that staying involved with Hurby wasn\u2019t a good idea. And her words were like, \u2018Don\u2019t tell me who I can date and who I cannot date.&#8217;\u201d<\/p>\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" data-lazy-src=\"https:\/\/www.newsbeep.com\/us\/wp-content\/uploads\/2026\/02\/GettyImages-2198432532.jpg\" alt=\"\" data-lazy- data-lazy- height=\"1024\" width=\"660\" decoding=\"async\"\/><\/p>\n<p>\t\t\t\t\tCheryl \u201cSalt\u201d James with Azor in 1992. \u201cI tried to tell her that staying involved with Hurby wasn\u2019t a good idea,\u201d Denton says.<\/p>\n<p>\t\t\t\t\t\t\t\t\tAl Pereira\/Michael Ochs Archives\/Getty Images<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tJames eventually realized she was in an unhealthy relationship and split from Azor while maintaining business and creative ties. Later, she decided to make a complete break following the Very Necessary tour, sparking a costly legal battle with Azor (they eventually settled with their former manager). When the dust settled, several years had passed, and the group signed with a new label, London Records.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe vision was a fresh start for Salt-N-Pepa where they\u2019d finally control their creative destiny. They titled the album Brand New, but its disappointing performance, among other issues, led to that earth-shattering phone call from James to Denton at the salon.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSALT-N-PEPA\u2019S SPLIT WAS DEVASTATING FOR DENTON, but it also had a huge impact on a third member of the group who has spent the past 40 years straddling a very blurry and uncomfortable line between hired hand and full member: Deidra \u201cSpinderella\u201d Roper. Telling her story requires us to rewind the clock back to the earliest days of the group when Azor brought in another DJ, Latoya Hanson, to serve as the original Spinderella. Hanson stuck around long enough to appear on the cover of the first album but left before it took off. \u201cWe weren\u2019t vibing for the most part, but she also got married and she said she didn\u2019t want to do it anymore,\u201d says James. \u201cI don\u2019t know what story she\u2019s telling, but she basically quit.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tHanson has lived a quiet life over the years, but she did vent some old frustrations to <a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/www.tmz.com\/2025\/08\/27\/latoya-hanson-salt-n-pepa-rock-hall-original-spinderella\/\">TMZ<\/a> in August 2025 when Salt-N-Pepa were inducted into the Hall of Fame and she was excluded. \u201cWhat caused the split was a lot of internal, personal, female, catty jealously,\u201d she said. \u201cIt\u2019s the same thing as the Supremes \u2026 And Spinderella is my name. They took my name. Hurby may have given that name to Deidra, but he took it from me.\u201d<\/p>\n<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhatever the truth, Hurby was looking for a new DJ in 1987. Word got back to Roper, still in high school at the time. \u201cI had picked up some techniques from my boyfriend,\u201d she says. \u201cHe taught me backspinning, he taught me the breaks on the records. And I so phoned up Hurby and was like, \u2018Wait a minute. Salt-N-Pepa? The one that be on the radio, Salt-N-Pepa?&#8217;\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tDenton joined just in time to be in the \u201cPush It\u201d video, enraging her predecessor. \u201cI was hot [when I first saw it],\u201d Hanson told TMZ. \u201cI already knew it was coming, but I was hot. I was on fire.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tRoper, meanwhile, felt ostracized by her bandmates. \u201cThere was a lot of distance between us at first because I\u2019m younger,\u201d she says. \u201cThey would sit together, and they\u2019d be laughing and kicking, and I would be by myself. I made friends with everybody else on the bus until they eventually warmed up to me.\u201d<\/p>\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" data-lazy-src=\"https:\/\/www.newsbeep.com\/us\/wp-content\/uploads\/2026\/02\/HCV.jpg\" alt=\"\" data-lazy- data-lazy- height=\"1024\" width=\"1024\" decoding=\"async\"\/><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhen Roper saw the tensions flare up with Azor, she kept her head down. \u201cI minded my business,\u201d she says. \u201cMy responsibility was to take care of what I\u2019m supposed to take care of. Deal with this music, drop my cues, do these shows, be on time. I noticed the internal turmoil, but in the beginning I was just bright-eyed, bushy-tailed, trying to figure it all out.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe group rewarded her loyalty by featuring her on every album cover after she joined, posing with her on the cover of Rolling Stone, and presenting themselves as a trio most everywhere they went in public. \u201cWe didn\u2019t want to be like other artists who didn\u2019t highlight their DJ,\u201d says James. \u201cAnd so we made a conscious choice to bring her from behind the turntables, put her in the front, even give her a verse on a song or two, and really celebrate her. It gave the appearance of an equal trio because of the way we presented it.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOften, it was just that, an \u201cappearance.\u201d \u201cPep and I were friends, and we were partners for years before she came in,\u201d says James of Roper. \u201cWe had a whole career and another DJ. In me and Pep\u2019s mind, the partnership had always been Salt-N-Pepa, but I get that some people felt like it was a trio.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAt least in the public eye, things were harmonious within Salt-N-Pepa \u2014 but then Salt disbanded the group. At that point, all three women had to find their own way after years as a unit. Roper began hosting a radio show in L.A., James focused on her young family and solo music, and Denton did whatever she could to keep her name out there, including a role on VH1\u2019s Surreal Life where she shared a house with Jose Canseco and Omarosa Manigault. She also did a stint on The Surreal Life: The Fame Games, where she made it nearly to the end of the competition but was outmaneuvered by disgraced porn star Ron Jeremy and Baywatch actress Traci Bingham. \u201cThe only thing I regret is getting into other businesses I have no business being in,\u201d she says with a laugh, \u201clike real estate.\u201d (She also wrote a memoir, Let\u2019s Talk About Pep, where she detailed past relationships and her difficult marriage to Naughty By Nature rapper Antony \u201cTreach\u201d Criss.)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe only thing Denton didn\u2019t consider was making solo music. \u201cTo this day, I have never made a song without Salt besides one guest spot on a Missy Elliott album,\u201d she says. \u201cIf it ain\u2019t Salt-N-Pepa, it ain\u2019t nothing for me.\u201d<\/p>\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" data-lazy-src=\"https:\/\/www.newsbeep.com\/us\/wp-content\/uploads\/2026\/02\/GettyImages-74307874_31897b.jpg\" alt=\"\" data-lazy- data-lazy- height=\"1024\" width=\"821\" decoding=\"async\"\/><\/p>\n<p>\t\t\t\t\tDenton, Roper, and James pose at the Bayside Sound Recording Studios in the Bayside, Queens, neighborhood of New York City in 1989.<\/p>\n<p>\t\t\t\t\t\t\t\t\tAl Pereira<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAfter about five years of inactivity, James started to feel differently about working with Denton again, especially after they were approached by VH1 about starring in a reality show where they could air out their differences. \u201cWe worked through some of our issues and even went through therapy together,\u201d James says. \u201cIt was very emotional.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe show also gave Roper a chance to finally explain why she viewed herself as unequal. \u201c\u2019Do you consider me the \u2018N\u2019 in Salt-N-Pepa?&#8217;\u201d she asked her group mates during a tense sit-down caught on camera. They both told her they did not. \u201cI always see you as icing on the cake,\u201d James responded. \u201cMe and Sandy can still do a show, even if you don\u2019t show up.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe women agreed to disagree but soldiered on as a trio for a few years, headlining throwback tours like I Love the 90s, where they shared the stage with Coolio and Vanilla Ice. But in 2019, when Salt-N-Pepa agreed to an arena package tour with New Kids on the Block, En Vogue, and Rick Astley, Spinderella wasn\u2019t invited. All signs point to a dispute over money.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cDespite my participation in promoting the tour and being highly publicized as one of the acts, in January 2019 I received a \u2018termination\u2019 email,\u201d Roper wrote to fans on Instagram. \u201cI refuse to participate in misleading fans, ticketholders, and others who \u2014 based on all the advertising \u2014 were anticipating seeing the iconic #SaltnPepa and #Spinderella trio.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tLater that year, Roper sued them over unpaid royalties, trademark infringement, fraud, and breach of contract. A judge threw out the case and sent them into mediation. \u201cSpin and her legal team adopted a scorched earth approach that brought unnecessary attention to a business dispute,\u201d James and Denton said in a group statement, \u201cthat all along could have, and should have, been settled amicably and privately.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIt was the kind of nasty public battle that could have caused a permanent schism. And for a few years that seemed like the outcome as Salt-N-Pepa continued to perform only as a duo. But in October 2024, Pepa appeared onstage at Spinderella\u2019s Halloween Boo Bash and ran through \u201cPush It,\u201d \u201cShoop,\u201d and \u201cWhatta Man.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cA lot of people play divide-and-conquer in this business, and they get in people\u2019s heads and stop them from talking,\u201d says Denton. \u201cI finally got a chance to say, \u2018Let me talk to Spin.\u2019 I knew people was in her head. I wanted to say, \u2018They lied to you and made you believe that you were getting this when we weren\u2019t getting that.\u2019 But it took me three and a half years to get Spin to say \u2018I love you\u2019 back to me. But she said, \u2018I do, Pep. I really do.&#8217;\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tFor James, her healing started when she too decided to show up unannounced at one of Spinderella\u2019s solo events in L.A. \u201cShe apologized for her part and any hurt that I felt,\u201d Roper says. \u201cI was like, \u2018We\u2019re not kids anymore. Too much time has passed to be in involved with each other to allow all the noise that\u2019s out there come in.\u2019\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAdds James: \u201cWe\u2019ve had some difficult conversations one-on-one, her and I, and we are in a way better space.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSalt-N-Pepa have made several appearances as a trio recently, and everyone says they\u2019re ready to put the turmoil behind them. \u201cIt\u2019s giving me chills now because it was such a fight, and it was unnecessary,\u201d says Roper. \u201cI never want to fight with who I call my sisters.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMuch of this played out in private, but the public knew the broad strokes thanks to legal filings and press coverage. What few people knew is that before the trio finally made peace, the duo of James and Denton fractured one more time. \u201cSalt quit me again,\u201d says Denton with a laugh. \u201cShe called in August 2023 and once again said, \u2018I don\u2019t want to do this anymore, I\u2019m tired.\u2019 I sat there and thought, \u2018Why shouldn\u2019t I be able to perform songs that I wrote and produced?&#8217;\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tDespite being uncertain if fans would accept Pepa on her own, Denton told her agent at CAA to look for promoters willing to book her. To her surprise, there was interest. \u201cIt was so empowering,\u201d she says. \u201cThe audience didn\u2019t question me. They didn\u2019t go, \u2018Where\u2019s Salt?\u2019 The way people received me was just magical.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAfter about two years of singing \u201cShoop\u201d and \u201cPush It\u201d alone for the first time in her life, word came back to Denton that James was ready to return to the fold. \u201cI just wanted to stop traveling,\u201d James explains. \u201cI needed a break.\u201d<\/p>\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" data-lazy-src=\"https:\/\/www.newsbeep.com\/us\/wp-content\/uploads\/2026\/02\/GettyImages-2245774803_870594.jpg\" alt=\"\" data-lazy- data-lazy- height=\"720\" width=\"1024\" decoding=\"async\"\/><\/p>\n<p>\t\t\t\t\tA reunited Salt-N-Pepa, with Spinderella, performed at their induction into the Rock &amp; Roll Hall of Fame in 2025.<\/p>\n<p>\t\t\t\t\t\t\t\t\tAmy Sussman\/WireImage<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe timing was fortuitous. The group members soon learned that they were making it into the Rock &amp; Roll Hall of Fame. It also allowed them to stand united as they battled Universal over ownership of their master recordings. \u201cThe law gives us the right when 35 years has passed to get the music copyrights back that we created,\u201d says Denton, \u201cand end the original contracts that we signed at the very beginning of our careers when we had no bargaining power.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tA judge recently ruled against them, and they\u2019re planning an appeal. But even if they don\u2019t win, they hope the effort inspires other artists to fight for their rights. \u201cJust because we ran into a little hiccup, that doesn\u2019t mean we still don\u2019t want to enlighten and encourage other artists to look at your paperwork, see where you at 35 years in the game,\u201d Denton says. \u201cThey think we shouldn\u2019t talk about it anymore, and they\u2019re just going to shut us down. Yeah, you can shut us down in the courts, but you can\u2019t shut our mouths down.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThese days, Salt-N-Pepa and Spinderella seem to enjoy standing on steady ground. They\u2019re looking ahead to a busy slate of shows in 2026 and beyond, and, according to James, there\u2019s a possibility they\u2019ll open for Janet Jackson.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWe\u2019re very open to doing shows with Janet,\u201d Denton adds. \u201cAnd there\u2019s been talk of shows with TLC, which would be great because people always pitted us against each other, because we were one three-female group and they were the next one.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tDoes that mean James and Denton now definitely see the group as a trio? \u201cWe\u2019re a duo\/trio,\u201d James shoots back. \u201cThat\u2019s what we need to start saying in our bio.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAfter all these years, Roper says she\u2019s at peace with that. \u201cMaybe we can make hats that say \u2018duo\u2019 and \u2018trio,&#8217;\u201d she says with a laugh. \u201cWe can look at them and go, \u2018What is it today? Oh, it\u2019s a trio.\u2019\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThere\u2019s even discussions about a new album, their first since the Brand New debacle nearly 30 years ago. This time around, they\u2019re willing to let Hurby play a role in it too. Despite everything that happened in the Nineties, they\u2019ve patched up their relationship and Hurby even appeared with them at the Hall of Fame. \u201cListen, never say never,\u201d says James. \u201cA new album would be a great way to wrap up a great career, put a pink bow on it.\u201d<\/p>\n<p>\t\tTrending Stories<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tJames also has a new solo song called \u201cChosen\u201d that she\u2019s eager to share with fans. \u201c\u2018Chosen\u2019 is a celebration of the Chosen Ones, the ones that were there in the beginning that laid the foundation and the groundwork for hip-hop,\u201d she says. \u201cGen Z and Gen X are starving for some grown-folks hip-hop.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI used to say, I don\u2019t want to be rapping onstage, doing \u2018Push It\u2019 in my fifties,\u201d she adds. \u201cAnd here I am, almost 60. But Pep always said, \u2018It doesn\u2019t matter how old you are.\u2019 And you know what? She was right.\u201d<\/p>\n<p><script async src=\"\/\/www.instagram.com\/embed.js\"><\/script><\/p>\n","protected":false},"excerpt":{"rendered":"S andra \u201cPepa\u201d Denton had just removed her shoes and settled into the massage chair at the She&hellip;\n","protected":false},"author":2,"featured_media":457237,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[53],"tags":[88,216,29047],"class_list":{"0":"post-457236","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-music","8":"tag-entertainment","9":"tag-music","10":"tag-salt-n-pepa"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/457236","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/comments?post=457236"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/457236\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media\/457237"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media?parent=457236"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/categories?post=457236"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/tags?post=457236"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}