{"id":493608,"date":"2026-02-27T12:25:14","date_gmt":"2026-02-27T12:25:14","guid":{"rendered":"https:\/\/www.newsbeep.com\/us\/493608\/"},"modified":"2026-02-27T12:25:14","modified_gmt":"2026-02-27T12:25:14","slug":"ramand-mixed-use-building-white-cube-atelier","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/us\/493608\/","title":{"rendered":"Ramand Mixed-Use building \/ White Cube Atelier"},"content":{"rendered":"

\"Ramand<\/a>\u00a9 Parham Taghioff<\/p>\n

\"Ramand<\/a>\"Ramand<\/a>\"Ramand<\/a>\"Ramand<\/a>\"Ramand+ 28<\/a><\/p>\n

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Area
\n Area of this architecture project<\/p>\n

Area:\u00a0
\n 1000<\/a> m\u00b2<\/p>\n

Year
\n Completion year of this architecture project <\/p>\n

Year:\u00a0<\/p>\n


\n 2024
\n <\/a><\/p>\n

Photographs<\/p>\n

Lead Architects:<\/p>\n

Reza Asadzade + Shabnam Khalilpour<\/p>\n

\"Ramand\u00a9 Parham Taghioff<\/a><\/p>\n

Text description provided by the architects. Ramand is, before being a project, a decision\u2014a decision about how a cube can stand on a dual-cornered site without compromising its own geometry and without disregarding the city. The wooden volume is a controlled rotation, neither a formal gesture nor an exaggeration; merely the minimal deviation required for the form to settle into the site. Its geometry does not impose itself on the city, but aligns with it. The wooden skin is not an emotional choice, but a means to soften the hard cube. In a site surrounded by schools, the wood transforms potential seriousness into a conversational tone, aware of the daily gaze of children building their spatial memory.<\/p>\n

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