{"id":536119,"date":"2026-03-21T05:16:09","date_gmt":"2026-03-21T05:16:09","guid":{"rendered":"https:\/\/www.newsbeep.com\/us\/536119\/"},"modified":"2026-03-21T05:16:09","modified_gmt":"2026-03-21T05:16:09","slug":"joe-bini-on-burden-of-other-peoples-dreams-chapter-one-ganymede","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/us\/536119\/","title":{"rendered":"Joe Bini on &#8216;Burden of Other People&#8217;s Dreams: Chapter One \u2013 Ganymede&#8217;"},"content":{"rendered":"<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tImagine sitting down in a room with an iPad, a screen and loudspeakers. After a brief introduction to the set-up from a person welcoming you, you are in there, alone, for what is described as an 80- to 90-minute \u201clive cinema experience.\u201d Its title: Burden of Other People\u2019s Dreams: Chapter One \u2013 Ganymede.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tAfter you look around the room a bit, you pick up the iPad. And off you go on a surreal journey. If you are now wondering what the heck I am talking about, the creator of the experience, <a href=\"https:\/\/www.hollywoodreporter.com\/t\/joe-bini\/\" id=\"auto-tag_joe-bini_1\" data-tag=\"joe-bini\" rel=\"nofollow noopener\" target=\"_blank\">Joe Bini<\/a>, is likely smiling.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tYeah, THAT Joe Bini! The creative, who in his work as an editor has collaborated with the likes of <a href=\"https:\/\/www.hollywoodreporter.com\/t\/werner-herzog\/\" id=\"auto-tag_werner-herzog_1\" data-tag=\"werner-herzog\" rel=\"nofollow noopener\" target=\"_blank\">Werner Herzog<\/a>, <a href=\"https:\/\/www.hollywoodreporter.com\/t\/andrea-arnold\/\" id=\"auto-tag_andrea-arnold_1\" data-tag=\"andrea-arnold\" rel=\"nofollow noopener\" target=\"_blank\">Andrea Arnold<\/a> and many others. While his work as an editor is all about helping someone else\u2019s creative vision become reality, Bini has now created something very, very different.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIs it a book? Is it a movie? Well, it doesn\u2019t really matter what you call it. What it is for sure is a sold-out offering that is part of the <a href=\"https:\/\/www.hollywoodreporter.com\/lifestyle\/arts\/cphdox-interactive-exhibition-2026-hypervigilance-interview-1236540734\/\" rel=\"nofollow noopener\" target=\"_blank\">Inter:Active Exhibition<\/a> at the\u00a0<a href=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-news\/copenhagen-cphdox-2026-competition-lineup-1236503370\/\" rel=\"nofollow noopener\" target=\"_blank\">23rd edition<\/a>\u00a0of <a href=\"https:\/\/www.hollywoodreporter.com\/t\/cphdox\/\" id=\"auto-tag_cphdox_1\" data-tag=\"cphdox\" rel=\"nofollow noopener\" target=\"_blank\">CPH:DOX<\/a>, the\u00a0<a href=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-news\/cphdox-preview-interview-niklas-engstrom-copenhagen-doc-1236521576\/\" rel=\"nofollow noopener\" target=\"_blank\">Copenhagen\u00a0<\/a><br \/><a href=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-news\/cphdox-preview-interview-niklas-engstrom-copenhagen-doc-1236521576\/\" rel=\"nofollow noopener\" target=\"_blank\">International\u00a0Documentary Film Festival<\/a>, which runs through Sunday, March 22. And the fest program lists Burden of Other People\u2019s Dreams: Chapter One \u2013 Ganymede as a, as mentioned, live cinema experience.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tBut you really have to experience it to understand what these lines are likely not able to fully do, give you a real sense for the experience. But let\u2019s look at how its content is described on the festival website. You can read there that it is \u201can abstract memoir of Bini\u2019s life as a film editor and storyteller.\u201d<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tBini himself, in an artist statement, tells us: \u201cBurden of Other People\u2019s Dreams: Chapter One \u2013 Ganymede is a story told by an author who refuses to be an author, so they try to convince you that you are the author. Which is ridiculous, since clearly you\u2019re the reader. But then it turns into a film, and suddenly you\u2019re a viewer. Which is even more ridiculous.\u201d<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tDuring a <a href=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-news\/documentary-post-truth-age-ai-authorship-cphdox-2026-1236536056\/\" rel=\"nofollow noopener\" target=\"_blank\">CPH:DOX panel discussion<\/a> this week, Bini shared that \u201ca lot of what I\u2019ve done is feature-length documentary that\u2019s a very specific form,\u201d before surprising the audience by adding: \u201cMy feeling is that it really doesn\u2019t work half the time. There are much better forms of documentary and much better forms of cinema.\u201d His conclusion: \u201cAuthorship more and more now is [about] the person taking it in,\u201d rather than the filmmaker or writer.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tAnd that\u2019s where Burden of Other People\u2019s Dreams: Chapter One \u2013 Ganymede comes in. After all, it may proudly defy classification. But once you do sit down in that room and pick up that iPad, you will likely find that the experience is a mix of book, film and your own imagination. <\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tBini wrote and directed the project, produced by Orla Smith and Kimia Ipakchi. The technical director<br \/>is Nick Bush, and the composer Max de Wardener.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tTHR met up with Bini over coffee in Copenhagen to talk a bit more about the creative adventure that is Burden of Other People\u2019s Dreams: Chapter One \u2013 Ganymede. <\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t\u201cSomething I\u2019ve been thinking about a lot in my career as an editor is the idea of audience,\u201d he explained. \u201cAnd a lot of what the piece comes out of are things I never liked about the film business. I don\u2019t like the whole role of what the director is. And a lot of producers, or funders, when they imagine the audience, it\u2019s adversarial,\u201d meaning that the thought is that you have to make movies \u201cokay for the audience.\u201d<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tSo Bini started thinking about who the audience for his films is or could be. \u201cInstead of a film goer, I started thinking about a reader,\u201d he told THR. \u201cI like the idea of a reader, because a reader thinks you\u2019re really smart and laughs at your jokes and all that kind of stuff, which to me was very freeing.\u201d<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tBini felt it would make sense to write Ganymede in character. \u201cThe whole thing is a character. He speaks, he writes,\u201d he shared. And yes, the voice you hear when seeing something on the screen is Bini\u2019s. \u201cThe character is similar to me, but it\u2019s not me. It\u2019s based on things from or about my life.\u201d<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tSo, wait! What does all that mean for authorship? \u201cI have always been interested in that [Michel] Foucault idea of the death of the author,\u201d Bini explained. The French philosopher argued that the author is not a true creator but a functional, historical construct designed to classify and limit the meaning of texts. \u201cThe author thing is [BS]. We put too much precedence on that when, in fact,  you\u2019re reading a novel, so it\u2019s so much about you. You have that control. So these were just some of the things I thought were interesting to play with.\u201d<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tAnd that he does with Ganymede. Using the language of open cinema, the experience mixes text and imagery, giving the audience room \u201cto put their own meaning on it,\u201d Bini said. Does he consider the experience to be cinematic? \u201cYes, for sure,\u201d he told THR. \u201cI think that\u2019s a really important message. You don\u2019t have to spend five years on one movie. I love the art of cinema. That\u2019s the reason I do it. And if you like cinema, then you should be creating.\u201d<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThe long title of Bini\u2019s live cinema creation, which the writer of these lines has started shortening, as you have likely noticed, is a reference to Les Banks\u2019 Burden of Dreams, his doc about the chaotic production of\u00a0Herzog\u2019s 1982 film\u00a0Fitzcarraldo. The mention of other people\u2019s dreams is a nod to the role of the editor.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThe pragmatic challenge of Bini\u2019s live cinema content, for now, is that time and delivery limit how many people can actually experience it. But he said he is looking into options to address that. A guest book, in which people can make entries after experiencing Ganymede, already includes thankful comments, a flow chart of sorts will all sorts of thoughts and arrows, and a short piece of music composed in reaction to the experience.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tOne person fell asleep during the final minutes of Ganymede, Bini shared. And he was happy about that. \u201cI thought that was the greatest thing in the world,\u201d he told THR. \u201cThey got into that state of mind to such a degree that they felt comfortable enough to fall asleep. I didn\u2019t take it as an offense.\u201d<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThe title of the wild ride that Bini has served up at Copenhagen makes one wonder if there could be more experiences in the vein of Ganymede in the works. Shared the creative: \u201cI have ideas for others.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"Imagine sitting down in a room with an iPad, a screen and loudspeakers. After a brief introduction to&hellip;\n","protected":false},"author":2,"featured_media":536120,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[52],"tags":[219109,177841,88,2091,240437,206,77297],"class_list":["post-536119","post","type-post","status-publish","format-standard","has-post-thumbnail","category-movies","tag-andrea-arnold","tag-cphdox","tag-entertainment","tag-international","tag-joe-bini","tag-movies","tag-werner-herzog"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/536119","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/comments?post=536119"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/536119\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media\/536120"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media?parent=536119"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/categories?post=536119"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/tags?post=536119"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}