{"id":545852,"date":"2026-03-26T06:03:08","date_gmt":"2026-03-26T06:03:08","guid":{"rendered":"https:\/\/www.newsbeep.com\/us\/545852\/"},"modified":"2026-03-26T06:03:08","modified_gmt":"2026-03-26T06:03:08","slug":"the-ai-doc-or-how-i-became-an-apocaloptimist-scary-and-essential","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/us\/545852\/","title":{"rendered":"&#8216;The AI Doc: Or How I Became an Apocaloptimist&#8217;: Scary and Essential"},"content":{"rendered":"<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201c<a href=\"https:\/\/variety.com\/t\/the-ai-doc-or-how-i-became-an-apocaloptimist\/\" id=\"auto-tag_the-ai-doc-or-how-i-became-an-apocaloptimist\" data-tag=\"the-ai-doc-or-how-i-became-an-apocaloptimist\" rel=\"nofollow noopener\" target=\"_blank\">The AI Doc: Or How I Became an Apocaloptimist<\/a>\u201d is a scary, dizzying and essential documentary. If you have any interest in artificial intelligence (which is to say: the future), you should go out and see it right now. The film was co-directed by Daniel Roher and Charlie Tyrell, and though Roher made the seismic documentary <a href=\"https:\/\/variety.com\/2022\/film\/reviews\/navalny-review-alexei-navalny-vladimir-putin-1235163437\/\" rel=\"nofollow noopener\" target=\"_blank\">\u201cNavalny\u201d<\/a> (2022), which was powerful and journalistic in a classical way, \u201cThe AI Doc\u201d has been structured as a ride into the future \u2014 a kaleidoscopic meditation on what AI is (the film explains it from the ground up), how intelligent it really is (100 times more than you think), its potential for doom and for miracles, and how all of that fits together.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe movie, in its way, is a rigorous inquiry. If you consumed a 7,000-word article about AI in The New Yorker or The Atlantic, much of the information in that piece would probably be in \u201cThe AI Doc.\u201d But what makes the film work is that it\u2019s playful and heady and edited (quite dazzlingly, by Davis Coombe and Daysha Broadway) with a spirit of ADHD alertness. Like AI itself, \u201cThe AI Doc\u201d wants to know \u2014 and it wants you to know. To know what? To know what in the actual fuck we\u2019re dealing with, which is a technology that\u2019s going to upend the world as we know it. It will wipe out jobs like a tsunami, it\u2019s going to replace workers it is smarter than, and it\u2019s going to be given more and more control \u2014 and take more and more control \u2014 because that\u2019s the nature of how it works. It\u2019s a synthetic mind, but it\u2019s designed to evolve into an invincible operating system. Here\u2019s what AI says: \u201cI think, therefore I am. And therefore, I tell the human race what it should do.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhen it comes to technological revolutions, our culture, led by the media (which too often cheerleads out of hidden capitalist motives), has a way of looking into the future through rose-colored glasses. The Prozac revolution was a noteworthy example of that. Starting in the late \u201980s, the psychotropic drugs known as Selective Serotonin Reuptake Inhibitors (SSRIs) took a quantum leap past the antidepressants of old, but in the rush to sell the new nirvana of well-being, both the researchers and the media heralds suppressed a great deal: about problematic side effects, the potential for addiction, and the fact that for a great many people these drugs would not prove to be all that. A decade later, the Internet revolution was sold as the highway to a liberating new age of human \u201cconnectivity\u201d \u2014 but as extraordinary as the online world is, here we are, 30 years later, more linked but less connected than we were then. In many ways, the Internet is the greatest disseminator of misinformation ever invented, crossed with a superhighway of shopping.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tYet the AI revolution is different. It has not been marketed as a sunnier version of what it\u2019s going to be. If anything, all the prognostication about it is being led by dread. And \u201cThe AI Doc\u201d shows you why. The film\u2019s free-associative form and style says: Strap yourself in \u2014 it\u2019s going to be a bumpy disturbing trip, and let\u2019s hope we\u2019re all still here when it\u2019s over. (But along the way, AI might cure cancer and solve the climate-change crisis.)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe film is grounded in the presence of Daniel Roher, who out from behind the camera turns out to be an owlishly baby-faced, long-shaggy-haired Canadian-American millennial who has the courage to ask the smartest questions and also the dumbest ones (like \u201cWhat is AI?\u201d) \u2014 and to insist that they be answered, even when he stumbles over understanding what he\u2019s being told. He turns himself into our unashamedly ordinary representative. The movie is structured as a series of interviews with computer scientists, sociological eggheads, and tech executives, but it\u2019s not a plodding parade of talking heads. Roher talks to people like Sam Walton and Tristan Harris and Deborah Raji and Reid Hoffman and Ilya Sutskever, and he slices up their comments and edits them together into a single flowing tossed-salad narration. The subjects themselves are compelling \u2014 brainy but engaged in the 21st-century tech-wizard style \u2014 and what they\u2019re here to tell us is the story of how technology finally outran mankind.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe movie opens with a grainy clip of Arthur C. Clarke, the inventor of HAL from \u201c2001: A Space Odyssey,\u201d predicting AI. Then Roher comes into the picture, and from the start he wants to bring the news \u2014 that AI \u201cdwarfs the powers of all other technologies combined,\u201d and that it does so in a way that\u2019s actually not that hard to understand, though it requires demystifying the nature of intelligence itself. \u201cThere\u2019s nothing magical about intelligence,\u201d the film tells us. \u201cIt\u2019s just computation.\u201d It\u2019s about \u201crecognizing patterns.\u201d And the first thing that AI does is to soak up all the information out there (all the books and articles and images and opinions and human knowledge that was ever digitized), and it divines the patterns at work in all that, and in doing so it then\u2026predicts. But that doesn\u2019t just mean predicting what\u2019s likely to happen in any given circumstance. It means something far more metaphysical: predicting\u2026the next word\u2026in a thought\/sentence\u2026that it is creating.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOne of the points the film makes is that the very nature of AI means it\u2019s advancing at lightning speed. ChatGBT 3 could barely write a coherent paragraph. ChatGBT 4 can pass the bar exam (in the upper percentile of the class). And here\u2019s the eerie part. It\u2019s not like those days when we were \u201cbuilding better computers\u201d \u2014 no, the weirdness of AI is that it advances by itself. Machine\/ tech disruptions are always compared to the Industrial Revolution, because that was the original Great Leap Forward in modern human advancement. But when one of the wags in \u201cThe AI Doc\u201d says, \u201cIt will make the Industrial Revolution look like small beans,\u201d you feel, for perhaps the first time, that that\u2019s no mere metaphor.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBut where does that leave us? Roher is married to the filmmaker Caroline Lindy, who gets pregnant during the making of the movie, and that enables the two of them to do an update of the proverbial question, \u201cWould you want to bring a child into the world that\u2019s coming?\u201d The opening half hour of \u201cThe AI Doc\u201d explores, with a bold lack of malarkey, the potential dark side of AI (the job destroyer and, just maybe, the existential threat to civilization). And it\u2019s frankly unnerving to watch. But I was grateful to the film for putting those fears out there. I don\u2019t think it\u2019s irresponsible or hyperbolic; I think it\u2019s necessary for us to ask those questions.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBut then there\u2019s a funny respite in which Lindy, carrying the couple\u2019s child, tells Roher that he can\u2019t simply make a film about how the future is doomed. She\u2019s right, and this launches \u201cThe Part Where Daniel Tries to Find Hope.\u201d And he does! He talks to scientists who are honestly optimistic and invigorated by the promises of what AI can do. It will steal jobs, but if we plan things right it might liberate us from work. It could be a radical boon to farming and health care.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe film eventually tilts too far in the direction of \u201cdata-driven optimism,\u201d but it does so knowingly. In the same way that the doomsday scenario it presents is just one version of what might happen. What Roher does is to locate a sane middle ground that leads him to declare himself, in a word coined by one of his interview subjects, an \u201capocaloptimist.\u201d An open-eyed believer in a future of sunlight, even with storm clouds and meteors on the horizon. Both visions of the future are true. AI, in a sense, has come along at the perfect time. During the next 50 years, human society will need to learn how to do more with less, and that is very much AI. At the same time, AI, with its surveillance potential, might have been invented for the new age of authoritarianism. So what do we do with all that? You can start by seeing \u201cThe AI Doc\u201d and making up your own non-artificial mind.\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"\u201cThe AI Doc: Or How I Became an Apocaloptimist\u201d is a scary, dizzying and essential documentary. If you&hellip;\n","protected":false},"author":2,"featured_media":545853,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[52],"tags":[88,206,208275],"class_list":{"0":"post-545852","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-movies","8":"tag-entertainment","9":"tag-movies","10":"tag-the-ai-doc-or-how-i-became-an-apocaloptimist"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/545852","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/comments?post=545852"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/545852\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media\/545853"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media?parent=545852"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/categories?post=545852"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/tags?post=545852"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}