![\"Keith](\"https:\/\/www.newsbeep.com\/us\/wp-content\/uploads\/2026\/04\/Keith-Richards-Ronnie-Wood-Far-Out-Magazine-1140x855.jpg\")
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Credit: Miss Sophie<\/p>\n
Fri 17 April 2026 8:02, UK <\/p>\n
When Ronnie Wood joined The Rolling Stones<\/a> in 1975, it wasn\u2019t like he was a struggling unknown guitarist who happened to join the world\u2019s biggest rock and roll band. <\/p>\n Quite the contrary, in fact. Wood had established himself in the London blues scene in the mid-1960s as a teenager, hooked up with the first incarnation of the Jeff Beck Group, and was brought in along with singer Rod Stewart when the Small Faces transformed into the Faces.<\/p>\n It was with the latter group that Wood began to really make a name for himself. On the band\u2019s final album Ooh La La, Wood was the lead singer on the title track, giving him added visibility within the band. As Rod Stewart began to experience success outside the Faces, Wood called up a number of his friends in the English rock scene to assist him on his solo debut, cheekily titled I\u2019ve Got My Own Album To Do. One of Wood\u2019s closest friends was Keith Richards, as the two shared a predilection towards blues, drugs, and humour. Richards would play on the album, as would then-current Stones guitarist Mick Taylor.<\/p>\n That kind of chemistry isn\u2019t something you can manufacture, especially in a band like The Rolling Stones where personality mattered just as much as playing ability. Wood and Richards didn\u2019t just share similar tastes; they operated on the same wavelength, feeding off each other\u2019s loose, instinctive approach to guitar.<\/p>\n It meant that when Wood eventually found himself orbiting the Stones more closely, it never felt like an outsider trying to force his way in. He already understood the language they spoke, both musically and personally, which made his transition into their world feel less like an audition and more like a continuation of something that had been building for years. <\/p>\n By the time the opportunity properly presented itself, the groundwork had already been laid. All that was left was for Wood to decide whether to step fully into that orbit, knowing that doing so would change the course of his career for good.<\/p>\n During one of the sessions for I\u2019ve Got My Own Album To Do at Wood\u2019s house, there was an eclectic group of musicians gathered to and out and maybe even possibly lay down some music. This included Wood\u2019s bandmate in the Faces, drummer Kenney Jones, along with American bass guitarist Willie Weeks. David Bowie was there as well, having come along with Stones singer Mick Jagger. Jagger and Wood began discussing the classic form of rock and roll music, along with some of the negative press that the Stones were getting at the time, and a jam quickly sprung up after the central phrase of \u2018It\u2019s Only Rock \u2018n Roll (But I Like It)\u2019<\/a> was concocted.<\/p>\n \u201cThe idea of the song has to do with our public persona at the time,\u201d Jagger explained in 1993. \u201cI was getting a bit tired of people having a go, all that, \u2018oh, it\u2019s not as good as their last one\u2019 business. The single sleeve had a picture of me with a pen digging into me as if it were a sword. It was a lighthearted, anti-journalistic sort of thing\u201d.<\/p>\n Richards overdubbed some guitar parts onto the final mix, but otherwise, the basic track only features Jagger on vocals. It\u2019s not clear how much of the song Wood actually wrote because the official credit went to Jagger\/Richards, but Wood got an \u201cinspired by\u201d credit on It\u2019s Only Rock \u2018n Roll. Quibbling over songwriting credits wasn\u2019t Wood\u2019s concern, but it did become one for Taylor, who had helped compose a number of songs on the album without getting proper credit.<\/p>\n As legend has it, after the release of It\u2019s Only Rock \u2018n Roll, Wood was sitting between Taylor and Jagger at a party when Taylor leaned over to Jagger and announced that he was leaving the band. Wood and Jagger were shocked, considering that the Stones already had studio time booked for their next recording sessions, and Taylor simply got up and left. Slightly dumbfounded, Jagger asked Wood if he would consider joining the band. Wood declined, citing his dedication to the Faces, but offered to help out with the sessions and joined the band on their 1975 American tour as an auxiliary musician.<\/p>\n Black and Blue was recorded with a number of different guitar players, including former Small Faces guitarist Steve Marriott,\u00a0American guitarists Harvey Mandel, Wayne Perkins,\u00a0and Humble Pie guitarist Peter Frampton, along with Wood. Jagger preferred that the band stay British, with Marriott and Frampton not quite gelling with the group. That left Wood, whose decision to join the Stones on tour caused friction within the Faces. When faced with a decision, Wood decided to side with the Stones, and officially joined the band in late 1975.<\/p>\n<\/p>\n![\"Ronnie](\"https:\/\/www.newsbeep.com\/us\/wp-content\/uploads\/2026\/04\/Ronnie-Wood-Musician-Artist-2025-Far-Out-Magazine-1024x768.jpg\")
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<\/a> The Far Out Classic Rock Newsletter<\/p>\n