{"id":652334,"date":"2026-05-19T12:29:09","date_gmt":"2026-05-19T12:29:09","guid":{"rendered":"https:\/\/www.newsbeep.com\/us\/652334\/"},"modified":"2026-05-19T12:29:09","modified_gmt":"2026-05-19T12:29:09","slug":"why-chiharu-shiotas-sf-immersive-show-is-unforgettable","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/us\/652334\/","title":{"rendered":"Why Chiharu Shiota\u2019s SF immersive show is unforgettable"},"content":{"rendered":"<p><img alt=\"A view of \u201cDiary,\u201d an installation in Chiharu Shiota\u2019s exhibition at the Asian Art Museum in San Francisco is on view through July 20.\" loading=\"eager\" fetchpriority=\"high\"   style=\"aspect-ratio:3 \/ 2\" class=\"x100 y100 opc bgpc ofcv bgscv block bg-gray200 mnh0px fill\"\/><\/p>\n<p>A view of \u201cDiary,\u201d an installation in Chiharu Shiota\u2019s exhibition at the Asian Art Museum in San Francisco is on view through July 20.<\/p>\n<p>Lizzy Montana Myers\/For the S.F. Chronicle<\/p>\n<p>\u201cDiary,\u201d the epic fiber installation by Japanese artist Chiharu Shiota, encompasses the 88-foot length of the Akiko Yamazaki and Jerry Yang Pavilion at the Asian Art Museum with 20 miles of red yarn.\u00a0<\/p>\n<p>The effect is like being immersed in scarlet spiderwebs.<\/p>\n<p>The work, which premiered in 2025 at the Japan Society Gallery in New York to commemorate the 80th anniversary of the end of World War II, includes pages from journals written by Japanese soldiers and postwar German civilians, suspended and connected by the yarn. Traversing the installation, viewers see rooms made from the yarn within the installation.<\/p>\n<p class=\"uiTextSmall f aic jcc\">Article continues below this ad<\/p>\n<p>Though visitors are instructed not to touch it, it\u2019s a thoroughly physical experience. The red of the yarn evokes entering the human body, floating in the bloodstream or perhaps traveling through the birth canal.<\/p>\n<p><img alt=\"Artist Chiharu Shiota poses for a portrait in her installation, \u201cDiary,\u201d at the Asian Art Museum in San Francisco is on view through July 20.\" loading=\"lazy\"   style=\"aspect-ratio:3 \/ 2\" class=\"x100 y100 opc bgpc ofcv bgscv block bg-gray200 mnh0px fill\"\/><\/p>\n<p>Artist Chiharu Shiota poses for a portrait in her installation, \u201cDiary,\u201d at the Asian Art Museum in San Francisco is on view through July 20.<\/p>\n<p>Lizzy Montana Myers\/For the S.F. Chronicle<\/p>\n<p>The artist herself has said the red threads symbolize the brain\u2019s neuronal pathways connecting memories. The work meditates on the tragic shared history of her native Japan and her adopted Germany, her \u201ctwo home countries,\u201d a phrase that gives another Shiota work and her museum show its title.\u00a0<\/p>\n<p>\u201cChiharu Shiota: Two Home Countries\u201d: Mixed media. 1-8 p.m Thursday; 10 a.m.-5 p.m. Friday-Monday. Through July 20. $24-$30. Asian Art Museum, 200 Larkin St., S.F. 415-581-3500. <a href=\"http:\/\/www.asianart.org\" rel=\"nofollow noopener\" target=\"_blank\">www.asianart.org<\/a><\/p>\n<p>Shiota, 53, was born in Osaka and moved to Berlin in the mid-1990s. Her family includes her husband, chef and photographer Sunhi Mang, and their daughter.\u00a0<\/p>\n<p class=\"uiTextSmall f aic jcc\">Article continues below this ad<\/p>\n<p>San Francisco Chronicle Logo<\/p>\n<p>Make us a Preferred Source to get more of our news when you search.<\/p>\n<p><a href=\"https:\/\/www.google.com\/preferences\/source?q=sfchronicle.com\" data-link=\"native\" role=\"button\" aria-label=\"Add Preferred Source\" class=\"td300 cp f aic jcc disabled:cd wsn px24 y40px px16 py8 buttonSm fs13 xs:fs16 xs:buttonLg bg-primaryAccessible hover:o80 c-white disabled:bg-gray300 disabled:c-gray600 border bn tac br2\"><\/p>\n<p>Add Preferred Source<\/p>\n<p><\/a><\/p>\n<p>\u201cIn one diary, this Japanese soldier was writing in Japanese but at the end was writing in English, \u2018If you find my diary please send it to my family,\u2019\u201d Shiota told the Chronicle, noting that that English writing was meant in the event of the soldier\u2019s death. \u201cIt was moving for me.\u201d<\/p>\n<p>Asian Art Museum head curator Robert Mintz, who curated the show, recalled being struck by \u201cDiary\u201d when he first encountered it in New York.\u00a0<\/p>\n<p>\u201cIt seemed as though these papers had just been caught by a gust of wind and were suddenly suspended,\u201d he said. \u201cThere was this sense of frozen time.\u201d<\/p>\n<p><img alt=\"Handwritten diary pages from journals kept by Japanese soldiers during World War II and German civilians in the postwar years hang in a web of red yarn.\" loading=\"lazy\"   style=\"aspect-ratio:3 \/ 2\" class=\"x100 y100 opc bgpc ofcv bgscv block bg-gray200 mnh0px fill\"\/><\/p>\n<p>Handwritten diary pages from journals kept by Japanese soldiers during World War II and German civilians in the postwar years hang in a web of red yarn.<\/p>\n<p>Lizzy Montana Myers\/For the S.F. Chronicle<\/p>\n<p>For\u00a0Soyoung Lee, CEO of the Asian Art Museum, the power of Shiota\u2019s work was emotionally overwhelming.<\/p>\n<p class=\"uiTextSmall f aic jcc\">Article continues below this ad<\/p>\n<p>\u201cShe rips your heart out,\u201d she said.\u00a0<\/p>\n<p>The installation is an impressive centerpiece to the exhibition \u201cChiharu Shiota: Two Home Countries,\u201d the artist\u2019s first solo museum exhibition in the Bay Area. It sculpture, video, works on paper and stage designs that explore themes such as belonging, impermanence and living with what Mintz called \u201cin-betweenness.\u201d As someone who has had cancer, Shiota also frequently explores health and illness as well as the nature of time.\u00a0<\/p>\n<p>\u201cIt\u2019s important to understand that to her, the work is not political,\u201d said Mintz. \u201cIt\u2019s about remembering.\u201d<\/p>\n<p>The exhibition comes at a high point in Shiota\u2019s career after more than three decades of making art.\u00a0<\/p>\n<p><img alt=\"\u201cKINKAKUJI (The Temple of the Golden Pavilion),\u201d is on view through July 20 at the Asian Art Museum in San Francisco.\" loading=\"lazy\"   style=\"aspect-ratio:3 \/ 2\" class=\"x100 y100 opc bgpc ofcv bgscv block bg-gray200 mnh0px fill\"\/><\/p>\n<p>\u201cKINKAKUJI (The Temple of the Golden Pavilion),\u201d is on view through July 20 at the Asian Art Museum in San Francisco.<\/p>\n<p>Lizzy Montana Myers\/For the S.F. Chronicle<\/p>\n<p>A two-time recipient of Japan\u2019s Minister of Education, Culture, Sports, Science and Technology\u2019s Art Encouragement Prize, she has shown her work around the world, including at the Hammer Museum in Los Angeles, the Smithsonian Institution\u2019s Arthur\u00a0M. Sackler Gallery in Washington, D.C., and the National Museum of Art, Osaka.\u00a0<\/p>\n<p class=\"uiTextSmall f aic jcc\">Article continues below this ad<\/p>\n<p>In 2015, she was selected to represent Japan at the 56th Venice Biennale.\u00a0<\/p>\n<p>More recently, the 2025 exhibition at Japan Society Gallery in New York was\u00a0<a href=\"https:\/\/news.artnet.com\/art-world\/chiharu-shiota-japan-society-2688761\" data-link=\"native\" class=\"\" rel=\"nofollow noopener\" target=\"_blank\">well received by critics<\/a>, as was \u201cBetween Worlds\u201d at Istanbul Modern. That same year also marked her largest U.S. show to date, \u201cChiharu Shiota: Home Less Home,\u201d at the Institute of Contemporary Art Watershed in Boston, as well as presentations in Spain and Beijing.<\/p>\n<p>At the Asian Art Museum,\u00a0 her current show\u2019s title installation \u201cTwo Home Countries\u201d from 2025, shares the galleries with \u201cDiary.\u201d The work shows two metal house forms connected by a dress-form sculpture made of red rope that reaches toward the symbolic homes.\u00a0<\/p>\n<p><img alt=\"Chiharu Shiota\u2019s exhibition, \u201cTwo Home Countries,\u201d is on view through July 20 at the Asian Art Museum in San Francisco.\" loading=\"lazy\"   style=\"aspect-ratio:3 \/ 2\" class=\"x100 y100 opc bgpc ofcv bgscv block bg-gray200 mnh0px fill\"\/><\/p>\n<p>Chiharu Shiota\u2019s exhibition, \u201cTwo Home Countries,\u201d is on view through July 20 at the Asian Art Museum in San Francisco.<\/p>\n<p>Lizzy Montana Myers\/For the S.F. Chronicle<\/p>\n<p>\u201cWhen I stay in Japan, I miss Germany. When I stay in Germany, I miss Japan,\u201d\u00a0Shiota pithily explained of the piece\u2019s meaning.\u00a0\u00a0<\/p>\n<p class=\"uiTextSmall f aic jcc\">Article continues below this ad<\/p>\n<p>The red ropes have gesture and movement that resemble brushstrokes, which the Shiota noted is a nod to her initial ambitions as an artist.\u00a0<\/p>\n<p>\u201cI wanted to be a painter, but I made installations,\u201d she said of her practice. \u201cBut still I feel I\u2019m painting.\u201d<\/p>\n<p>Those same qualities are true of \u201cOut of My Body,\u201d a 2022 sculpture that shows a pair of bronze feet with red leather netting that seems to expand outward where the legs, torso and head would be. The work was created while Shiota, a double cancer survivor, was undergoing chemotherapy.\u00a0<\/p>\n<p>\u201cI felt like I was not connected with my body,\u201d\u00a0Shiota recalled of that time. \u201cThe human body is fragile. That\u2019s why I didn\u2019t use a solid material on top.\u201d<\/p>\n<p><img alt=\"A detail of the installation, \u201cBeyond my Body,\u201d on view through July 20 at the Asian Art Museum in San Francisco.\" loading=\"lazy\"   style=\"aspect-ratio:3 \/ 2\" class=\"x100 y100 opc bgpc ofcv bgscv block bg-gray200 mnh0px fill\"\/><\/p>\n<p>A detail of the installation, \u201cBeyond my Body,\u201d on view through July 20 at the Asian Art Museum in San Francisco.<\/p>\n<p>Lizzy Montana Myers\/For the S.F. Chronicle<\/p>\n<p>Shiota\u2019s cancer experience emerges again in a series of glass forms, including 2024\u2019s \u201cCell,\u201d which resembles human organs wrapped in red wire.<\/p>\n<p>\u201cThere\u2019s something about these that are very uncontrolled,\u201d said Mintz. \u201cThey\u2019re chaotic, like a mass that is of the body, but not the body.\u201d<\/p>\n<p>Among her video works, \u201cEarth and Blood,\u201d created in 2013 after a miscarriage by the artist, is among the most intense.\u00a0<\/p>\n<p>Showing Shiota wiping a red substance across the screen, it was filmed when she was at an emotional low, avoiding going out in public. The white space where she filmed the work contrasts starkly with the red blood, not unlike the white of the journal pages against the red yarn of \u201cDiary.\u201d\u00a0<\/p>\n<p>The work feels like the visual equivalent of a primal scream.<\/p>\n<p>\u201cThe topics, the themes that she deals with in this exhibit are so heavy,\u201d said Lee. \u201cBut there\u2019s such beauty.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"A view of \u201cDiary,\u201d an installation in Chiharu Shiota\u2019s exhibition at the Asian Art Museum in San Francisco&hellip;\n","protected":false},"author":2,"featured_media":652335,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[56],"tags":[228,226,2224,241076,227,229,88,5284],"class_list":["post-652334","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-and-design","tag-arts","tag-arts-and-design","tag-arts-and-entertainment","tag-arts-and-exhibits","tag-artsanddesign","tag-design","tag-entertainment","tag-san-francisco"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/652334","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/comments?post=652334"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/652334\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media\/652335"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media?parent=652334"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/categories?post=652334"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/tags?post=652334"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}