\u00a0Click here<\/a><\/p>\nHow were Zurbar\u00e1n\u2019s life-size portraits used as political statements?
The life-size portraits \u2018Asher\u2019 and \u2018Joseph\u2019 are among the first works by Francisco de Zurbar\u00e1n to arrive in Britain. Here is a look behind the scenes in the conservation studios of the National Gallery before the opening of the current Zurbaran exhibition. National Gallery curators Francesca Whitlum-Cooper and Daniel Sobrino Ralston follow the story of the two paintings, from the Spanish painter\u2019s series \u2018Jacob and his Twelve Sons\u2019.<\/p>\n
When the Bishop of Durham bought 12 paintings by Francisco de Zurbar\u00e1n in 1756, he did so with a purpose. With the help of Morlin Ellis and Clare Baron from the Spanish Gallery at Auckland Palace in County Durham, they discuss the historical significance behind these works.<\/p>\n
Dive even deeper behind the scenes in the Gallery\u2019s Conservation studio, where the paintings have undergone a recent treatment by Conservation Fellows Valeriia Kravchenko and Jack Chauncy. They carefully restored the paintings\u2019 balance of light and dark, ahead of their display in the Gallery\u2019s current Zurbar\u00e1n exhibition.<\/p>\n
https:\/\/www.nationalgallery.org.uk\/stories\/how-were-zurbar%C3%A1n-s-life-size-portraits-used-as-political-statements<\/p>\n
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