{"id":672929,"date":"2026-05-29T22:01:11","date_gmt":"2026-05-29T22:01:11","guid":{"rendered":"https:\/\/www.newsbeep.com\/us\/672929\/"},"modified":"2026-05-29T22:01:11","modified_gmt":"2026-05-29T22:01:11","slug":"meet-the-obsession-producers-tea-shop-productions","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/us\/672929\/","title":{"rendered":"Meet the ‘Obsession’ Producers: Tea Shop Productions"},"content":{"rendered":"

\n\tA few years ago, producer James Harris<\/a> stumbled across The Chair, a 25-minute YouTube horror short directed by an unknown sketch comedy guy named Curry Barker.<\/p>\n

\n\tHarris spends a lot of time scrolling through shorts; finding undiscovered directors is the bread and butter of Tea Shop Productions<\/a>, the shingle he runs with partner Mark Lane<\/a>. But The Chair felt different. It looked cinematic, and Harris believed that if he could get Barker a bigger budget, the fledgling filmmaker could make something special for theaters.<\/p>\n

\n\tThat something special became Obsession, which has upended Hollywood<\/a> since its arrival on May 15. It already stands as Tea Shop\u2019s highest-grossing film with $95.8 million globally, and in its second weekend was up an unheard of 39 percent from its first. <\/p>\n

\n\tIt\u2019s all part of a fairy tale eight months for the movie that began when Focus picked it up<\/a> out of the Toronto Film Festival for $15 million in September.<\/p>\n

\n\tSince opening weekend, Harris has been fielding texts from independent producers, who see the movie <\/a>as an affirmation that they can make an impact working outside the studio system. Folks inside the system are also sending well-wishes, saying they believe they can learn lessons from Obsession, which took a grabby concept \u2014 a young man<\/a> wishes his crush would love him \u2014 combined it with an emerging filmmaker, and threw in a cast of unknowns to create an out-of-nowhere hit.<\/p>\n

\n\t\u201cTo actually take the chance on the first movie is something that we feel there is a market for. We can work with financial partners to take that risk,\u201d says Harris of working with new filmmakers like Barker.<\/p>\n

\n\tFor Harris and his Tea Shop partner, Lane, Obsession<\/a> marks a moment in the sun for the British pals who were university roommates at The Surrey Institute of Art & Design in the 2000s.<\/p>\n

\n\t\u201cI really don\u2019t know how the industry perceives us,\u201d says Lane. \u201cFor a long time, there was a feeling that we were operating without anyone\u2019s knowledge. That\u2019s probably changed now.\u201d<\/p>\n

\n\tHarris and Lane have produced 40 movies, including mainstream hits like Mandy Moore shark thriller 47 Meters Down and high-concept cult hits like Fall, both of which launched franchises. There\u2019s also the well-regarded, 2024 Nicolas Cage movie The Surfer, among many others. In addition to newcomers, they also work with more seasoned hands, such as 47 Meters Down\u2019s Johannes Roberts. Most importantly, they primarily work outside the system to maintain control for themselves and their filmmakers.<\/p>\n

\n\t\u201cYour budget starts going up, and then maybe you lose the freedom of who you cast, or maybe the financial partners want more say,\u201d says Harris.<\/p>\n

\n\tHarris lives in Los Angeles, while Lane is in London. The two operate as each other\u2019s halves when it comes to business. But the pair didn\u2019t begin their relationship auspiciously. Specifically, their first week at university, Harris punched Lane in the nose.<\/p>\n

\n\t\u201cLet\u2019s just say it was university Freshers Week, and I probably deserved it,\u201d Lane says, without getting into specifics of what happened. Harris adds, as both men laugh: \u201cHe definitely deserved it.\u201d<\/p>\n

\t\t\t\t\t\t\"\"<\/p>\n

\t\t\t\t\tJames Harris<\/p>\n

\t\t\t\t\t\t\t\t\tTea Shop Productions<\/p>\n

\n\tAfter university, they lived together in London while pursuing different career paths. Harris worked on low-budget indies, and Lane started a career in film sales. Around 2009, Harris was developing a few features that he asked Harris to help him produce and sell, the heist movie Tower Block, featuring a young Jack O\u2019Connell, and the zombie feature Cockneys vs. Zombies. Lane soon decided he couldn\u2019t do his day job and produce, so he left to work with Harris full-time.<\/p>\n

\n\tThe lean and mean company employees five people. Sometimes with Obsession they will bring on a producing partner, like Haley Nicole Johnson, who was a key force on the movie. Above all, they pride themselves on doing it all \u2014 from developing scripts to securing financing to seeing a movie through production, post-production and the sale.<\/p>\n

\n\t2017\u2019s 47 Meters Down was a turning point for the duo. It was the first time they put their own skin in the game, funding an underwater film test themselves for about $8,000, which was a good chunk of money for them at the time.<\/p>\n

\n\t\u201cNo one could get their head around how you could shoot a movie underwater for less than $100 million,\u201d recalls Harris. The test showed you could indeed do so, and the movie grossed $62.1 million globally. A sequel arrived in 2019, with a third installment already filmed.<\/p>\n

\t\t\t\t\t\t\"\"<\/p>\n

\t\t\t\t\tMark Lane<\/p>\n

\t\t\t\t\t\t\t\t\tTea Shop Productions<\/p>\n

\n\tAnother key movie was Fall, about two women stranded atop a decommissioned, 2,000-ft tower. Their friend Scott Mann had been trying to get a much larger movie off the ground, but it kept falling apart. <\/p>\n

\n\t\u201cWe said like, \u2018Try and get some control back. Come up with something that could feel like a theatrical idea that isn\u2019t going to be so reliant on actors and [other] pieces.\u201d The filmmaker came up with Fall, which became a sleeper hit when it landed on Netflix, and has a sequel due out in August from Jigsaw filmmakers, the Spierig Brothers.<\/p>\n

\n\tHistorically, Harris and Lane have had a \u201cone for them, one for us\u201d mentality. In their case, a \u201cone for them\u201d might mean some movies they come aboard to produce for a studio partner, rather than developing it from the ground up.<\/p>\n

\n\t\u201cWe\u2019re proud of the quality threshold of our movies, and even if some of them vary in budgets, we try and make them all feel much bigger than they ever are,\u201d says Harris.<\/p>\n

\n\tThe success of Obsession does not prompt them to rethink their business plans. A few years ago, there was a horror arms race, with studios snatching up producers with exclusive deals, such as Barbarian producers BoulderLight heading to Paramount. Harris doesn\u2019t expect themselves to follow suit in that regard, nor do they want to dive into big-budget filmmaking.<\/p>\n

\n\tBut Obsession<\/a> does give them more breathing room and freedom to pursue things they like.<\/p>\n

\n\t\u201cAs an independent producer, you end up doing some movies for financial reasons rather than creative reasons. A success like this allows you to be more selective about some of those projects,\u201d says Harris. \u201cYou still want to be doing cool stuff \u2014 and it doesn\u2019t really change.\u201d<\/p>\n

\n\t***<\/p>\n

\n\tObsession\u00a0is now playing in theaters.\u00a0Check out all of\u00a0The Hollywood Reporter\u2018s\u00a0coverage here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"A few years ago, producer James Harris stumbled across The Chair, a 25-minute YouTube horror short directed by…\n","protected":false},"author":2,"featured_media":672930,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[33],"tags":[88,235265,293550,85043,293551],"class_list":["post-672929","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","tag-entertainment","tag-james-harris","tag-mark-lane","tag-obsession","tag-tea-shop-productions"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/672929","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/comments?post=672929"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/672929\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media\/672930"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media?parent=672929"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/categories?post=672929"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/tags?post=672929"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}