{"id":764330,"date":"2026-07-15T12:41:09","date_gmt":"2026-07-15T12:41:09","guid":{"rendered":"https:\/\/www.newsbeep.com\/us\/764330\/"},"modified":"2026-07-15T12:41:09","modified_gmt":"2026-07-15T12:41:09","slug":"venice-margot-robbie-david-bowie-projects-among-immersive-lineup","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/us\/764330\/","title":{"rendered":"Venice: Margot Robbie &#038; David Bowie Projects Among Immersive Lineup\u00a0"},"content":{"rendered":"<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tThe <a href=\"https:\/\/deadline.com\/tag\/venice\/\" id=\"auto-tag_venice\" data-tag=\"venice\" rel=\"nofollow noopener\" target=\"_blank\">Venice<\/a> Film Festival\u2019s immersive sidebar celebrates its 10th anniversary this year with a selection of projects, including titles featuring contributions by high-profile names such as Margot Robbie and Omar Sy.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tOverall, <a href=\"https:\/\/deadline.com\/tag\/venice-immersive\/\" id=\"auto-tag_venice-immersive\" data-tag=\"venice-immersive\" rel=\"nofollow noopener\" target=\"_blank\">Venice Immersive<\/a> will present 68 projects from 26 countries, of which 30 will play in competition, and 35 will be out of competition. Among these are titles such as Nevatars, directed by Andy Serkis and voiced by Daisy Ridley and Kathleen Turner, and\u00a0Galapagos: The Last Eden, directed by Anthony Geffen and voiced by Margot Robbie. Scroll down for the full lineup.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tOther high-profile projects in the Venice Immersive sidebar include Artou, directed by Mauritanian director Abderrahmane Sissako, and voiced by French actor Omar Sy, who is also one of the producers; \u00a0Solwata, a documentary about climate refugees voiced by Mark Ruffalo; and Bowie: Unseen Unheard, an immersive audio visual work created from rare and never seen photos of David Bowie shot by his official photographer Denis O\u2019Regan on the 10th anniversary of his death.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tPaul Rapha\u00ebl, the Emmy-winning artist and co-founder of Felix &amp; Paul Studios, will serve as the president of the Venice Immersive jury. He will be joined by Iranian filmmaker N\u00e9gar Motevalymeidanshah and Belgian director and writer Kate Voet. The Immersive Jury hands out the following prizes: Venice Immersive Grand Prize, Venice Immersive Special Jury Prize, and Venice Immersive Achievement Prize.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tThe Venice Immersive programme takes place on the island of Lazzaretto Vecchio, a short boat ride up from the Lido. The <a href=\"https:\/\/deadline.com\/tag\/venice-film-festival\/\" id=\"auto-tag_venice-film-festival\" data-tag=\"venice-film-festival\" rel=\"nofollow noopener\" target=\"_blank\">Venice Film Festival<\/a> runs from September 2 to September 12.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tCheck out the lineup below.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tVENICE IMMERSIVE<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tIn Competition<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tAMSTERDAM 1652: THE HANDS OF THE CITY<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby NIENKE HUITENGA-BROEREN<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tNetherlands, France \/ 37\u2019 \/ virtual reality, installation<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tANOKHYA: THE ORIGIN<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby ANAND KISHORE<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tIndia\/ 27\u2019\/ virtual reality<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tARTOU<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby ABDERRAHMANE SISSAKO<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tFrance, Mauritania, Luxembourg \/ 27\u2019 \/ virtual reality<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tBACK TO THE EXPERIENCE<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby JESSIEN HUANG<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tChina \/ 40\u2019\/ virtual reality, world<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tBEING IN YOU<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby MICHA\u0141 STANKIEWICZ<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tPoland\/ 18\u2019\/ virtual reality, installation<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tBOWIE: UNSEEN UNHEARD<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby DENIS O\u2019REGAN, NICK RYAN<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tUK\/ 25\u2019 \/ immersive installation<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tDISNEYNATURE\u2019S WOLF: AN IMMERSIVE EXPERIENCE<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby JEFF WILSON<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tUK, USA, Canada\/ 20\u2019\/ immersive film<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tEMPIRE AT SEA<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby PETER FLAHERTY<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tUSA\/ 22\u2019 \/ installation, mixed reality<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tEVEREST: THE FIRST ASCENT<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby JEAN DELLAC, BENJAMIN AURICHE<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tFrance\/ 37\u2019 \/ installation, virtual reality<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tEYES OF SHAME (G\u00c9DOS AKYS)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby TOMAS TAMO\u0160AITIS<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tLithuania, France, Croatia \/ 40\u2019 \/ virtual reality<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tFINDING FRIDA<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby HILDE K. KJ\u00d8S<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tNorway, Netherlands \/ 41\u2019 \/ virtual reality, installation<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tGALAPAGOS: THE LAST EDEN<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby ANTHONY GEFFEN<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tUK\/ 60\u2019\/ XR glasses, installation<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tHONEYBOYS<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby TIBOR DE JONG<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tNetherlands, Belgium \/ 36\u2019 \/ virtual reality<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tNEL BLU<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby FINS<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tUSA\/ 60\u2019\/ virtual reality, world<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tNEVATARS<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby ANDY SERKIS, JOSH YOUSSEF<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tUK, USA, Argentina \/ 31\u2019 \/ XR glasses, installation<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tNOTHING TO SEE HERE<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby CELINE DAEMEN<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tNetherlands\/ 8\u2019\/ installation<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tNOX<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby RIO NAKADA<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tJapan\/ 20\u2019\/ virtual reality, installation<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tOCTOPOCALYPSE<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby MAX SACKER, ARITE SZADKOWSKI<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tGermany\/ 20\u2019\/ immersive installation<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t\u00d4L (HAUNTS)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby LUCY HAMMOND, TOMOS CHETWODE-BARTON<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tUK\/ 15\u2019\/ virtual reality<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tOUT OF THE ASHES<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby RORY MITCHELL, NONNY DE LA PE\u00d1A<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tUSA\/ 26\u2019\/ virtual reality, installation<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tOUTRENOIR<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby GORDON<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tFrance\/ 12\u2019 \/ virtual reality<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tRAJ\u2019IN (WE SHALL RETURN)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby FAIZ ABU RMELEH, KEREN MANOR<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tGermany, Palestine \/ 24\u2019\/ virtual reality<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tSHIFTING CONNECTIONS<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby TUNG-YEN CHOU<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tTaipei\/ 12\u2019\/ mixed reality, installation<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tSMITHSONIAN STARSTRUCK: AN IMMERSIVE EXPERIENCE<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby ELLIOTT MIZROCH<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tUSA, UK\/ 38\u2019\/ virtual reality, installation<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tSOLWATA<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby FELIX GAEDTKE, GAYATRI PARAMESWARAN<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tUSA, Germany, Solomon Islands\/ 25\u2019\/ installation, mixed reality<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tSUNSET MOTEL<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby GILLES JOBIN<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tSwitzerland, France\/ 20\u2019\/ virtual reality<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tTHE PIGEON RING<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby YUQI ZHANG<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tChina\/ 35\u2019\/ virtual reality, installation<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tTOMORI<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby MISA HARU<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tJapan\/ 20\u2019\/ mixed reality, installation<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tULRICA<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby HONGBO CAI<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tUSA, Mexico, Federated States of Micronesia\/ 20\u2019\/ immersive installation<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tYESTERDAY MAYBE<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby MATTHIEU VAN EECKHOUT<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tFrance\/ 16\u2019\/ virtual reality<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tOut of Competition<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t(international selection of the best works that have been released or premiered elsewhere since the last edition of the Venice International Film Festival)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tBest of Experiences<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tCRAFTING CRIMES<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby CHLO\u00c9 ROCHEREUIL<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tFrance, USA \/ 20\u2019 \/ virtual reality<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tHOTEL INFINITY<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby WILLIAM CHYR<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tUSA\/ 120\u2019\/ virtual reality<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tIN 36,000 WAYS<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby KARIM BEN KHELIFA<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tGermany\/ 3\u2019\/ immersive installation<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tLITTLE NIGHTMARES VR: ALTERED ECHOES<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby LUCAS ROUSSEL<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tFrance\/ 240\u2019\/ virtual reality<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tOF WOMAN BORN<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby NALINI MALANI<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tIndia\/ 20\u2019\/ immersive installation<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tSPOMYNY<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby SOPHIA BULGAKOVA<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tNetherlands, Ukraine\/ 20\u2019\/ immersive installation<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tSPYMASTER<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby JEREMY MOIRANO<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tFrance\/ 240\u2019\/ virtual reality<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tTHE AMUSEMENT<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby EIKE LANGBEHN, MARC BARNES<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tGermany, France\/ 180\u2019 \/ virtual reality<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tVOOOOOO\u2014PEEEEEE\u2014<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby JIYUN PARK, HYEUNJOO WOO<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tSouth Korea\/ 20\u2019\/ virtual reality, haptics<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tBest of Worlds<\/p>\n<p>A WONDERFUL THING TO REALIZE by Screaming ColorA WORLD OF MY OWN by \u895f\u8349\u305f\u306cBLUMEA\u2026 by TontonDemonBREAK 25: SINTO FELIZ by PKCELESTIUM by LavryouCOME HOME by Aruse ArkaniDAWN BEYOND\u2026 by TontonDemonDEMONHOUR \u2013 CHAPTER 1 by Kitsunaki \/ Jan K\u00f6sterFORGOTTEN EMPIRE by 3D MasterFRACTURED WINTER by LavryouFROZEN SIGNAL by LavryouHALF EMPTY by yuri_tsI FEEL SMALL by FewiixLIMINAL NIGHTMARES by Autumn BoydLIMITLESS PT\u20241\u02f8 ENTER THE VOID by Hill Jr.MEMORY by Lera NibiruNOCTILUCA by LuminaPalettePATRIKI VR by DrMorroSPATIALOGRAPHY by VoxelKeiSPECULARIUM by jasper \uff61THE ANTIKYTHERA MECHANISM by PHIAbunny, ThrillTOKOGRAMMETRY MUSEUM by TokoyoshiTOWN OF CONNECTION by haruki_haruVEILED DARK by Dean`, Karl KroenenVERTICAL HORIZON \u2044 361 DEGREES by Inloco GalleryVOLARE by Juice \u2026<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tBiennale College Cinema \u2013 Immersive \u2013 Out of Competition<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tDESERT PALMS<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby TRISTAN SENIUK, JOHN GERARD<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tUSA\/ 32\u2019\/ immersive film<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tSupported by the grant BCC Immersive 10th edition (2025\/2026)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tLIBRARY OF DREAMS<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby ZHENYA RZHEZNIKOVA<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tIsrael, Germany\/ 25\u2019 \/ virtual reality<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tDeveloped during BCC immersive 8th edition (2023-2024)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tTHE WHITE SABOTEUR<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tby BARTHELEMY ANTOINE-LOEFF, HUGO ARCIER<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tFrance, Germany \/ 15\u2019 \/ virtual reality, installation<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tDeveloped during BCC Immersive 7th edition (2022-2023) <\/p>\n","protected":false},"excerpt":{"rendered":"The Venice Film Festival\u2019s immersive sidebar celebrates its 10th anniversary this year with a selection of projects, including&hellip;\n","protected":false},"author":2,"featured_media":764331,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[57],"tags":[236,88,15741,24350,15742],"class_list":["post-764330","post","type-post","status-publish","format-standard","has-post-thumbnail","category-celebrities","tag-celebrities","tag-entertainment","tag-venice","tag-venice-film-festival","tag-venice-immersive"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/764330","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/comments?post=764330"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/764330\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media\/764331"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media?parent=764330"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/categories?post=764330"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/tags?post=764330"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}