Exhibition of the week<\/p>\n
Pop Revisited Also showing<\/p>\n Linder Helen Chadwick Gillian Ayres Andy Warhol Image of the week Photograph: Christopher Thomond\/The Guardian<\/p>\n It appears even street art is susceptible to bouts of World Cup fever. This mural by Black Country artist Dion Kitson depicts the locally raised England footballers Jude Bellingham and Morgan Rogers sharing a portion of orange chips \u2013 a spiced and battered Midlands delicacy. Kitson says<\/a> he created the image to challenge \u201cthe dark side of patriotism\u201d he had seen online, but that it is not meant \u201cto be a statement politically, it\u2019s just about feeling good\u201d.<\/p>\n What we learned<\/p>\n Textile artist Enid Marx was a one-woman war against \u2018washed-out William Morris stuff\u2019<\/a><\/p>\n Madelon Vriesendorp\u2019s witty works delighted in New York\u2019s sensual skyscrapers<\/a><\/p>\n Were Ana Mendieta still alive she\u2019d be at the forefront of art in this century<\/a><\/p>\n Fantastical painter Richard Dadd\u2019s vision was unconfined by his 43 years in an asylum<\/a><\/p>\n The Bayeux tapestry made its historic trip from France to England at dead of night<\/a><\/p>\n Del LaGrace Volcano photographed S&M scenes, leather-clad lesbians and a drag king<\/a><\/p>\n Highlights from Arles 2026 photography festival include dogs, diners, UFOs and more<\/a><\/p>\n Debjani Banerjee blends British suburbia with ancient Bengal<\/a><\/p>\n skip past newsletter promotion<\/a><\/p>\n Sign up to Art Weekly<\/p>\n Your weekly art world round-up, sketching out all the biggest stories, scandals and exhibitions<\/p>\n after newsletter promotion<\/p>\n Amazing posters depict 40 years of protest by Aboriginal artists<\/a><\/p>\n US performance artist MPA is to reviving Yoko Ono\u2019s Cut Piece, where an audience scissors away her clothes<\/a><\/p>\n Renzo Piano\u2019s glass cube is really the only contender for the Stirling prize<\/a><\/p>\n Masterpiece of the week<\/p>\n Rome: The Interior of St Peter\u2019s by Giovanni Paolo Panini, before 1742<\/p>\n Photograph: \u00a9 The National Gallery, London<\/p>\n By the 18th century the days when Italy led Europe in art and science were gone, and artists like Giovanni Paolo Panini found their best market in selling views to aristocratic tourists. Panini painted St Peter\u2019s alone 30 times. But who wouldn\u2019t want to take such a souvenir home? He uses a sharp mastery of perspective to lead the eye deep into this magnificent building, making use of the crowds of elegant visitors to articulate its scale. They are tiny among the colossal arches as they admire the greatest architectural structure of the Renaissance. Begun in the early 1500s when the ambitious, imperial Pope Julius II decided to demolish the ancient basilica housing St Peter\u2019s tomb and raise a new, classically inspired church in its place, it took decades to complete and exhausted and frustrated a series of architects until Michelangelo took over. Although he was already an old man he brought new energy and determination to this grand design, and his feel for the sublime is stamped on it indelibly. Panini captures this immense wonder in a painting whose very precision conveys Michelangelo\u2019s holy terror.<\/p>\n National Gallery. London<\/a><\/p>\n Sign up to the Art Weekly newsletter<\/p>\n If you don\u2019t already receive our regular roundup of art and design news via email, please sign up here<\/a>.<\/p>\n Get in Touch<\/p>\n
David Hockney\u2019s brilliantly inventive prints are shown with other graphic masterpieces of the 1960s by Richard Hamilton, Claes Oldenburg, Jasper Johns and more.
Cristea Roberts Gallery, London, from 23 July to 20 August<\/a><\/p>\n
From her cover design for the Buzzcocks\u2019 Orgasm Addict to more recent films and textiles, the punk artist brings her vision to Blackpool.
Grundy Art Gallery, Blackpool, from 18 July to 3 October<\/a><\/p>\n
Organic interactions between body and nature – such as urinating in snow – were at the heart of this powerful artist\u2019s work and here she is shown in a wild Welsh coastal setting.
Oriel y Parc National Park Discovery Centre, Pembrokeshire, until 10 January 2027<\/a><\/p>\n
Vivid and bright abstract paintings by this British artist who loved to splash around the colours.
The Box, Plymouth, until 4 October<\/a><\/p>\n
The American republic is 250 years old and Warhol saw into its soul like no other artist.
Wolverhampton Art Gallery until 4 October<\/a><\/p>\n