{"id":789298,"date":"2026-07-28T12:50:13","date_gmt":"2026-07-28T12:50:13","guid":{"rendered":"https:\/\/www.newsbeep.com\/us\/789298\/"},"modified":"2026-07-28T12:50:13","modified_gmt":"2026-07-28T12:50:13","slug":"armand-hammer-tiny-desk-concert-npr","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/us\/789298\/","title":{"rendered":"Armand Hammer: Tiny Desk Concert : NPR"},"content":{"rendered":"<p><a href=\"https:\/\/www.npr.org\/artists\/754415513\/e-l-u-c-i-d\" target=\"_blank\" rel=\"nofollow noopener\">ELUCID<\/a> and <a href=\"https:\/\/www.npr.org\/artists\/774776910\/billy-woods\" target=\"_blank\" rel=\"nofollow noopener\">billy woods<\/a> have pounded the pavement for over two decades, which can feel like several lifetimes in underground rap years. Together as <a href=\"https:\/\/www.npr.org\/artists\/980819003\/armand-hammer\" target=\"_blank\" rel=\"nofollow noopener\">Armand Hammer<\/a>, and separately on their own, the catalog runs deep. But even as more co-signs, features and bigger-name producers take note, a deep undercurrent remains: They reflect and refract the horrors and joys of the world, creating a kind of kaleidoscopic healing. As my colleague Rodney Carmichael puts it: The more complicated the times get, the easier it is to understand them.<\/p>\n<p>                  <a class=\"imagewrap\" id=\"featuredStackSquareImage980818615\" href=\"https:\/\/www.npr.org\/2021\/03\/25\/980818615\/review-armand-hammer-alchemist-haram-billy-woods-elucid\" data-metrics-ga4=\"{&quot;category&quot;:&quot;recirculation&quot;,&quot;action&quot;:&quot;story_recirculation_click&quot;,&quot;clickType&quot;:&quot;inset box&quot;,&quot;clickUrl&quot;:&quot;https:\\\/\\\/www.npr.org\\\/2021\\\/03\\\/25\\\/980818615\\\/review-armand-hammer-alchemist-haram-billy-woods-elucid&quot;}\" rel=\"nofollow noopener\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.newsbeep.com\/us\/wp-content\/uploads\/2026\/07\/armandhammer_press1_alexanderrichter_sq-2ce296887e79642113f831a0ab90c2e30919e934.jpg\" data-original=\"https:\/\/media.npr.org\/assets\/img\/2021\/03\/24\/armandhammer_press1_alexanderrichter_sq-2ce296887e79642113f831a0ab90c2e30919e934.jpg?s=100&amp;c=100&amp;f=jpeg\" data-template=\"https:\/\/media.npr.org\/assets\/img\/2021\/03\/24\/armandhammer_press1_alexanderrichter_sq-2ce296887e79642113f831a0ab90c2e30919e934.jpg?s={width}&amp;c={quality}&amp;f={format}\" data-format=\"jpeg\" class=\"img lazyOnLoad\" alt=\"Armand Hammer Raps From Another Dimension. It's On Us To Catch Up\" loading=\"lazy\"\/><\/a>         <\/p>\n<p>                  <a class=\"imagewrap\" id=\"featuredStackSquareImageg-s1-99281\" href=\"https:\/\/www.npr.org\/2025\/11\/25\/g-s1-99281\/billy-woods-golliwog-mercy-interview\" data-metrics-ga4=\"{&quot;category&quot;:&quot;recirculation&quot;,&quot;action&quot;:&quot;story_recirculation_click&quot;,&quot;clickType&quot;:&quot;inset box&quot;,&quot;clickUrl&quot;:&quot;https:\\\/\\\/www.npr.org\\\/2025\\\/11\\\/25\\\/g-s1-99281\\\/billy-woods-golliwog-mercy-interview&quot;}\" rel=\"nofollow noopener\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.newsbeep.com\/us\/wp-content\/uploads\/2026\/07\/1785243013_702_.jpeg\" data-original=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/1875x1875+313+0\/resize\/100\/quality\/100\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fa3%2F60%2F8bb7ad0d406cabd84c6f02e3d588%2Fimg-7124.jpg\" data-template=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/1875x1875+313+0\/resize\/{width}\/quality\/{quality}\/format\/{format}\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fa3%2F60%2F8bb7ad0d406cabd84c6f02e3d588%2Fimg-7124.jpg\" data-format=\"jpeg\" class=\"img lazyOnLoad\" alt=\"billy woods is open to interpretation. Just listen closely\" loading=\"lazy\"\/><\/a>         <\/p>\n<p>But this ain&#8217;t just for the heads; it takes a heart to feel what they&#8217;re putting down. Frequently backed by warped and warbled production, these New York emcees trade reference-heavy and emotionally taut verses like oral histories passed down from front stoops. How does that translate to the Tiny Desk? That&#8217;s where LA comes in, with producer <a href=\"https:\/\/www.npr.org\/artists\/1217258196\/kenny-segal\" target=\"_blank\" rel=\"nofollow noopener\">Kenny Segal<\/a>, jazz trio Human Error Club and guitarist Ryan Crosby.<\/p>\n<p>Segal&#8217;s arrangements channel the core Armand Hammer tension into a band that leaves smoke trails for the emcees to clear. Guitar fuzz squeals on &#8220;Laraaji.&#8221; Whimsical chiptune melodies soundtrack an escapist nostalgia loop on &#8220;Super Nintendo.&#8221; We get solo tracks from both ELUCID (&#8220;Spelling&#8221;) and woods (&#8220;Spongebob&#8221; and &#8220;Discolated&#8221;), whose face is strategically placed behind a pop filter \u2014 anonymity is part of his art. Closing us out, &#8220;Stonefruit,&#8221; which has become a calling card for the duo, embodies a tag-team whose hunger for life is both contemplative and carnal.<\/p>\n<p>SET LIST<\/p>\n<p>   &#8220;Laraaji&#8221;&#8221;Super Nintendo&#8221;&#8221;Spongebob&#8221;&#8221;Spelling&#8221;&#8221;Dislocated&#8221;&#8221;Stonefruit&#8221;   <\/p>\n<p>MUSICIANS<\/p>\n<p>   billy woods: vocalsELUCID: vocalsKenny Segal: keys, sampler, Omnichord, music director\u00a0Ryan Crosby: guitar, bassDiego Gaeta: keysJesse Justice: keysMekala Session: drums   <\/p>\n<p>TINY DESK TEAM<\/p>\n<p>   Producer: Lars GotrichDirector\/Editor: Joshua BryantAudio Engineer\/Mix: Neil TevaultHost\/Series Producer: Bobby CarterVideographers: Joshua Bryant, Maia Stern, Kara FrameAudio Engineer: Tiffany Vera CastroProduction Assistant: Ashley PointerCopy Editor: Sheldon PearcePhotographer: Vanessa CastilloTiny Desk Team: Josh Newell, Felix ContrerasExecutive Producer: Suraya MohamedExecutive Director: Sonali MehtaSeries Creators: Bob Boilen, Stephen Thompson, Robin Hilton<\/p>\n","protected":false},"excerpt":{"rendered":"ELUCID and billy woods have pounded the pavement for over two decades, which can feel like several lifetimes&hellip;\n","protected":false},"author":2,"featured_media":789299,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[53],"tags":[88,216],"class_list":["post-789298","post","type-post","status-publish","format-standard","has-post-thumbnail","category-music","tag-entertainment","tag-music"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/789298","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/comments?post=789298"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/789298\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media\/789299"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media?parent=789298"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/categories?post=789298"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/tags?post=789298"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}