{"id":833069,"date":"2026-09-01T13:34:15","date_gmt":"2026-09-01T13:34:15","guid":{"rendered":"https:\/\/www.newsbeep.com\/us\/833069\/"},"modified":"2026-09-01T13:34:15","modified_gmt":"2026-09-01T13:34:15","slug":"julie-blackmons-midwest-materials-and-the-american-landscape","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/us\/833069\/","title":{"rendered":"julie blackmon\u2019s midwest materials and the american landscape"},"content":{"rendered":"

Through the lens of Midwest Materials<\/p>\n

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In Julie Blackmon\u2019s Midwest Materials, published in 2022 by Radius Books, is a series that both confirms and obscures the imagined life of the American<\/a> suburb. In her photos, she moves through the landscape around her hometown<\/a> in Springfield, Missouri, capturing moments that have all the trappings of childhood memory, but its meticulous colors, compositions, and staging render the stills closer to dreams than historical record.<\/p>\n

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Midwest Materials is Julie Blackmon\u2019s third monograph published by Radius Books | image courtesy of Julie Blackmon and Haw Contemporary<\/p>\n

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The American Suburb as Muse<\/p>\n

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The\u00a0\u2018little boxes on the hillside, the little boxes made of ticky-tacky,\u2019\u00a0as American folk singer Malvina Reynolds famously referred to American track-home suburbs in her 1962 song Little Boxes, has long captured the imagination of auteurs both in the States and abroad. Think Tim Burton\u2019s Edward Scissorhands, Sam Mendes\u2019s 2000 film American Beauty, or the hit television series Desperate Housewives, to name a few\u2014they\u2019re highly standardized rows of multi-bedroom homes have become their own stage for domestic drama. In Blackmon<\/a>\u2019s brightly colored, artfully composed images, she adds another narrative to the lore of the American landscape.<\/p>\n

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cover of Midwest Materials by Julie Blackmon\u2019s that explores the midwestern landscape | image courtesy of Radius Books<\/p>\n

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Beginning in the Midwest<\/p>\n

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In the book foreword, art critic Leah Ollman draws the readers\u2019 attention to the origins of the book\u2019s title. The cover of Blackmon\u2019s monograph comes from the image, called Midwest Materials as well, of children playing in front of a commercial building. They all face away from the camera, looking as though they are in the midst of playing a game of wall ball. In this image, the spheres hang in mid-air, paused as they ricochet off the side of the building. Ollman points out that the words\u00a0\u2018MIDWEST MATERIALS CO.,\u2019\u00a0painted in a thick black san-serif against a creamy brick background, aptly describe how Blackmon manages to use people, places, and things from her home to materialize the energy of the place itself.<\/p>\n

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In the book foreword, art critic Leah Ollman draws the readers\u2019 attention to the origins of the book\u2019s title and explores theme in the photographer\u2019s series | image courtesy of Radius Books<\/p>\n

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Home in watery landscapes<\/p>\n

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Throughout the book, Blackmon often returns to water as a site of relaxation and exploration. There are the scenic, moody images of lackadaisical days in River, where there is no land in sight\u2014just floating docks, inner tubes, and adventures out into the blue. In Pool, an aquamarine swimming pool acts as a magnet for tots and tweens as they dot the composition. On the water-staining concrete image of Laying Out, you can almost feel the hot cement on your belly after crawling out of the chlorinated water. In these images, there\u2019s a certain organized simplicity. The way that the kids fall upon the scene feels like sprinkles on top of a cake\u2014it\u2019s the rendering of a sweet memory. Even for those who have never been to the Midwestern region of the US, there\u2019s a tender kinship here that knocks at the door that holds memories of summers with cousins, neighbors, and grade school classmates.<\/p>\n

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throughout the book, Blackmon often returns to water as a site of relaxation and exploration | image courtesy of Julie Blackmon and Haw Contemporary<\/p>\n

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Chairs, pianos, soccer balls<\/p>\n

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A hallmark of these photos is their sense of motion. Every space, whether it be a Costco, a living room with a piano, or a driveway, is a stage for actors to perform a domestic scene. In Costco, named for the wholesale grocer that\u2019s famous for its low-cost bulk-buy offerings, children populate an open van as they dance, snooze, and explore an arrangement of name-brand vodka, a massive bag of sugar, and a near-child-sized bag of Doritos. Just off in the corner, an elongated group of shadows signals a group approaching the scene.<\/p>\n

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Similarly, New Chair features a bright red, bulbous armchair being unloaded from the back of a FedEx delivery truck. The chair that it\u2019s presumably replacing\u2014a mustard-colored lounger\u2014sags in front of the garage with a handwritten\u00a0\u2018$20 OBO\u2019 sign tacked to its front. As with almost all of her images, children, cats, and babies, captured in the middle of play and make-believe, frame the unloading of this recently arrived furniture. The scene is so familiar, with the saturation of it all makings something like a childhood memory feel like it was experienced just this afternoon.<\/p>\n

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every space, whether it be a Costco, a living room with a piano, or a driveway, is a stage for actors to perform a domestic scene | image courtesy of Julie Blackmon and Haw Contemporary<\/p>\n

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The portrait of home<\/p>\n

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In the end, Blackmon creates the portrait of a home that is at once hers, ours, and nobody\u2019s. In the careful crafting of these familiar places, she offers these access points into adolescence that are almost hauntingly ubiquitous\u2014being in water, play, exploration of the natural environment that borders a family home. Yet the perfection of the scene hints at the simulacrum of the composition, perhaps suggesting that the memory of place is just as real, if not more tangible and more meaningful, than the sum of its parts.<\/p>\n

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a hallmark of these photos is their sense of motion | image courtesy of Julie Blackmon and Haw Contemporary<\/p>\n","protected":false},"excerpt":{"rendered":"Through the lens of Midwest Materials \u00a0 In Julie Blackmon\u2019s Midwest Materials, published in 2022 by Radius Books,…\n","protected":false},"author":2,"featured_media":833070,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[56],"tags":[13763,228,226,227,229,88,343811,4728],"class_list":["post-833069","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-and-design","tag-architecture-in-the-us","tag-arts","tag-arts-and-design","tag-artsanddesign","tag-design","tag-entertainment","tag-modes-of-habitation","tag-residential-architecture-and-interiors"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/833069","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/comments?post=833069"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/833069\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media\/833070"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media?parent=833069"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/categories?post=833069"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/tags?post=833069"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}