{"id":840967,"date":"2026-09-08T20:36:10","date_gmt":"2026-09-08T20:36:10","guid":{"rendered":"https:\/\/www.newsbeep.com\/us\/840967\/"},"modified":"2026-09-08T20:36:10","modified_gmt":"2026-09-08T20:36:10","slug":"netflix-movies-get-cozier-with-theatrical-distribution","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/us\/840967\/","title":{"rendered":"Netflix Movies Get Cozier With Theatrical Distribution"},"content":{"rendered":"<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cLa Bola Negra\u201d has mucho heat. The generational queer drama swept the Cannes Film Festival off its feet in May, nabbing a $5 million sale to <a href=\"https:\/\/variety.com\/t\/netflix\/\" id=\"auto-tag_netflix\" data-tag=\"netflix\" rel=\"nofollow noopener\" target=\"_blank\">Netflix<\/a> and earning helmers Javier Ambrossi and Javier Calvo the jury prize for best director. After lighting up last weekend\u2019s Telluride Film Festival, the Pen\u00e9lope Cruz-starrer is on its way to Toronto for yet another grand premiere.<\/p>\n<p>That\u2019s plenty of bragging rights for an Oscar hopeful, but there\u2019s one more bona fide that has raised eyebrows in the industry: \u201cLa Bola Negra\u201d will receive the longest theatrical rollout that Netflix has given any of its films to date. The project has set a 46-day release for Oct. 16, before landing on the Netflix platform on Dec. 2.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tFor years, the streamer has engaged in splashy limited releases to hype awards contenders and appease filmmakers who still yearn for the magic of movie theaters. But something about the \u201cLa Bola Negra\u201d plan is hitting differently with sources \u2014 to say nothing of Netflix\u2019s designs for 2027. That\u2019s when <a href=\"https:\/\/variety.com\/t\/greta-gerwig\/\" id=\"auto-tag_greta-gerwig\" data-tag=\"greta-gerwig\" rel=\"nofollow noopener\" target=\"_blank\">Greta Gerwig<\/a>\u2019s \u201cNarnia: The Magician\u2019s Nephew\u201d will enjoy a wide release (including Imax screens) for almost 50 days, while the company\u2019s animated \u201cCharlie and the Chocolate Factory\u201d will play wide for 47 days at Christmas. The feeling shared by numerous power players interviewed by Variety is that Netflix \u2014 the great Hollywood disruptor \u2014 is inching closer to embracing the roughly 130-year tradition of theatrical exhibition. It will also be showing its hand for the first time by reporting box office grosses for a slew of upcoming releases, Variety has learned.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cThe real question is \u2018What does Netflix want to be now?\u2019\u201d posed one high-level executive at a legacy film studio. \u201cHaving almost bought Warner Bros. Discovery, you get the sense that they can\u2019t put some of that toothpaste back in the tube.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe executive is referring to Netflix\u2019s willingness to own and operate a theatrical distribution entity \u2014 as it showed in attempting to acquire Warner Bros. and HBO, until David Ellison\u2019s Paramount swooped in with a larger offer. In a subsequent interview with Bloomberg, Netflix co-CEO Ted Sarandos admitted that he could \u201csee us doing things that we haven\u2019t done before\u201d with movie theaters, but insisted the company was streaming first, as always. For years, Sarandos pooh-poohed the idea of a robust theatrical window, even calling it an \u201coutdated concept\u201d compared with his on-demand and bingeable business model. The numbers seem to back him up. Streaming originals made up 12 of the top 20 most-watched general audience movies around the world this year, per a 2026 report from Nielsen. Thats\u2019 up from seven last year, and includes Netflix\u2019s Matt Damon-Ben Affleck project \u201cThe Rip\u201d and \u201cWar Machine.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe cinema owners, in turn, have done their share of resisting Netflix titles, namely over the company\u2019s refusal to give them a standard period of exclusivity before moving to streaming. COVID- 19 dashed all theatrical hopes when cineplexes were shut down, and the exhibitors have been clawing their way back to normalcy (playing films for 45 days on the big screen before moving them to other windows is the current industry standard). For one of the most deep-pocketed tech monoliths in the world to reconsider, even lightly, its position on theatrical would be a boost, one veteran film distributor says.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cThe exhibitors would absolutely welcome this. Imagine if Netflix of all places threw its weight behind a real theatrical marketing campaign, and not some awards play,\u201d the source said. Though Netflix would be welcomed to the theatrical sandbox, its competitors are insistent that it play by the rules. That means reporting box office grosses, something the data-shy Netflix has never engaged in (to the chagrin of studio and indie distributors). But Netflix will report box office grosses for six upcoming films, two company insiders said: \u201cNarnia\u201d and \u201cCharlie,\u201d as well as \u201cLa Bola Negra,\u201d David Fincher\u2019s \u201cThe Further Mis-Adventures of Cliff Booth,\u201d \u201cThe Mosquito Bowl\u201d and \u201cInk.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAs Netflix and fellow streamers like Apple and Prime Video rose to prominence \u2014 largely by overpaying talent with back-end buyouts based on hypothetical box office projections \u2014 the establishment fought back by saying the only way to create lasting value for a company\u2019s film library was to eventize each release with major marketing dollars.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tNetflix seemed to agree with this, to an extent. Take the eye-popping $450 million it spent in 2021 to acquire the two sequels to Rian Johnson\u2019s \u201cKnives Out\u201d ensemble murder mystery. Part of that deal, Variety reported at the time, entailed tens of millions of dollars in marketing spending to make the films feel as big as theatrical debuts. Netflix fulfilled its promise to spend big, but many industry observers said the company left a ton of cash on the table by skipping cinemas. The same was said in 2024 of the Jason Bateman thriller \u201cCarry-On,\u201d the third-most-watched film ever on the service.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tTheatrical distribution at Netflix has been headed by Spencer Klein since 2019. The former 20th Century Fox steward, who booked releases for juggernauts like the \u201cDeadpool\u201d and \u201cPlanet of the Apes\u201d franchises, also dates movies on the service and manages Netflix-owned theaters in New York and Los Angeles. He also guided Netflix to its first No. 1 box office weekend in August 2025, with a sing-along version of its animated Oscar winner \u201cKPop Demon Hunters.\u201d Klein is respected among his peers and will be watched closely as \u201cNarnia\u201d and \u201cCharlie\u201d start ramping up.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThose inside Netflix, per individuals with close knowledge of the company, are downplaying the significance of this theatrical flirtation. Extending big-screen runs, as the company line often goes, is part of a bespoke process where the film team decides \u201cwhat\u2019s right\u201d for each movie.<\/p>\n","protected":false},"excerpt":{"rendered":"\u201cLa Bola Negra\u201d has mucho heat. The generational queer drama swept the Cannes Film Festival off its feet&hellip;\n","protected":false},"author":2,"featured_media":840968,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[33],"tags":[88,120608,217],"class_list":["post-840967","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","tag-entertainment","tag-greta-gerwig","tag-netflix"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/840967","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/comments?post=840967"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/840967\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media\/840968"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media?parent=840967"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/categories?post=840967"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/tags?post=840967"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}