{"id":894510,"date":"2026-10-25T20:44:14","date_gmt":"2026-10-25T20:44:14","guid":{"rendered":"https:\/\/www.newsbeep.com\/us\/894510\/"},"modified":"2026-10-25T20:44:14","modified_gmt":"2026-10-25T20:44:14","slug":"box-office-global-clayface-43m-ww-opening-second-no-1-skydance","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/us\/894510\/","title":{"rendered":"Box Office Global: &#8216;Clayface&#8217; $43M WW Opening Second No. 1 Skydance"},"content":{"rendered":"<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tThe newly combined Paramount-Warner Bros merger (aka Skydance) saw its second back-to-back No. 1 weekend win at the global box office with DC\u2019s <a href=\"https:\/\/deadline.com\/tag\/clayface\/\" id=\"auto-tag_clayface\" data-tag=\"clayface\" rel=\"nofollow noopener\" target=\"_blank\">Clayface<\/a> which filed $43M WW. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tIs this the new norm? A consecutive weekend win by Skydance? Should the platinum studio Disney be worried?<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tEven if A24\u2019s <a href=\"https:\/\/deadline.com\/tag\/you-can-see-everything\/\" id=\"auto-tag_you-can-see-everything\" data-tag=\"you-can-see-everything\" rel=\"nofollow noopener\" target=\"_blank\">You Can See Everything<\/a> pops to No. 1 over the dead zone of Halloween stateside, Warner Bros Animation\u2019s The Cat in the Hat will bring Skydance back to No. 1 over the first frame in November. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tThough the global opening here for Clayface is under the $45M hoped for, it\u2019s still solid for the net $44M costing feature (before P&amp;A), especially given its excellent audience exits. That A- is one of a few earned by horror titles, the others being Get Out, Weapons and Obsession. DC Bosses James Gunn and Peter Safran reportedly covered their faces after watching Clayface for the first time, literally scared by all the gross scenes. That\u2019s what fanboys and moviegoers are responding to in the movie.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tThe global opening here in pure dollars isn\u2019t far from what Universal\u2019s Other Mommy from Blumhouse Atomic Monster did a couple of weeks ago, that being a $45.6M start (but in 50 territories). The foreign start for that D+ horror movie was $17.8M while Clayface here was $19M from 76 territories. Domestic was No. 1 with $24M, over A24\u2019s second frame of 3-hour documentary You Can See Everything. By the way, that Nathan Fielder and Lance Oppenheim co-directed nonfiction film doesn\u2019t start opening abroad until Nov. 12 in Australia, followed by UK on Nov. 20 via A24. Sony is handling the bulk of foreign as Deadline first told you with translated prints being prepped at the time of this report. We hear that Palace Cinemas in Australia just broke the record for their biggest single day of pre-sales ever thanks to You Can See Everything, doubling the chain\u2019s previous record held by Taylor Swift: Eras Tour.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tIn regards to Clayface\u2018s territory grosses, it exceeded or met Other Mommy\u2018s first weekend in the UK ($2.6M), Australia ($1.3M versus $1.1M), France ($1.2M) and Brazil ($879K vs. $751K). Clayface was under Other Mommy in Mexico ($1.4M to $1.9M), Italy ($873K vs $2.2M), Spain ($721K vs. $986K), UAE ($626K versus $658K), Saudi Arabia ($561K versus $601K) and Taiwan ($404K vs. $424K). Other Mommy didn\u2019t open in Germany or Korea yet as it respectively opens there on Oct. 29 and Nov. 18, but Clayface did $593K in Germany and $589K in Korea.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tMeanwhile, in reported grosses, Clayface\u2018s opening in Italy beat Supergirl\u2018s first weekend of $717,7K and Korea\u2019s first weekend of $422K. <\/p>\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/deadline.com\/wp-content\/themes\/pmc-deadline-2019\/assets\/public\/lazyload-fallback.jpg\" data-lazy-src=\"https:\/\/www.newsbeep.com\/us\/wp-content\/uploads\/2026\/10\/Other-Mommy.jpg\" alt=\"\" data-lazy- data-lazy- height=\"576\" width=\"1024\" decoding=\"async\"\/><\/p>\n<p>\t\t\t\t\tArabella Olivia Clark in \u2018Other Mommy\u2019<\/p>\n<p>\t\t\t\t\t\t\t\t\tUniversal Pictures\/Everett Collection<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tSpeaking of Other Mommy, the Universal title\u2019s third global weekend came in at $9.2M WW in 68 territories ($5.3M int\u2019l, $3.85M domestic) with a strong No. 2 opening in Poland of $464K behind local hit Lalka and ahead of Black Phone 2, Smile and M3GAN. Also, France had a solid hold of $900K for a cume of $2.5M above Black Phone at the same point in time. Global running cume is $94.8M with $43.3M from offshore and $51.5M stateside.<\/p>\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/deadline.com\/wp-content\/themes\/pmc-deadline-2019\/assets\/public\/lazyload-fallback.jpg\" data-lazy-src=\"https:\/\/www.newsbeep.com\/us\/wp-content\/uploads\/2026\/10\/Street-Fighter-Trailer-1.jpg\" alt=\"Andrew Koji as Ryu in 'Street Fighter'\" data-lazy- data-lazy- height=\"431\" width=\"1024\" decoding=\"async\"\/><\/p>\n<p>\t\t\t\t\tAndrew Koji as Ryu in \u2018Street Fighter\u2019<\/p>\n<p>\t\t\t\t\t\t\t\t\tParamount Pictures<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tParamount Warner Bros can call dibs on No. 2 at the global weekend B.O. with the second frame of Legendary\/Capcom\u2019s Street Fighter with $16.8M WW ($8.2M from 65 markets for a foreign cume of $32.7M) and running global cume of $76.3M. As we told you, North America ate floor with a -72% plummet of $8.6M. The feature take of the hit 1980s video game held onto its Imax screens around the globe which delivered $2.5M for a near $12M running circuit cume. Top second frame holdovers for Street Fighter were UK ($1.3M, -58%, No. 4, $5.6M cume); Australia ($800K, -45%, No. 2 and $2.6M cume), France ($744K, -33%, No. 9 and $2.2M cume), Mexico ($659K, -63%, No. 4 and near $3M cume) and Germany ($485K, -42%, No. 9 and running cume of $1.6M).<\/p>\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/deadline.com\/wp-content\/themes\/pmc-deadline-2019\/assets\/public\/lazyload-fallback.jpg\" data-lazy-src=\"https:\/\/www.newsbeep.com\/us\/wp-content\/uploads\/2026\/10\/Wildwood-Prue-Mac.jpg\" alt=\"L-R: Prue and Mac McKeel in 'Wildwood'\" data-lazy- data-lazy- height=\"426\" width=\"1024\" decoding=\"async\"\/><\/p>\n<p>\t\t\t\t\tL-R: Prue (Peyton Elizabeth Lee) and Mac McKeel (Arthur Knight in \u2018<a href=\"https:\/\/deadline.com\/tag\/wildwood\/\" id=\"auto-tag_wildwood\" data-tag=\"wildwood\" rel=\"nofollow noopener\" target=\"_blank\">Wildwood<\/a>\u2018<\/p>\n<p>\t\t\t\t\t\t\t\t\tCourtesy of Laika<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tLaika\u2019s stop-motion animated pic Wildwood minted $11.3M stateside with another $3M in its foreign launch from 11 territories via FilmNation for a $14.3M WW start. UK looks to be landing an opening around $1.4M after a Friday-Saturday take of $931K that\u2019s 15% ahead of Kubo and the Two Strings, and 22% ahead of The Boy and the Heron. Black Bear is handling the UK release. Kismet has Australia which is shaping up for a $567K opening, ahead of Laika\u2019s Missing Link, Kubo and the Two String and The Boxtrolls. NZ is filing $58K. Notorious in Italy is looking at a $393K opening, with a Saturday $142,5K take ahead of Missing Link, Kubo and Boxtrolls. Wildwood via Beta Film in Spain is seeing a $292K opening from 232 cinemas, with an 8.4 rating on FilmAffinity, making it the highest rated release YTD on the platform. Netherlands via The Searchers is looking at $168K with a Saturday gross ahead of ParaNorman, Kubo, Missing Link and Coraline. Croatia is $25K, Serbia $6K, South Africa $33K, Singapore $29K and Italian speaking Switzerland is $2K. Wildwood\u2018s foreign rollout continues next weekend across Latin America, the Middle East, the Nordics and additional Eastern European markets. Mexico alone was Laika\u2019s second-largest grossing market for the 2024 re-release of Coraline.<\/p>\n<p>Sony\/Constantin\u2019s Resident Evil posted a sixth global weekend of $13.3M WW ($10.3M foreign, $3M stateside), and a running global of $384.5M. Foreign gross alone is $230.8M. China alone counts $65M. Pic is still in play at 67 markets on 26,400 screens.<\/p>\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/deadline.com\/wp-content\/themes\/pmc-deadline-2019\/assets\/public\/lazyload-fallback.jpg\" data-lazy-src=\"https:\/\/www.newsbeep.com\/us\/wp-content\/uploads\/2026\/10\/1792961054_415_MCDVERI_ZU018.jpg\" alt=\"\" data-lazy- data-lazy- height=\"426\" width=\"1024\" decoding=\"async\"\/><\/p>\n<p>\t\t\t\t\tJosh Hartnett and Dakota Johnson in \u2018Verity\u2019<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tAmazon MGM Studio\u2019s Verity saw $7.2M abroad from 79 markets and another $3M stateside for a $10.2M WW for fourth frame that takes the worldwide tally to $162.7M ($91.2M foreign, $71.5M domestic). Newest opening was in South Korea with $179K at 445 screens, surpassing the lifetime of It Ends With Us ($124K) there to become the biggest Colleen Hoover feature adaptation of all-time.  Holdovers include Germany ($1.3M at 626 screens, -30% ranked No. 2 with cume near $12M), UK ($861K at 531 screens, -41%, with a $14.4M tally), Australia ($577K this weekend from 274 screens, down -38% and ranked #3. The cume is now $8.1M) and Brazil ($525K from 900 screens, -56% for a No. 2 rank and near $10M cume). <\/p>\n","protected":false},"excerpt":{"rendered":"The newly combined Paramount-Warner Bros merger (aka Skydance) saw its second back-to-back No. 1 weekend win at the&hellip;\n","protected":false},"author":2,"featured_media":894511,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[33],"tags":[18085,88,162108,355314],"class_list":["post-894510","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","tag-clayface","tag-entertainment","tag-wildwood","tag-you-can-see-everything"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/894510","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/comments?post=894510"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/894510\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media\/894511"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media?parent=894510"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/categories?post=894510"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/tags?post=894510"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}