{"id":915089,"date":"2026-11-12T19:12:13","date_gmt":"2026-11-12T19:12:13","guid":{"rendered":"https:\/\/www.newsbeep.com\/us\/915089\/"},"modified":"2026-11-12T19:12:13","modified_gmt":"2026-11-12T19:12:13","slug":"tvs-biggest-salaries-zendaya-nicolas-cage-selena-gomez-and-more","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/us\/915089\/","title":{"rendered":"TV&#8217;s Biggest Salaries: Zendaya, Nicolas Cage, Selena Gomez and More"},"content":{"rendered":"<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tPeak TV may be over, but peak TV salaries haven\u2019t gone away. The streaming revolution changed the game when it came to recruiting A-listers to appear in topline series on the small screen, and the biggest stars are still nabbing impressive paychecks.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe downturn in original series production has tightened up the marketplace overall. But with the right project arriving at the right moment, marquee names are still making bank in TV. The film business, on the other hand, has been in a state of limbo for most of this year as the Paramount-Warner Bros. merger has unfolded. The recent shake-up of Netflix\u2019s content leadership has also put a crimp in dealmaking, at least temporarily, even as the film sector celebrates the buoyancy of the box office this year.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tSome of the eye-popping salaries for TV series have been well documented, including the packages that brought <a href=\"https:\/\/variety.com\/t\/jennifer-aniston\/\" id=\"auto-tag_jennifer-aniston\" data-tag=\"jennifer-aniston\" rel=\"nofollow noopener\" target=\"_blank\">Jennifer Aniston<\/a> and Reese Witherspoon to Apple TV\u2019s \u201cThe Morning Show\u201d at around $2 million an episode. More recent TV recruits include Sylvester Stallone, who\u2019s believed to be clearing about $2 million an episode for his work on Paramount+\u2019s Taylor Sheridan-produced drama \u201cTulsa King.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOthers who have negotiated a pretty payday are \u201cOnly Murders in the Building\u201d stars <a href=\"https:\/\/variety.com\/t\/selena-gomez\/\" id=\"auto-tag_selena-gomez\" data-tag=\"selena-gomez\" rel=\"nofollow noopener\" target=\"_blank\">Selena Gomez<\/a>, Steve Martin and Martin Short, who are easily clearing more than $1 million an episode as the series enters Season 6. And popular faces who can immediately attract a fan base are also fetching top coin: Jennifer Garner, for example, crossed the $1 million threshold for Peacock\u2019s \u201cThe Five-Star Weekend.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cThe need for stars that can anchor these television shows is bigger than it\u2019s ever been,\u201d says one talent agent. \u201cIt used to be unheard of that someone would get $2 million an episode.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tStars who have perhaps aged out of marquee film roles have particularly benefited from the new marketplace. They\u2019ve found a lucrative home in streaming, where their draw remains valuable. And as opposed to the 22-episode TV season required in the broadcast network days, they\u2019re attracted to the less taxing commitment that comes with a 6-, 8- or 10-episode order.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cEvery star now is looking at how to anchor a series,\u201d says an insider. \u201cIf you\u2019re No. 1 or No. 2 on the call sheet, it\u2019s really never been better financially.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tEven as the conventional wisdom remains that Hollywood is struggling and the job market is challenged, agents in the TV talent field are perhaps the most optimistic folks in the industry right now.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cThe TV actor salary game is still a really good business,\u201d says one agent. \u201cThere\u2019s still a lot of money to be made as an actor on television. Certainly for the starriest names, those people are still getting toward the upper limit of anything that anyone\u2019s ever made on television.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tSays another rep: \u201cIt definitely feels like the opportunities are there. I mean, it\u2019s not 2016 to 2019, when everyone was just blasting a fire hose of cash into the community, which was totally unsustainable. Comparing anything to that time, when the streamers were out there spending like drunken sailors, is not a fair comp.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOf course, this is mostly the top stars on the call sheets, as the boom times aren\u2019t for everyone. It\u2019s still tougher than it used to be for the middle class of actors \u2014 the ones who made a nice living by bouncing from pilot to pilot or show to show in the broadcast age. Back then, even if you didn\u2019t wind up on a hit show, you could still do OK.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThose days are gone \u2014 but so are the rigid exclusivity clauses that used to prevent actors from working on more than one TV series at a time. Because episodic orders are shorter now, limiting ultimate take-home pay, the networks and studios are more willing to let stars moonlight. (That\u2019s especially true of those getting top billing: Just ask the ubiquitous Nicole Kidman.)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tEight years ago, when California banned the use of the \u201cactor\u2019s quote\u201d \u2014 the rate an actor was paid for a previous role, which was used as that performer\u2019s salary baseline in negotiations \u2014 more pay parity was brought to the business. \u201cIt\u2019s leveled the playing field quite a bit,\u201d an agent says. \u201cNow the pay depends on the role.\u201d Women and minorities, especially, who traditionally got paid less, can now demand more.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAmong the major outlets, Apple is seen as the most competitive with salaries, with HBO and Amazon in the mix too. Even Peacock has shown a willingness to pay upward of $1 million an episode for talent like Garner. Paramount+, meanwhile, has attracted some top-tier talent (particularly on Sheridan and 101 Studios shows) by offering $1 million-plus an episode to some of its leads. Disney is seen as more spendthrift; FX, in particular, isn\u2019t chasing as many high-salary stars as it focuses more on the power of the material with series like \u201cSh\u014dgun.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIf there\u2019s any recent surprise, it\u2019s how well the traditional broadcast networks are doing with their original scripted fare \u2014 and that\u2019s attracting some major TV stars returning to the small screen, including Blair Underwood, Felicity Huffman, Peter Krause and Hope Davis. And those leads are getting paid as much as $250,000 to $350,000 an episode at the start, and more in success. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cIt\u2019s completely competitive with the top end of a hit show,\u201d says one agent. \u201cObviously, in streaming, they\u2019re going to pay you a hell of a lot more because they\u2019re only doing eight episodes. But you can definitely still get paid in broadcast. It\u2019s just without the obvious syndication windfalls that used to come with having those backend points.\u201d<\/p>\n<\/p>\n<p>Compiled by Michael Schneider and Joe Otterson. Not a complete list. Episodic numbers are approximate, and some episodic salaries may include producing fees and other bonuses.<\/p>\n","protected":false},"excerpt":{"rendered":"Peak TV may be over, but peak TV salaries haven\u2019t gone away. The streaming revolution changed the game&hellip;\n","protected":false},"author":2,"featured_media":915090,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[33],"tags":[88,3660,67449,22280,49615],"class_list":["post-915089","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","tag-entertainment","tag-jennifer-aniston","tag-nicolas-cage","tag-selena-gomez","tag-zendaya"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/915089","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/comments?post=915089"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/posts\/915089\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media\/915090"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/media?parent=915089"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/categories?post=915089"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us\/wp-json\/wp\/v2\/tags?post=915089"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}