Reacher season four is one step closer to hitting our screens as production has just shared an exciting update on the new instalment.
The Alan Ritchson-starring series is set to tackle author Lee Child’s 13th Reacher novel, titled Gone Tomorrow. The book once again follows the resourceful Jack Reacher (Ritchson) as he unravels a conspiracy that starts with a potential suicide bomber on the New York City subway.
However, the show has moved the action to Philadelphia, which is now the main setting of Gone Tomorrow.
While a release date for the new season has yet to be announced, it seems we won’t have too long to wait as production on chapter four has officially wrapped.
A production team member shared that production on season four had finished by posting a celebratory message on Instagram.
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“Looks like Reacher Season 4 has officially wrapped! It’s been a long run. Great work to all the cast and crew. Thank you so much Alan…,” they wrote.
Ritchson previously confirmed that production on season four would wrap soon, which means we’re likely looking at a 2026 release.
“One week left. Again, like I was saying, it’s a journey,” he told Collider in an interview published last week.
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“I feel like the way the presidents come out of the White House looking grey and old, that’s how I feel each year doing Reacher. I feel like 10 lifetimes have been lived. So for me to be a week away, it’s like I see the light at the end of the tunnel.”
Earlier this year, Reacher confirmed a shake-up in its cast when star Jay Baruchel was replaced.
The How to Train Your Dragon voice star, also known for his role in BlackBerry, reportedly exited the project due to a personal matter. His role, small-town police officer Jay Merrick, has been recast and is now played by Christopher Rodriguez-Marquette.
Reacher streams on Prime Video.
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Stefania is a freelance writer specialising in TV and movies. After graduating from City University, London, she covered LGBTQ+ news and pursued a career in entertainment journalism, with her work appearing in outlets including Little White Lies, The Skinny, Radio Times and Digital Spy.Â
Her beats are horror films and period dramas, especially if fronted by queer women. She can argue why Scream is the best slasher in four languages (and a half).Â