Dispatch 119. Mines in the Reflecting Pool
I spent time in Cambodia in 1996 working with de-mining teams and writing a little book about the…
FROM THE BIENNALE – EVERYONE LOVES A MINIATURE
The Venice Biennale often takes time to digest and find a thread—if there is one—that unites the art…
Lisa Yuskavage – The Brooklyn Rail
Lisa Yuskavage David Zwirner May 14-June 26, 2026 New York In 1914, the Rokeby Venus, a sultry reclining nude…
NY Knicks fan pushes for Jalen Brunson statue near MSG
After Lady Liberty, this would probably be NYC’s most popular statue. The King of New York Jalen Brunson…
Cottage Industry – The Brooklyn Rail
Cottage IndustryA.D. NYCMay 25–June 28, 2026Queens Cottage Industry, A.D.’s first show since leaving Two Bridges for Ridgewood, showcases…
Julian Schnabel with Phong H. Bui
Rail: … an Englishman. Schnabel: Exactly, who lived in America like so many expatriates who came from so…
Cassandra Mayela Allen: Aquel Amplex
Aquel AmplexInstituto CervantesApril 16–June 27, 2026 New York An art which is “modern” does not exist. There is…
The Aesthetics of Automation – The Brooklyn Rail
By stripping the machine of its functionality and transforming it into a medium of aesthetic contemplation, the work…
Helen Frankenthaler: The Moment and the Distance
The Moment and the Distance Gagosian April 30–July 2, 2026 New York Standing among the soaring paintings by…
In Between Keep Moving: A Pierre Joris Reader
Colby ChamberlainFluxus Administration: George Maciunas and the Art of PaperworkThe University of Chicago Press, 2024 In order to…
Art Review: Francesca Mollett’s “Buried Shadow” at GRIMM New York
Installation view: Francesca Mollett’s “Buried Shadow” at GRIMM New York. Courtesy GRIMM Francesca Mollett swiftly captured the attention…
A Century-Old Pillar and Column Maker is Closing in NYC
One morning earlier this week, Thomas Lupo, the president and CEO of the American Wood Column Corporation, was…